Theorizing Visual Studies: Writing Through the Discipline

by Alicia Chester, James Elkins, Joel Kuennen

Taylor and Francis | December 12, 2012 | Kobo Edition (eBook)

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This forward-thinking collection brings together over sixty essays that invoke images to summon, interpret, and argue with visual studies and its neighboring fields such as art history, media studies, visual anthropology, critical theory, cultural studies, and aesthetics. The product of a multi-year collaboration between graduate students from around the world, spearheaded by James Elkins, this one-of-a-kind anthology is a truly international, interdisciplinary point of entry into cutting-edge visual studies research. The book is fluid in relation to disciplines; it is frequently inventive in relation to guiding theories; it is unpredictable in its allegiance and interest in the past of the discipline—reflecting the ongoing growth of visual studies.

Format: Kobo Edition (eBook)

Published: December 12, 2012

Publisher: Taylor and Francis

Language: English

The following ISBNs are associated with this title:

ISBN - 10: 1136159169

ISBN - 13: 9781136159169

Found in: Art and Architecture

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Theorizing Visual Studies: Writing Through the Discipline

by Alicia Chester, James Elkins, Joel Kuennen, Kristi McGuire, Maureen Burns

Format: Kobo Edition (eBook)

Published: December 12, 2012

Publisher: Taylor and Francis

Language: English

The following ISBNs are associated with this title:

ISBN - 10: 1136159169

ISBN - 13: 9781136159169

From the Publisher

This forward-thinking collection brings together over sixty essays that invoke images to summon, interpret, and argue with visual studies and its neighboring fields such as art history, media studies, visual anthropology, critical theory, cultural studies, and aesthetics. The product of a multi-year collaboration between graduate students from around the world, spearheaded by James Elkins, this one-of-a-kind anthology is a truly international, interdisciplinary point of entry into cutting-edge visual studies research. The book is fluid in relation to disciplines; it is frequently inventive in relation to guiding theories; it is unpredictable in its allegiance and interest in the past of the discipline—reflecting the ongoing growth of visual studies.
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