Format: Trade Paperback
Dimensions: 288 pages, 3.13 × 2.04 × 0.3 in
Published: February 8, 2011
Publisher: Random House of Canada
The following ISBNs are associated with this title:
ISBN - 10: 0307357635
ISBN - 13: 9780307357632
Read from the Book
1 The woman who couldn’t keep her feelings to herself The limousine taking Rebecca Reynolds and Lewis Taylor to the funeral had stalled in the middle of an intersection. The long black car faced west on Queen, straddling Broadview Avenue in the east end of Toronto, Ontario, Canada. Rebecca and Lewis sat on opposite ends of the bench seat, and no one sat between them. Although they were both grieving the loss of Lisa Taylor—Rebecca’s l ittle sister and Lewis’s wife—the two were similar in few other ways. Lewis was relatively short. Both his suit and his haircut were fashionable. Rebecca was quite tall, her naturally brown hair cut in a shoulder-length bob, and she wore a simple black dress. But as the driver repeatedly turned the key in the ignition, they each stared out their own window, mirroring each other. Rebecca idly wondered if it was a problem with the engine or whether they’d simply run out of gas. She ran her hands over her skirt until the fabric was without wrinkles. She realized that this corner was close to E.Z. Self Storage, where she rented unit #207. She played with her clutch, snapping the clasp open and closed. Then she looked down at the carpeted floor and remembered that she was in a limousine, travelling to her sister’s funeral. Her grief, sadness and guilt returned. As Rebecca felt these emotions, Lewis became overwhelmed with them as well. The grief, sadness and guilt were heavy
From the Publisher
A magical story of love and the isolation that defines the
modern condition - Andrew Kaufman pulls off the near impossible and
creates a wholly original allegorical tale that is both emotionally
resonant and outlandishly fun.
Rebecca Reynolds is a young woman with a most unusual and
inconvenient problem: no matter how hard she tries, she can''t stop
her emotions from escaping her body and entering the world around
her. Luckily she''s developed a nifty way to trap and store her
powerful emotions in personal objects - but how many shoeboxes can
a girl fill before she feels crushed by her past?
Three events force Rebecca to change her ways: the unannounced
departure of her husband, Stewart; the sudden death of Lisa, her
musician sister; and, while on her way to Lisa''s funeral, a
near-crash with what appears to be a giant frogwoman recklessly
speeding in a Honda Civic.
Meanwhile, Lisa''s inconsolable husband skips the funeral and flies
to Winnipeg where he begins a bizarre journey that strips him of
everything before he can begin to see a way through his grief… all
with the help of a woman who calls herself God.
From the Hardcover edition.
About the Author
ANDREW KAUFMAN''s critically acclaimed first book, All My
Friends Are Superheroes, was a cult hit and has been
translated into six languages. Kaufman is also an accomplished
screenwriter and has completed a Director''s Residency at the
Canadian Film Centre. He lives in Toronto with his wife and their
From the Hardcover edition.
“A quirky, tender, fantastical page-turner that makes even the most torrential of feelings––despair, doubt and desperation––feel good. . . . The Waterproof Bible is a witty, poignant stroke of beauty that deftly explores deluges of desire and need, fear and faith. The Kaufman current is powerful.” — Lisa Foad, The Globe and Mail “Kaufman is in total control of his universe. He doesn’t put quotation marks on either the realistic or fantastic, and the transition between the two states is always smooth.” — Brian Joseph David, EYE WEEKLY “There are very few Canadian authors, other than Sheila Heti, Yann Martel and occasionally Atwood, willing to submerge that deeply into magic. . . . His prose is so refreshingly heartfelt and natural that he makes it easy to believe.” — The Coast (Halifax) “Elegantly written literary novel, packed with plot. . . . The great pleasure is in the story and its permutations. . . . How it plays out, as opposed to what it may finally mean, is Kaufman’s chief achievement, as [is] his fluid technique in crosscutting the strands of the novel into its many resolutions. . . . Bizarre as the story grows, it never unravels, or becomes inconsistent. All goes, well, swimmingly.” — Winnipeg Free Press “Those who enjoyed All My Friends Are Superheroes . . . should be similarly taken with his sophomore effort, The Waterproof