The First Part of King Henry IV

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The First Part of King Henry IV

by William Shakespeare
Editor Herbert Weil, Judith Weil

Cambridge University Press | December 3, 2007 | Hardcover |

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This updated edition offers a strongly theatrical perspective on the origins of Shakespeare''s The First Part of King Henry IV and the history of its interpretation. The introduction clarifies the play''s surprising, de-centred dramatic structure, questioning the dominant assumption that the drama focuses on the education of Prince Hal. It calls attention to the effects of civil war upon a broad range of relationships. Falstaff''s unpredictable vitality is explored, together with important contemporary values of honour, friendship, festivity and reformation. Extensive lexical glosses of obscure, ambiguous or archaic meanings make the rich wordplay accessible. The notes also provide a thorough commentary on Shakespeare''s transformation of his sources (particularly Holinshed''s Chronicles) and suggest alternative stagings. This updated edition contains a new introductory section by Katharine A. Craik, which describes recent stage, film and critical interpretations, and an updated reading list.

Format: Hardcover

Dimensions: 254 Pages, 5.91 × 8.66 × 0.39 in

Published: December 3, 2007

Publisher: Cambridge University Press

Language: English

The following ISBNs are associated with this title:

ISBN - 10: 0521868017

ISBN - 13: 9780521868013

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– More About This Product –

The First Part of King Henry IV

The First Part of King Henry IV

by William Shakespeare
Editor Herbert Weil, Judith Weil

Format: Hardcover

Dimensions: 254 Pages, 5.91 × 8.66 × 0.39 in

Published: December 3, 2007

Publisher: Cambridge University Press

Language: English

The following ISBNs are associated with this title:

ISBN - 10: 0521868017

ISBN - 13: 9780521868013

Table of Contents

Introduction: Reputation; Date; The design of the play; Transforming the sources; The appeal of Falstaff and the contexts of interpretation; Stage history; Recent stage, film and critical interpretations by Katharine A. Craik; Note on the text; List of characters; THE PLAY; Textual analysis; Appendix: Shakespeare and Holinshed; Reading list.

From the Publisher

This updated edition offers a strongly theatrical perspective on the origins of Shakespeare''s The First Part of King Henry IV and the history of its interpretation. The introduction clarifies the play''s surprising, de-centred dramatic structure, questioning the dominant assumption that the drama focuses on the education of Prince Hal. It calls attention to the effects of civil war upon a broad range of relationships. Falstaff''s unpredictable vitality is explored, together with important contemporary values of honour, friendship, festivity and reformation. Extensive lexical glosses of obscure, ambiguous or archaic meanings make the rich wordplay accessible. The notes also provide a thorough commentary on Shakespeare''s transformation of his sources (particularly Holinshed''s Chronicles) and suggest alternative stagings. This updated edition contains a new introductory section by Katharine A. Craik, which describes recent stage, film and critical interpretations, and an updated reading list.

About the Author

William Shakespeare, 1564 - 1616 Although there are many myths and mysteries surrounding William Shakespeare, a great deal is actually known about his life. He was born in Stratford-Upon-Avon, son of John Shakespeare, a prosperous merchant and local politician and Mary Arden, who had the wealth to send their oldest son to Stratford Grammar School. At 18, Shakespeare married Anne Hathaway, the 27-year-old daughter of a local farmer, and they had their first daughter six months later. He probably developed an interest in theatre by watching plays performed by traveling players in Stratford while still in his youth. Some time before 1592, he left his family to take up residence in London, where he began acting and writing plays and poetry. By 1594 Shakespeare had become a member and part owner of an acting company called The Lord Chamberlain's Men, where he soon became the company's principal playwright. His plays enjoyed great popularity and high critical acclaim in the newly built Globe Theatre. It was through his popularity that the troupe gained the attention of the new king, James I, who appointed them the King's Players in 1603. Before retiring to Stratford in 1613, after the Globe burned down, he wrote more than three dozen plays (that we are sure of) and more than 150 sonnets. He was celebrated by Ben Jonson, one of the leading playwrights of the day, as a writer who would be "not for an age, but for all time," a prediction that has proved to be true. Today, Shakespeare
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