Format: Trade Paperback
Dimensions: 9.04 × 6.4 × 2.33 in
Published: September 21, 2004
The following ISBNs are associated with this title:
ISBN - 10: 1880418622
ISBN - 13: 9781880418628
About the Book
The final volume of King's masterful, multi-volume epic is hailed as a "hypnotic blend of suspense and sentimentality . . . a sprawling, eventful tale of demons, monsters, narrow escapes, and magic portals" ("The New York Times Book Review"). Cloth case with endpapers. 12 full-color illustrations.
Read from the Book
From Chapter I: Callahan and the Vampires ONE Pere Don Callahan had once been the Catholic priest of a town, ''Salem''s Lot had been its name, that no longer existed on any map. He didn''t much care. Concepts such as reality had ceased to matter to him. This onetime priest now held a heathen object in his hand, a scrimshaw turtle made of ivory. There was a nick in its beak and a scratch in the shape of a question mark on its back, but otherwise it was a beautiful thing. Beautiful and powerful. He could feel the power in his hand like volts. "How lovely it is," he whispered to the boy who stood with him. "Is it the Turtle Maturin? It is, isn''t it?" The boy was Jake Chambers, and he''d come a long loop in order to return almost to his starting-place here in Manhattan. "I don''t know," he said. "She calls it the sköldpadda, and it may help us, but it can''t kill the harriers that are waiting for us in there." He nodded toward the Dixie Pig, wondering if he meant Susannah or Mia when he used that all-purpose feminine pronoun she. Once he would have said it didn''t matter because the two women were so tightly wound together. Now, however, he thought it did matter, or would soon. "Will you?" Jake asked the Pere, meaning Will you stand. Will you fight. Will you kill. "Oh yes," Callahan said calmly. He put the ivory turtle with its wise eyes and scratched back into his breast pocket with the extra shells for the gun he carried, then patted the cunningly made thing once to make
From the Publisher
All good things must come to an end, Constant Reader, and not even Stephen King can make a story that goes on forever. The tale of Roland Deschain''s relentless quest for the Dark Tower has, the author fears, sorely tried the patience of those who have followed it from its earliest chapters. But attend to it a while longer, if it pleases you, for this volume is the last, and often the last things are best.
Roland''s ka-tet remains intact, though scattered over wheres and whens. Susannah-Mia has been carried from the Dixie Pig (in the summer of 1999) to a birthing room -- really a chamber of horrors -- in Thunderclap''s Fedic; Jake and Father Callahan, with Oy between them, have entered the restaurant on Lex and Sixty-first with weapons drawn, little knowing how numerous and noxious are their foes. Roland and Eddie are with John Cullum in Maine, in 1977, looking for the site on Turtleback Lane where "walk-ins" have been often seen. They want desperately to get back to the others, to Susannah especially, and yet they have come to realize that the world they need to escape is the only one that matters.
Thus the book opens, like a door to the uttermost reaches of Stephen King''s imagination. You''ve come this far. Come a little farther. Come all the way. The sound you hear may be the slamming of the door behind you. Welcome to The Dark Tower.
About the Author
Stephen King was born in Portland, Maine, on September 21, 1947, to Donald and Nellie Ruth King. King wrote his first short story before he was seven years old. As a teenager, he played on the football team and joined a rock band, but also had two of his short stories published. After graduating with a Bachelor's degree in English from the University of Maine at Orono in 1970, he married Tabitha Spruce, also a writer, in 1971, and began a career as a teacher. His spare time was spent in writing novels that were consistently rejected by publishers. King's first novel would never have been published if not for his wife. She removed the first few chapters from the garbage after King had thrown them away in frustration. Three months later, he received a $2,500 advance from Doubleday Publishing for the book that went on to sell a modest 13,000 hardcover copies. That book, Carrie, was about a girl with telekinetic powers who is tormented by bullies at school. She uses her power, in turn, to torment and eventually destroy her mean-spirited classmates. When United Artists released the film version in 1976, it was a critical and commercial success. The paperback version of the book, released after the movie, went on to sell more than two-and-a-half million copies. Many of King's other horror novels have been adapted into movies, including The Shining, Firestarter, Pet Semetary, Cujo, Misery, The Stand, and The Tommyknockers. Under the pseudonym Richard Bachman, King has written the bo
Publisher''s Weekly A pilgrimage that began with one lone man''s quest to save multiple worlds from chaos and destruction unfolds into a tale of epic proportions. While King saw some criticism for the slow pace of 1982''s The Gunslinger, the book that launched this series, The Drawing of the Three (Book II, 1987), reeled in readers with its fantastical allure. And those who have faithfully journeyed alongside Roland, Eddie, Susannah, Jake and Oy ever since will find their loyalty toward the series'' creator richly rewarded.The tangled web of the tower''s multiple worlds has manifested itself in many of King''s other works -- The Stand (1978), Insomnia (1994) and Hearts in Atlantis (1999), to name a few. As one character explains here, "From the spring of 1970, when he typed the line The man in black fled across the desert, and the gunslinger followed... very few of the things Stephen King wrote were ''just stories.'' He may not believe that; we do." King, in fact, intertwines his own life story deeper and deeper into the tale of Roland and his surrogate family of gunslingers, and, in this final installment, playfully and seductively suggests that it might not be the author who drives the story, but rather the fictional characters that control the author.This philosophical exploration of free will and destiny may surprise those who have viewed King as a prolific pop-fiction dispenser. But a closer look at the brilliant complexity of his Dark Tower world should explain why this