Zone One: A Novel

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Zone One: A Novel

by Colson Whitehead

Knopf Doubleday Publishing Group | October 29, 2013 | Hardcover

Zone One: A Novel is rated 2.5 out of 5 by 4.
In this wry take on the post-apocalyptic horror novel, a pandemic has devastated the planet. The plague has sorted humanity into two types: the uninfected and the infected, the living and the living dead.

Now the plague is receding, and Americans are busy rebuild­ing civilization under orders from the provisional govern­ment based in Buffalo. Their top mission: the resettlement of Manhattan. Armed forces have successfully reclaimed the island south of Canal Street—aka Zone One—but pockets of plague-ridden squatters remain. While the army has eliminated the most dangerous of the infected, teams of civilian volunteers are tasked with clearing out a more innocuous variety—the “malfunctioning” stragglers, who exist in a catatonic state, transfixed by their former lives.

Mark Spitz is a member of one of the civilian teams work­ing in lower Manhattan. Alternating between flashbacks of Spitz’s desperate fight for survival during the worst of the outbreak and his present narrative, the novel unfolds over three surreal days, as it depicts the mundane mission of straggler removal, the rigors of Post-Apocalyptic Stress Disorder, and the impossible job of coming to grips with the fallen world.

And then things start to go wrong.

Both spine chilling and playfully cerebral, Zone One bril­liantly subverts the genre’s conventions and deconstructs the zombie myth for the twenty-first century.

Format: Hardcover

Dimensions: 272 pages, 9.59 × 6.47 × 1.07 in

Published: October 29, 2013

Publisher: Knopf Doubleday Publishing Group

Language: English

The following ISBNs are associated with this title:

ISBN - 10: 0385528078

ISBN - 13: 9780385528078

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Reviews

Rated 2 out of 5 by from Zone One had me Zoning Out Being a connoisseur of Post-Apocalyptic novels, I was really looking forward to this one. However, I wasn't thrilled with it. I do enjoy the zombie genre, but I don't like the comedic ones, rather I prefer the more serious takes, so I assumed that I would love this one. Don't get me wrong, the writing was excellent, but it was just a little boring. Believe it or not, this was a very "literary zombie novel", although that may sound oxy-moronic. There was not much action in the novel, and I found it to be more a review of humanity's foibles rather than our fight for survival. I usually enjoy when books have flashbacks and build up to the character's situation, but this novel was a little confusing, bouncing from past to present and everything in between without any clear distinction. I did enjoy Mark Spitz's character, though.
Date published: 2014-07-09
Rated 4 out of 5 by from Not your average zombie story Definitely not your average, action-packed zombie thriller, but it has its charm. More thoughtful, more cerebral, more poetic than most. I've read it twice, and it grows on me every time I revisit it. It is tragic and beautiful in its own way, sort of like watching an accident in slow motion.
Date published: 2013-03-14
Rated 1 out of 5 by from Not worth the read This book was extremely slow, and confusing at the same time. The main character flips between past and present too often, making it difficult to understand what is actually happening. Being a post-apocalyptic book you would assume this to thrilling and action filled, however that was not the case at all. I literally struggled to get through this book.
Date published: 2012-08-30
Rated 3 out of 5 by from Good book too much back and forth between past and present can leave you wondering where you are.
Date published: 2012-07-20

– More About This Product –

Zone One: A Novel

by Colson Whitehead

Format: Hardcover

Dimensions: 272 pages, 9.59 × 6.47 × 1.07 in

Published: October 29, 2013

Publisher: Knopf Doubleday Publishing Group

Language: English

The following ISBNs are associated with this title:

