The Prague Cemetery

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The Prague Cemetery

by Umberto Eco

Houghton Mifflin Harcourt | September 4, 2012 | Trade Paperback

The Prague Cemetery is rated 3 out of 5 by 1.
The #1 international bestseller, from Umberto Eco, author of The Name of the Rose

"Vintage Eco . . . the book is a triumph." - New York Review of Books

Nineteenth-century Europe-from Turin to Prague to Paris-abounds with the ghastly and the mysterious. Jesuits plot against Freemasons. Italian republicans strangle priests with their own intestines. French criminals plan bombings by day and celebrate Black Masses at night. Every nation has its own secret service, perpetrating forgeries, plots, and massacres. Conspiracies rule history. From the unification of Italy to the Paris Commune to the Dreyfus Affair to The Protocols of the Elders of Zion, Europe is in tumult and everyone needs a scapegoat. But what if, behind all of these conspiracies, both real and imagined, lay one lone man?

"[Eco] demonstrates once again that his is a voice that compels our attention" - San Francisco Chronicle

"Choreographed by a truth that is itself so strange a novelist need hardly expand on it to produce a wondrous tale . . . Eco is to be applauded for bringing this stranger-than-fiction truth vividly to life." - New York Times

"Classic Eco, with a difference." - Los Angeles Times

Format: Trade Paperback

Dimensions: 464 pages, 8 × 5.31 × 1.13 in

Published: September 4, 2012

Publisher: Houghton Mifflin Harcourt

Language: English

The following ISBNs are associated with this title:

ISBN - 10: 0547844204

ISBN - 13: 9780547844206

Found in: Fiction and Literature

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Reviews

Rated 3 out of 5 by from A difficult but interesting read. Translated from Italian by Richard Dixon/ Pros: fascinating look at a period of history largely ignored by modern readers, thought provoking/ Cons: lots of politically incorrect and thereby uncomfortable speeches, vivid depiction of a black mass, unlikable protagonist/ Simone Simonini's personal motto is, Odi ergo sum. I hate, therefore I am. An Italian living in Paris, Simonini hates: the Germans, the French, the Italians, women, Jesuits, and most importantly, the Jews. Which is why, after years of forging documents and fermenting chaos for various government agencies, he has created his masterpiece - a document that will turn the nations of the world against the Jews./ The novel begins with Simonini having lost his memory. He starts a diary in order to remember who he is, starting with his youth. Abbe Dalla Piccola, living in an adjoining apartment, has also lost his memory, but seems to know what happened during segments of Simonini's past, adding his own notes to Simonini's writings. Are they the same person? Or did Simonini merely confess these actions to the abbot?/ Simonini is not a likable protagonist, and the book is an uncomfortable read, both due to Simonini's extremely vitriolic hate speeches (against many groups but there's more anti-semitic sentiment than others) as well as for a detailed description of a black mass (modified Latin and all). The second chapter of the book serves as a litmus test for the rest, shocking the reader and daring you to read on. If you can get past chapter 2 you'll have read the worst - though not the only - hate speeches in the book./ The book takes place during the late 1800s, when racist sentiments were the norm. Based on real people and events, it's a difficult, yet fascinating world to be thrown into. Along the way you encounter Alexander Dumas, Sigmund Freud (spelled Froide in the book), the Satanic cultist Abbot Boullan and more. From the Second Italian War of Independence to the Paris Commune of 1871, you'll be exposed to the bitter realities of the times. A reader would do well to have quick access to wikipedia in order to learn more about some of the strange - and accurate - things mentioned./ The Prague Cemetery is more accessible to the average reader than some of Eco's other novels which, given the sarcasm inherent in his forward and afterward is likely due to pressure from his publisher. Most of the foreign language segments have been translated into English, and he's helpfully provided a timeline at the back of the book for those who couldn't follow the narrative. A dramatis personae list would have been more helpful, as characters pass in and out of the work so frequently it's hard to remember who they are when they return./ In his forward Eco makes it clear that having his meticulously researched work of fiction compared to a popular (and more fanciful) work like The Da Vinci Code is something of an insult, despite how entertaining the latter book may be. He assumes there are two types of readers - The Da Vinci Code thrill seeker who will take all the events depicted in The Prague Cemetery as entertaining fiction, and the more intelligent reader who is interested in history and recognizes the real events and characters depicted and who see the horror inherent in the underlying message that real people did these things./ It seems that Eco is commenting on how far we as humans have come in the past two hundred years, by reminding us of where we've been. If so, it's also a warning of how easy it is to fall prey to visionaries, revolutionaries and fraudsters. And how readily others are willing to exploit us. Caveat lector: Let the reader, beware.
Date published: 2013-11-17

