The Broadview Anthology of Restoration and Early Eighteenth-Century Drama

Editor J. Douglas Canfield, Maja-Lisa von Sneidern

Broadview Press | May 31, 2001 | Trade Paperback

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This is the first new full-scale anthology of Restoration and eighteenth-century drama in over sixty years. Concentrating on plays from the heyday of 1660-1737, it focuses especially on Restoration drama proper (1660-1688) and Revolution drama (1689-1714), with a smaller selection of plays from the early Georgian period (1715-1737) and a glimpse at the later Georgian period''s "laughing comedy" (1770s and 80s). It includes nine sub-genres (heroic romance, political tragedy, personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy), with the preponderance of exposure given to the jewel of this theatre, its comedy. The core canonical plays from the era-from Dryden''s All for Love and Behn''s The Rover to Congreve''s The Way of the World and Sheridan''s School for Scandal-are all here, but so are a remarkably wide range of non-canonical works. There are many more plays by women than in any previous general anthology of drama of the period. Also included are a number of works from the neglected 1660s, whose comedies feature delightful, subversive, levelling folk elements. In all there are forty-one plays; each is fully annotated and prefaced with an historical introduction. Also included are a general introduction, head-notes for each genre, and a glossary.

Format: Trade Paperback

Dimensions: 1977 pages, 9.25 × 7.75 × 1.69 in

Published: May 31, 2001

Publisher: Broadview Press

Language: English

The following ISBNs are associated with this title:

ISBN - 10: 1551112701

ISBN - 13: 9781551112701

Found in: Anthologies, Anthologies

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The Broadview Anthology of Restoration and Early Eighteenth-Century Drama

Editor J. Douglas Canfield, Maja-Lisa von Sneidern

Format: Trade Paperback

Dimensions: 1977 pages, 9.25 × 7.75 × 1.69 in

Published: May 31, 2001

Publisher: Broadview Press

Language: English

The following ISBNs are associated with this title:

ISBN - 10: 1551112701

ISBN - 13: 9781551112701

Table of Contents

Introduction Procedures Map Plays in Chronological Order: Tathum, The Rump (1660) ed. Judith Bailey Slagle (East Tennessee State U) Howard, The Committee (1662) ed. Cheryl L. Nixon (Babson Coll.) Orrery, The History of Henry V (1664) ed. Stephan P. Flores (U of Idaho) Lacy, The Old Troop (1664) ed. Maja-Lisa von Sneidern (U of Arizona) Dryden, Marriage la Mode (1671) ed. Brian Corman (U of Toronto) Ravenscroft, The Careless Lovers (1673) ed. Elizabeth Kraft (U of Georgia) Wycherley, The Country Wife (1675) ed. Peggy Thompson (Agnes Scott Coll.) Etherege, The Man of Mode (1676) ed. John H. O''Neill (Hamilton Coll.) Behn, The Rover (1677) ed. Anne Russell (Wilfrid Laurier U) Durfey, The Fond Husband (1677) ed. Heidi Hutner (SUNY at Stony Brook) Dryden, All for Love (1677) ed. Tanya Caldwell (Georgia State U) Shadwell, A True Widow (1678) ed. Christopher J. Wheatley (Catholic U of America) Otway, Friendship in Fashion (1678) ed. Melissa Mowry (Morehead State U) Lee, Lucius Junius Brutus (1680) ed. Richard E. Brown (U of Nevada, Reno) Banks, The Unhappy Favorite (1681) ed. J. Douglas Canfield (U of Arizona) Otway, Venice Preserved (1682) ed. Jessica Munns (U of Denver) Lee, Princess of Clèves (1682) ed. Anthony Kaufman (U of Illinois, Urbana-Champaign) Crowne, City Politics (1683) ed. Kirk Combe (Denison U) Behn, The Lucky Chance (1686) Lori Snook (Stetson U) Southerne, Sir Anthony Love (1690) Kristina Straub (Carnegie Mellon U) Dryden, Amphitryon (1690) ed. Robert Markley & Jean
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From the Publisher

This is the first new full-scale anthology of Restoration and eighteenth-century drama in over sixty years. Concentrating on plays from the heyday of 1660-1737, it focuses especially on Restoration drama proper (1660-1688) and Revolution drama (1689-1714), with a smaller selection of plays from the early Georgian period (1715-1737) and a glimpse at the later Georgian period''s "laughing comedy" (1770s and 80s). It includes nine sub-genres (heroic romance, political tragedy, personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy), with the preponderance of exposure given to the jewel of this theatre, its comedy. The core canonical plays from the era-from Dryden''s All for Love and Behn''s The Rover to Congreve''s The Way of the World and Sheridan''s School for Scandal-are all here, but so are a remarkably wide range of non-canonical works. There are many more plays by women than in any previous general anthology of drama of the period. Also included are a number of works from the neglected 1660s, whose comedies feature delightful, subversive, levelling folk elements. In all there are forty-one plays; each is fully annotated and prefaced with an historical introduction. Also included are a general introduction, head-notes for each genre, and a glossary.

From the Jacket

This is the first new full-scale anthology of Restoration and eighteenth-century drama in over sixty years. Concentrating on plays from the heyday of 1660-1737, it focuses especially on Restoration drama proper (1660-1688) and Revolution drama (1689-1714), with a smaller selection of plays from the early Georgian period (1715-1737) and a glimpse at the later Georgian period''s "laughing comedy" (1770s and 80s). It includes nine sub-genres (heroic romance, political tragedy, personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy), with the preponderance of exposure given to the jewel of this theatre, its comedy. The core canonical plays from the era-from Dryden''s All for Love and Behn''s The Rover to Congreve''s The Way of the World and Sheridan''s School for Scandal-are all here, but so are a remarkably wide range of non-canonical works. There are many more plays by women than in any previous general anthology of drama of the period. Also included are a number of works from the neglected 1660s, whose comedies feature delightful, subversive, levelling folk elements. In all there are forty-one plays; each is fully annotated and prefaced with an historical introduction. Also included are a general introduction, head-notes for each genre, and a glossary.

About the Author

The late J. Douglas Canfield, General Editor, was Regents'' Professor of English and Comparative Cultural and Literary Studies, University of Arizona. Among his many works on Restoration and eighteenth-century literature are Heroes and States: On the Ideology of Restoration Tragedy and Tricksters and Estates: On the Ideology of Restoration Comedy. Maja-Lisa von Sneidern is an adjunct instructor at the University of Arizona.