James Taylor

Performers James Taylor

Capitol/EMI Records | November 2, 2010 | Compact Disc

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James Taylor was the first artist to be signed to record on the Beatles' short-lived vanity label Apple. In late 1968, Taylor's sophisticated self-titled disc foreshadowed the introspective singer/songwriter genre that dominated pop music in the early and mid-'70s. Although often touted as his debut, this release is chronologically Taylor's second studio outing. James Taylor and the Original Flying Machine -- an EP recorded a year earlier -- contains rudimentary versions of much of the same original material found here. The album is presented with two distinct sides. The first, in essence, presents a unified multi-song suite incorporating several distinctly Baroque-flavored links connecting the larger compositions. The second is a more traditional collection of individual tunes. This unique juxtaposition highlights Taylor's highly personal and worldly lyrics within a multidimensional layer of surreal and otherwise ethereal instrumentation. According to Taylor, much of the album's subject matter draws upon personal experience. This is a doubled-edged blessing because the emphasis placed on the pseudo-blues "Knocking 'Round the Zoo" and the numerous other references made to Taylor's brief sojourn in a mental institution actually do a disservice to the absolutely breathtaking beauty inherent in every composition. Several pieces debuted on this release would eventually be reworked by Taylor several years later. Among the notable inclusions are "Rainy Day Man," "Night Owl," "Something in the Way She Moves," and "Carolina in My Mind." Musically, Taylor's decidedly acoustic-based tunes are augmented by several familiar names. Among them are former King Bees member Joel "Bishop" O'Brien (drums) -- who had joined Taylor and Danny "Kootch" Kortchmar in the Original Flying Machine -- as well as Paul McCartney (bass), who lends support to the seminal version of "Carolina in My Mind." The album's complex production efforts fell to Peter Asher -- formerly of Peter & Gordon and concurrent head of Apple Records A&R department. The absolute conviction that runs throughout this music takes the listener into its confidence, and with equal measures of wit, candor, and sophistication, James Taylor created a minor masterpiece that is sadly eclipsed by his later, more popular works. [The 2010 reissue of James Taylor was remastered by the same Abbey Road team who remastered the acclaimed 2009 Beatles reissues and was expanded by four bonus tracks: demos of “Sunny Skies” and “Let Me Ride,” which Taylor would later record for the Sweet Baby james and Mud Slide Slim & The Blue Horizon albums, respectively; plus, acoustic demos of the album’s “Sunshine Sunshine” and “Carolina in My Mind.”] ~ Lindsay Planer

Format: Compact Disc

Released Date: November 2, 2010

Genre: Singer/Songwriter

Style: Rock & Pop

Number of Discs: 1

Stereo/Mono: Stereo

Label Name: Capitol/EMI Records

UPC: 5099990581120

Found in: Singer/Songwriter

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– More About This Product –

James Taylor

Performers James Taylor
Guest Artist(s) Paul McCartney, Peter Asher

Format: Compact Disc

Released Date: November 2, 2010

Genre: Singer/Songwriter

Style: Rock & Pop

Number of Discs: 1

Stereo/Mono: Stereo

Label Name: Capitol/EMI Records

UPC: 5099990581120


Title Track Time
1.Don't Talk Now --
2.Something's Wrong --
3.Knocking 'Round the Zoo --
4.Sunshine Sunshine --
5.Taking It In --
6.Something In the Way She Moves --
7.Carolina In My Mind --
8.Brighten Your Night With My Day --
9.Night Owl --
10.Rainy Day Man --
11.Circle Round the Sun --
12.Blues is Just a Bad Dream, The --
13.Sunny Skies [Previously Unreleased Demo Version] - (previously unreleased) --
14.Let Me Ride [Previously Unreleased Demo Version] - (previously unreleased) --
15.Sunshine Sunshine [Previously Unreleased Demo Version] - (previously unreleased, mono) --
16.Carolina In My Mind [Previously Unreleased Demo Version] - (previously unreleased, mono) --

Editorial Notes

James Taylor was the first artist to be signed to record on the Beatles' short-lived vanity label Apple. In late 1968, Taylor's sophisticated self-titled disc foreshadowed the introspective singer/songwriter genre that dominated pop music in the early and mid-'70s. Although often touted as his debut, this release is chronologically Taylor's second studio outing. James Taylor and the Original Flying Machine -- an EP recorded a year earlier -- contains rudimentary versions of much of the same original material found here. The album is presented with two distinct sides. The first, in essence, presents a unified multi-song suite incorporating several distinctly Baroque-flavored links connecting the larger compositions. The second is a more traditional collection of individual tunes. This unique juxtaposition highlights Taylor's highly personal and worldly lyrics within a multidimensional layer of surreal and otherwise ethereal instrumentation. According to Taylor, much of the album's subject matter draws upon personal experience. This is a doubled-edged blessing because the emphasis placed on the pseudo-blues "Knocking 'Round the Zoo" and the numerous other references made to Taylor's brief sojourn in a mental institution actually do a disservice to the absolutely breathtaking beauty inherent in every composition. Several pieces debuted on this release would eventually be reworked by Taylor several years later. Among the notable inclusions are "Rainy Day Man," "Night Owl," "Something in the Way She Moves," and "Carolina in My Mind." Musically, Taylor's decidedly acoustic-based tunes are augmented by several familiar names. Among them are former King Bees member Joel "Bishop" O'Brien (drums) -- who had joined Taylor and Danny "Kootch" Kortchmar in the Original Flying Machine -- as well as Paul McCartney (bass), who lends support to the seminal version of "Carolina in My Mind." The album's complex production efforts fell to Peter Asher -- formerly of Peter & Gordon and concurrent head of Apple Records A&R department. The absolute conviction that runs throughout this music takes the listener into its confidence, and with equal measures of wit, candor, and sophistication, James Taylor created a minor masterpiece that is sadly eclipsed by his later, more popular works. [The 2010 reissue of James Taylor was remastered by the same Abbey Road team who remastered the acclaimed 2009 Beatles reissues and was expanded by four bonus tracks: demos of “Sunny Skies” and “Let Me Ride,” which Taylor would later record for the Sweet Baby james and Mud Slide Slim & The Blue Horizon albums, respectively; plus, acoustic demos of the album’s “Sunshine Sunshine” and “Carolina in My Mind.”] ~ Lindsay Planer
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