AC/DC - Back In Black

Performers AC/DC

Legacy | March 1, 2005 | Compact Disc

AC/DC - Back In Black is rated 5 out of 5 by 2.
The first sound on Back in Black is the deep, ominous drone of church bells -- or "Hell's Bells," as it were, opening the album and AC/DC's next era with a fanfare while ringing a fond farewell to Bon Scott, their late lead singer who partied himself straight to hell. But this implies that Back in Black is some kind of tribute to Scott, which may be true on a superficial level -- black is a funeral cover, hell's bells certainly signify death -- but this isn't filled with mournful songs about the departed. It's a more fitting tribute, actually, since AC/DC not only carried on without him, but they delivered a record that to the casual ear sounds like the seamless successor to Highway to Hell, right down to how Brian Johnson's screech is a dead ringer for Scott's growl. Most listeners could be forgiven for thinking that Johnson was Scott, but Johnson is different than Bon. He's driven by the same obsessions -- sex and drink and rock & roll, basically -- but there isn't nearly as much malevolence in his words or attitude as there was with Scott. Bon sounded like a criminal, Brian sounds like a rowdy scamp throughout Back in Black, which helps give it a real party atmosphere. Of course, Johnson shouldn't be given all the credit for Back in Black, since Angus and Malcolm carry on with the song-oriented riffing that made Highway to Hell close to divine. Song for song, they deliver not just mammoth riffs but songs that are anthems, from the greasy "Shoot to Thrill" to the pummeling "Back in Black," which pales only next to "You Shook Me All Night Long," the greatest one-night-stand anthem in rock history. That tawdry celebration of sex is what made AC/DC different from all other metal bands -- there was no sword & sorcery, no darkness, just a rowdy party, and they never held a bigger, better party than they did on Back in Black. ~ Stephen Thomas Erlewine

Format: Compact Disc

Released Date: March 1, 2005

Genre: Hard Rock

Style: Rock & Pop

Number of Discs: 2

Stereo/Mono: Stereo

Studio/Mixed/Live: Studio

Originally Released: 1980

Label Name: Legacy

UPC: 827969082829

Found in: Hard Rock

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Reviews

Rated 5 out of 5 by from It never gets tired This type of music is generally not my cup of tea. I tend to prefer more complex music, but there is something about Back in Black that keeps me playing it over and over. These songs are slick and loud and fun. They have a great beat that just gives you so much energy. This will probably go down as the greatest straight ahead hard rockin' album of all time!
Date published: 2008-03-27
Rated 5 out of 5 by from AC/DC, Back In Black This was, THE GREATEST!! I wasn't an amazing fan of AC/DC but I heard a few of their songs so I wanted to try them, I got this cd and I was blown away!! They are awsome and this is my favorite cd by them!! It rules!!
Date published: 2005-11-21

– More About This Product –

AC/DC - Back In Black

Performers AC/DC
Producer Robert John "Mutt" Lange
Engineer Tony Platt

Format: Compact Disc

Released Date: March 1, 2005

Genre: Hard Rock

Style: Rock & Pop

Number of Discs: 2

Stereo/Mono: Stereo

Studio/Mixed/Live: Studio

Originally Released: 1980

Label Name: Legacy

UPC: 827969082829


Title Track Time
1.Hells Bells --
2.Shoot To Thrill --
3.What Do You Do For Money Honey --
4.Given The Dog A Bone --
5.Let Me Put My Love Into You --
6.Back In Black --
7.You Shook Me All Night Long --
8.Have A Drink On Me --
9.Shake A Leg --
10.Rock And Roll Ain't Noise Pollution --

Editorial Notes

The first sound on Back in Black is the deep, ominous drone of church bells -- or "Hell's Bells," as it were, opening the album and AC/DC's next era with a fanfare while ringing a fond farewell to Bon Scott, their late lead singer who partied himself straight to hell. But this implies that Back in Black is some kind of tribute to Scott, which may be true on a superficial level -- black is a funeral cover, hell's bells certainly signify death -- but this isn't filled with mournful songs about the departed. It's a more fitting tribute, actually, since AC/DC not only carried on without him, but they delivered a record that to the casual ear sounds like the seamless successor to Highway to Hell, right down to how Brian Johnson's screech is a dead ringer for Scott's growl. Most listeners could be forgiven for thinking that Johnson was Scott, but Johnson is different than Bon. He's driven by the same obsessions -- sex and drink and rock & roll, basically -- but there isn't nearly as much malevolence in his words or attitude as there was with Scott. Bon sounded like a criminal, Brian sounds like a rowdy scamp throughout Back in Black, which helps give it a real party atmosphere. Of course, Johnson shouldn't be given all the credit for Back in Black, since Angus and Malcolm carry on with the song-oriented riffing that made Highway to Hell close to divine. Song for song, they deliver not just mammoth riffs but songs that are anthems, from the greasy "Shoot to Thrill" to the pummeling "Back in Black," which pales only next to "You Shook Me All Night Long," the greatest one-night-stand anthem in rock history. That tawdry celebration of sex is what made AC/DC different from all other metal bands -- there was no sword & sorcery, no darkness, just a rowdy party, and they never held a bigger, better party than they did on Back in Black. ~ Stephen Thomas Erlewine