Creedence Clearwater Revival

Performers Creedence Clearwater Revival

Fantasy | October 7, 2008 | Compact Disc

Not yet rated | write a review
Released in the summer of 1968 -- a year after the summer of love, but still in the thick of the Age of Aquarius - Creedence Clearwater Revival's self-titled debut album was gloriously out-of-step with the times, teeming with John Fogerty's Americana fascinations. While many of Fogerty's obsessions and CCR's signatures are in place -- weird blues ("I Put a Spell on You"), Stax R&B (Wilson Pickett's "Ninety-Nine and a Half"), rockabilly ("Susie Q"), winding instrumental interplay, the swamp sound, and songs for "The Working Man" -- the band was still finding their way. Out of all their records (discounting Mardi Gras), this is the one that sounds the most like its era, thanks to the wordless vocal harmonies toward the end of "Susie Q," the backward guitars on "Gloomy," and the directionless, awkward jamming that concludes "Walking on the Water." Still, the band's sound is vibrant, with gutsy arrangements that borrow equally from Sun, Stax, and the swamp. Fogerty's songwriting is a little tentative. Not for nothing were two of the three singles pulled from the album covers (Dale Hawkins' "Susie Q," Screamin' Jay Hawkins' "I Put a Spell on You") -- he wasn't an accomplished tunesmith yet. Though "The Working Man" isn't bad, the true exception is that third single, "Porterville," an exceptional song with great hooks, an underlying sense of menace, and the first inkling of the working-class rage that fueled such landmarks as "Fortunate Son." It's the song that points the way to the breakthrough of Bayou Country, but the rest of the album shouldn't be dismissed, because judged simply against the rock & roll of its time, it rises above its peers. ~ Stephen Thomas Erlewine

Format: Compact Disc

Released Date: October 7, 2008

Genre: Country Rock

Style: Rock & Pop

Number of Discs: 1

Stereo/Mono: Stereo

Label Name: Fantasy

UPC: 888072308763

Found in: Country Rock

save 0%

  • Ships within 1-2 weeks

$13.02  ea

Online Price

$13.02 List Price

or, Used from $11.64

eGift this item

Give this item in the form of an eGift Card.

+ what is this?

This item is eligible for FREE SHIPPING on orders over $25.
See details

Easy, FREE returns. See details

Item can only be shipped in Canada

Downloads instantly to your kobo or other ereading device. See details

Reviews

– More About This Product –

Creedence Clearwater Revival

Performers Creedence Clearwater Revival

Format: Compact Disc

Released Date: October 7, 2008

Genre: Country Rock

Style: Rock & Pop

Number of Discs: 1

Stereo/Mono: Stereo

Label Name: Fantasy

UPC: 888072308763


Title Track Time
1.I Put a Spell on You --
2.Working Man --
3.Susie Q --
4.Ninety-Nine and a Half --
5.Get Down Woman --
6.Porterville --
7.Gloomy --
8.Walk on the Water --
9.Call It Pretending --
10.Before You Accuse Me --
11.Ninety-Nine and a Half --
12.Susie Q --

Editorial Notes

Released in the summer of 1968 -- a year after the summer of love, but still in the thick of the Age of Aquarius - Creedence Clearwater Revival's self-titled debut album was gloriously out-of-step with the times, teeming with John Fogerty's Americana fascinations. While many of Fogerty's obsessions and CCR's signatures are in place -- weird blues ("I Put a Spell on You"), Stax R&B (Wilson Pickett's "Ninety-Nine and a Half"), rockabilly ("Susie Q"), winding instrumental interplay, the swamp sound, and songs for "The Working Man" -- the band was still finding their way. Out of all their records (discounting Mardi Gras), this is the one that sounds the most like its era, thanks to the wordless vocal harmonies toward the end of "Susie Q," the backward guitars on "Gloomy," and the directionless, awkward jamming that concludes "Walking on the Water." Still, the band's sound is vibrant, with gutsy arrangements that borrow equally from Sun, Stax, and the swamp. Fogerty's songwriting is a little tentative. Not for nothing were two of the three singles pulled from the album covers (Dale Hawkins' "Susie Q," Screamin' Jay Hawkins' "I Put a Spell on You") -- he wasn't an accomplished tunesmith yet. Though "The Working Man" isn't bad, the true exception is that third single, "Porterville," an exceptional song with great hooks, an underlying sense of menace, and the first inkling of the working-class rage that fueled such landmarks as "Fortunate Son." It's the song that points the way to the breakthrough of Bayou Country, but the rest of the album shouldn't be dismissed, because judged simply against the rock & roll of its time, it rises above its peers. ~ Stephen Thomas Erlewine
Item not added

This item is not available to order at this time.

See used copies from 00.00
  • My Gift List
  • My Wish List
  • Shopping Cart