– More About This Product –

The Prague Cemetery

by Umberto Eco

Format: Trade Paperback

Dimensions: 464 pages, 8 × 5.31 × 1.13 in

Published: September 4, 2012

Publisher: Houghton Mifflin Harcourt

Language: English

The following ISBNs are associated with this title:

ISBN - 10: 0547844204

ISBN - 13: 9780547844206

About the Book

Nineteenth-century Europe abounds with the ghastly and the mysterious. Every nation has its own secret service, and conspiracies rule history. What if, behind all of these conspiracies, both real and imagined, lay one lone man?

Read from the Book

1 A PASSERBY ON THAT GRAY MORNING A passerby on that gray morning in March 1897, crossing, at his own risk and peril, place Maubert, or the Maub, as it was known in criminal circles (formerly a center of university life in the Middle Ages, when students flocked there from the Faculty of Arts in Vicus Stramineus, or rue du Fouarre, and later a place of execution for apostles of free thought such as Étienne Dolet), would have found himself in one of the few spots in Paris spared from Baron Haussmann''s devastations, amid a tangle of malodorous alleys, sliced in two by the course of the Bièvre, which still emerged here, flowing out from the bowels of the metropolis, where it had long been confined, before emptying feverish, gasping and verminous into the nearby Seine. From place Maubert, already scarred by boulevard Saint-Germain, a web of narrow lanes still branched off, such as rue Maître-Albert, rue Saint-Séverin, rue Galande, rue de la Bûcherie, rue Saint-Julien-le-Pauvre, as far as rue de la Huchette, littered with filthy hotels generally run by Auvergnat hoteliers of legendary cupidity, who demanded one franc for the first night and forty centimes thereafter (plus twenty sous if you wanted a sheet). If he were to turn into what was later to become rue Sauton but was then still rue d''Amboise, about halfway along the street, between a brothel masquerading as a brasserie and a tavern that served dinner with foul wine for two sous (cheap even then, but all that was affordable
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From the Publisher

The #1 international bestseller, from Umberto Eco, author of The Name of the Rose

"Vintage Eco . . . the book is a triumph." - New York Review of Books

Nineteenth-century Europe-from Turin to Prague to Paris-abounds with the ghastly and the mysterious. Jesuits plot against Freemasons. Italian republicans strangle priests with their own intestines. French criminals plan bombings by day and celebrate Black Masses at night. Every nation has its own secret service, perpetrating forgeries, plots, and massacres. Conspiracies rule history. From the unification of Italy to the Paris Commune to the Dreyfus Affair to The Protocols of the Elders of Zion, Europe is in tumult and everyone needs a scapegoat. But what if, behind all of these conspiracies, both real and imagined, lay one lone man?

"[Eco] demonstrates once again that his is a voice that compels our attention" - San Francisco Chronicle

"Choreographed by a truth that is itself so strange a novelist need hardly expand on it to produce a wondrous tale . . . Eco is to be applauded for bringing this stranger-than-fiction truth vividly to life." - New York Times

"Classic Eco, with a difference." - Los Angeles Times

About the Author

UMBERTO ECO is a professor of semiotics at the University of Bologna and the best-selling author of numerous novels and essays. He lives in Italy.

No Bio

Editorial Reviews

"I find this book fascinating, perhaps the best Eco has written in years." -Huffington Post   "A well-executed thriller . . . provocative and suspenseful." -USA Today

"[Eco''s] latest takes that longtime thriller darling, the conspiracy theory, and turns it into something grander...Sold to 40 countries and said to be controversial; a speed-read with smarts." -Library Journal, "My Picks"

"A whirlwind tour of conspiracy and political intrigue...this dark tale is delightfully embellished with sophisticated and playful commentary on, among other things, Freud, metafiction, and the challenges of historiography." -Booklist

"Intriguing, hilarious....a tale by a master." -Publishers Weekly boxed review

"He''s got a humdinger in this new high-level whodunit...a perplexing, multilayered, attention-holding mystery." -Kirkus, starred

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