Theatrical release: 1955. Rereleased 1962, 1971, 1980, and 1986. LADY AND THE TRAMP is the 15th full-length animated feature from Walt Disney Pictures. This was the first Disney animated film to use Cinemascope, requiring animators to draw some scenes twice--one in Cinemascope and once in the regular Full-Frame aspect ratio.

2-disc special edition features: *6-PART MAKING-OF DOCUMENTARY *WEDDING VIDEO *JACOB’S DESTINY *EDWARD FAST FORWARD and JACOB FAST FORWARD *AUDIO COMMENTARY by director Bill Condon

A timid, middle-aged man, still living with his incredibly overbearing mother, arranges to have her murdered by his frustrated writing teacher, whose wife just stole his book idea.

Paula (Sarah Jessica Parker, SEX AND THE CITY) has a highly unusual job in this at times cartoonish romantic comedy: she’s an interventionist. What this means is that parents of young men who are still living at home well into adulthood can hire her to date their sons, which lends the often troubled men the fortitude to strike out on their own. Trip (Matthew McConaughey) seemingly fits this description perfectly; a 35-year-old extreme sports enthusiast and boat salesman, he uses his living situation to quickly end any relationship that becomes too serious. Trip’s doting mother (Kathy Bates) and quirky father (former quarterbackTerry Bradshaw) hire Paula at their friends’ adamant recommendation, and she sets about her tried-and-true method of winning Trip over. A few obstacles emerge, however, as Trip’s buddy Ace (Justin Bartha) finds out the truth, and must be bribed by a date with Paula’s hilariously hostile roommate Kit (Zooey Deschanel). Paula also discovers a few things about Trip’s past that make her realize how different he is from the rest of her clients, but just as she begins to develop real feelings for him, disaster strikes.

This steamy thriller shocked audiences when it was first released in 1987, and it retains much of its voltage. It is, after all, a pop cultural milestone -- one of the first films to package issues of infidelity, morality and violence together and thrust them into discussion. Douglas plays Michael, a successful (and seemingly happily married) New York lawyer who stumbles into a lusty affair with Glenn Close's driven character, Alex, and then, stricken with guilt, quickly ends the relationship. Alex then emerges as the nightmare-lover, a scheming psychotic who will do anything to get her man back -- she claims to be pregnant by him, she kidnaps his daughter and as for the bunny ... well, if you haven't heard that part in the last 15 years or so, we're not going to spoil it for you. By pitting the unbalanced woman against the man who refuses to take responsibility for his sexual escapades, this film got not a few backs up in the selfish '80s -- see how it measures up today.

If there's one thing the kids in a Nickelodeon picture know how to do it's have fun… and throw snowballs. Snow Day is about a bunch of kids living it up when a nighttime blizzard blankets the ground with snow and they all get the day off. That is, until the nasty, pasty and dastardly snowplow man - played with convincingly slimy glee by Chris Elliot - shows up to put a stop to  their fun. It's up to the kids to halt the snow-busting freak in his tracks, having loads of fun and even finding time for a little innocent teenage romance along the way. Chevy Chase is also very funny as the outlandish meteorologist dad.

After his phenomenal success with "The Turning Point", director (and former choreographer) Herbert Ross returns to the ballet world with this biography of the most famous male dancer of all time -- Vaslav Nijinsky. The film follows Nijinsky's phenomenal career, which began in Russia with the Kirov Ballet. When the impressario Sergei Diaghilev offered him the opportunity to join his newly formed Ballet Russe, young Vaslav accepted and left the Soviet Union forever. Thereafter, Nijinsky starred in works that would forever alter ballet history, among them "Les Sylphides", "Scheherazade", and "Le Spectre de la Rose". And when he himself began choreographing, his brilliant avant-garde pieces such as "Afternoon of a Faun" and "The Rite of Spring" incited riots. But when Nijinsky, who had been Diaghilev's lover, suddenly and unexpectedly married Polish countess Romola de Pulszky, an enraged Diaghilev fired him for good. Soon the blazingly charismatic star was on a downward spiral into madness from which he would never fully recover...