Dimensions: 186 pages, 3.54 × 2.35 × 0.22 in
Published: March 31, 2010
Publisher: Cambridge University Press
The following ISBNs are associated with this title:
ISBN - 10: 0521197104
ISBN - 13: 9780521197106
Table of Contents
Introduction: the date and first occasion of the play; The world of the play; Some moments in the play; The play on the stage; Recent critical and stage interpretations; Note on the text; List of characters; THE PLAY; Textual analysis; Reading list.
From the Publisher
This new edition of Shakespeare''s The Merry Wives of Windsor focuses on a theatrical understanding of the play. While emphasising the liveliness of the play in stage terms, David Crane also claims that this citizen comedy needs to be taken much more seriously than in the past, as an expression of Shakespeare''s fundamental understanding of human life, conveyed centrally in the character of Falstaff. In the process he also examines Shakespeare''s free and vigorous use of different linguistic worlds within the play. The revision of this edition includes a response to some current arguments about the dating of Merry Wives, and also considers how recent productions bear upon the critical and theatrical account Crane gives of the play.
About the Author
William Shakespeare, 1564 - 1616 Although there are many myths and mysteries surrounding William Shakespeare, a great deal is actually known about his life. He was born in Stratford-Upon-Avon, son of John Shakespeare, a prosperous merchant and local politician and Mary Arden, who had the wealth to send their oldest son to Stratford Grammar School. At 18, Shakespeare married Anne Hathaway, the 27-year-old daughter of a local farmer, and they had their first daughter six months later. He probably developed an interest in theatre by watching plays performed by traveling players in Stratford while still in his youth. Some time before 1592, he left his family to take up residence in London, where he began acting and writing plays and poetry. By 1594 Shakespeare had become a member and part owner of an acting company called The Lord Chamberlain's Men, where he soon became the company's principal playwright. His plays enjoyed great popularity and high critical acclaim in the newly built Globe Theatre. It was through his popularity that the troupe gained the attention of the new king, James I, who appointed them the King's Players in 1603. Before retiring to Stratford in 1613, after the Globe burned down, he wrote more than three dozen plays (that we are sure of) and more than 150 sonnets. He was celebrated by Ben Jonson, one of the leading playwrights of the day, as a writer who would be "not for an age, but for all time," a prediction that has proved to be true. Today, Shakespeare