Format: Trade Paperback
Dimensions: 252 pages, 9.72 × 6.85 × 0.51 in
Published: July 26, 1991
Publisher: Cambridge University Press
The following ISBNs are associated with this title:
ISBN - 10: 052142464X
ISBN - 13: 9780521424646
Table of Contents
Preface; Acknowledgements; 1. Introduction: the new and the experimental; 2. In Re Con Moto Et Al: experimentalism in the works of Charles Ives; 3. ''On Dissonant Counterpoint'': the development of a new polyphony, primarily by Charles Seeger, Carl Ruggles and Ruth Crawford; 4. New Musical resources: radical innovation in the music of Henry Cowell; 5. ''The Future of Music: Credo'': the development of a philosophy of experimentation in the early works of John Cage; 6. Conclusion: unity through diversity; Select bibliography; Appendix: musical editions and selected readings.
From the Publisher
From the end of the nineteenth century a national musical consciousness gradually emerged in the United States as composers began to turn away from the European conventions on which their music had been modeled. It was in this period of change that experimentalism was born and America subsequently became, as it still is, a major source of new musical ideas for European musicians. David Nicholls considers the most influential figures in the development of American experimentalism, including Charles Ives, Charles Seeger, Ruth Crawford, Henry Cowell and the young John Cage. He analyzes the music and ideas of this group, explaining the compositional techniques invented and employed by them and the historical and cultural context in which they emerged. The book is thus an important contribution toward our understanding of some of the most challenging music of the twentieth century.
From the Jacket
From the end of the nineteenth century a national musical consciousness gradually emerged in the U.S.A. as composers began to turn away from the European conventions on which their music had hitherto been modeled. It was in this period of change that experimentalism was born and America subsequently became, as it still is, a major source of new musical ideas for European musicians.
About the Author
David Nicholls was born in 1966 in Eastleigh, Hampshire. Nicholls studied English Literature and Drama at the University of Bristol. When he graduated he won a scholarship to study at the American Musical and Dramatic Academy in New York. David appeared in plays at the Battersea Arts Centre, the Finborough, West Yorkshire Playhouse, Birmingham Rep, and had a three year stint at the Royal National Theatre, understudying and playing small parts. During this period David took a job at BBC Radio Drama as a script reader/researcher and he developed an adaptation of Sam Shepard's stage-play Simpatico with the director Matthew Warchus. He also wrote his first original script, Waiting, which was later optioned by the BBC. Simpatico was turned into a feature film in 1999 which allowed David to start writing full-time. I Saw You won best single play at the annual BANFF television festival. He has been twice nominated for BAFTA awards. David's first novel, Starter for 10 (Hodder, July 2004) was featured on the first Richard and Judy Book Club. He has also written The Understudy (Hodder, March 2005) and One Day (Hodder, June 2009). David lives in North London with his partner Hannah and two children.
"...a coherent guide to the inner workings of compositions by Charles Ives, Charles Seeger, Carl Ruggles, Ruth Crawford, Henry Cowell and John Cage. Nicholls writes eminently readable prose- no small acheivement in an analytic text- and provides insightful findings. Notes