ISBN - 10: 0385528078

ISBN - 13: 9780385528078

Read from the Book

He always wanted to live in New York. His Uncle Lloyd lived downtown on Lafayette, and in the long stretches between visits he daydreamed about living in his apartment. When his mother and father dragged him to the city for that season''s agreed-upon exhibit or good-for-you Broadway smash, they usually dropped in on Uncle Lloyd for a quick hello. These afternoons were preserved in a series of photographs taken by strangers. His parents were holdouts in an age of digital multiplicity, raking the soil in lonesome areas of resistance: a coffee machine that didn''t tell time, dictionaries made out of paper, a camera that only took pictures. The family camera did not transmit their coordinates to an orbiting satellite. It did not allow them to book airfare to beach resorts with close access to rain forests via courtesy shuttle. There was no prospect of video, high-def or otherwise. The camera was so backward that every lurching specimen his father enlisted from the passersby was able to operate it sans hassle, no matter the depth of cow-eyed vacancy in their tourist faces or local wretchedness inverting their spines. His family posed on the museum steps or beneath the brilliant marquee with the poster screaming over their left shoulders, always the same composition. The boy stood in the middle, his parents'' hands dead on his shoulders, year after year. He didn''t smile in every picture, only that percentage culled for the photo album. Then it was in the cab to his uncle''s and up
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From the Publisher

In this wry take on the post-apocalyptic horror novel, a pandemic has devastated the planet. The plague has sorted humanity into two types: the uninfected and the infected, the living and the living dead.

Now the plague is receding, and Americans are busy rebuild­ing civilization under orders from the provisional govern­ment based in Buffalo. Their top mission: the resettlement of Manhattan. Armed forces have successfully reclaimed the island south of Canal Street—aka Zone One—but pockets of plague-ridden squatters remain. While the army has eliminated the most dangerous of the infected, teams of civilian volunteers are tasked with clearing out a more innocuous variety—the “malfunctioning” stragglers, who exist in a catatonic state, transfixed by their former lives.

Mark Spitz is a member of one of the civilian teams work­ing in lower Manhattan. Alternating between flashbacks of Spitz’s desperate fight for survival during the worst of the outbreak and his present narrative, the novel unfolds over three surreal days, as it depicts the mundane mission of straggler removal, the rigors of Post-Apocalyptic Stress Disorder, and the impossible job of coming to grips with the fallen world.

And then things start to go wrong.

Both spine chilling and playfully cerebral, Zone One bril­liantly subverts the genre’s conventions and deconstructs the zombie myth for the twenty-first century.

About the Author

COLSON WHITEHEAD is the author of the national best seller Sag Harbor and the novels The Intui tionist, John Henry Days, and Apex Hides the Hurt, as well as The Colossus of New York, a collection of essays. A recipient of a Whiting Writers’ Award and a MacArthur Fellowship, he lives in New York City.

Editorial Reviews

PRAISE FOR ZONE ONE :   " THE BEST BOOK OF THE FALL...provides the chilling, fleshy pleasures of zombies who lurch, pursue, hunger...while brilliantly reformulating an old-hat genre." -- Esquire “If you’re going to break down and read a zombie novel, make it this one.” --The Wall Street Journal “ [Whitehead] takes the genre of horror fiction, mines both its sense of humor and self-seriousness, and emerges with a brilliant allegory of New York living.” -- New York Observer "A zombie story with brains...Readers who wouldn''t ordinarily creep into a novel festooned with putrid flesh might be lured by this certifiably hip writer who can spine gore into macabre poetry...Everything comes to life in this perfectly paced, horrific, 40-page finale shot through with grim comedy and desolate wisdom about the modern age in all its poisonous, contaminating rage. It''s a remarkable episode, but elevated by the power of Whitehead''s prose to the level of those other ash-covered nightmares imagined by T.S. Eliot, F. Scott Fitzgerald and Cormac MacCarthy. --Ron Charles, The Washington Post “Whitehead writes with a sharp, descriptive power, reeling off one pithy observation after the next in a way that invests this post-apocalyptic world with a surprisingly tactile presence.” --The Associated Press   “Whitehead, himself a New Yorker, writes about Spitz’s travails in the brooding, vertical metropolis with a dark poetry, which makes
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