Introspection and Contemporary Poetry

by Alan Williamson

Harvard | March 14, 1984 | Hardcover

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In this bold defense of so-called confessional poetry, Alan Williamson shows us that much of the best writing of the past twenty-five years is about the sense of being or having a self, a knowable personal identity. The difficulties posed by this subject help explain the fertility of contemporary poetic experiment—from the jaggedness of the later work of Robert Lowell to the montage—like methods of John Ashbery, from the visual surrealism of James Wright and W. S. Merwin to the radical plainness of Frank Bidart. Williamson examines these and other poets from a psychological perspective, giving an especially striking reading of Sylvia Plath.

Format: Hardcover

Dimensions: 224 pages, 9.41 × 7.24 × 0.88 in

Published: March 14, 1984

Publisher: Harvard

The following ISBNs are associated with this title:

ISBN - 10: 0674462769

ISBN - 13: 9780674462762

Found in: History and Criticism, Poetry History and Criticism

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– More About This Product –

Introspection and Contemporary Poetry

by Alan Williamson

Format: Hardcover

Dimensions: 224 pages, 9.41 × 7.24 × 0.88 in

Published: March 14, 1984

Publisher: Harvard

The following ISBNs are associated with this title:

ISBN - 10: 0674462769

ISBN - 13: 9780674462762

Table of Contents

  1. Introduction
  2. “I Am That I Am”: The Ethics and Aesthetics of Personal Poetry
  3. Real and Numinous Selves: A Reading of Plath
  4. Language Against Itself: The Middle Generation of Contemporary Poets
  5. “Surrealism” and the Absent Self
  6. The Diffracting Diamond: Ashbery, Romanticism, and Anti-Art
  7. The Future of Personal Poetry
  • Notes
  • Credits
  • Index

From the Publisher

In this bold defense of so-called confessional poetry, Alan Williamson shows us that much of the best writing of the past twenty-five years is about the sense of being or having a self, a knowable personal identity. The difficulties posed by this subject help explain the fertility of contemporary poetic experiment—from the jaggedness of the later work of Robert Lowell to the montage—like methods of John Ashbery, from the visual surrealism of James Wright and W. S. Merwin to the radical plainness of Frank Bidart. Williamson examines these and other poets from a psychological perspective, giving an especially striking reading of Sylvia Plath.

About the Author

Alan Williamson, Professor of English, University of California, Davis, is a poet whose work has appeared in the New Yorker, New Republic, Partisan Review and other publications; a collection of his poems, Presence was recently published. He is also the author of Pity the Monsters: The Political Vision of Robert Lowell.