Rumours

Performers Fleetwood Mac

Warner Bros. | January 29, 2013 | Compact Disc

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Rumours is the kind of album that transcends its origins and reputation, entering the realm of legend -- it's an album that simply exists outside of criticism and outside of its time, even if it thoroughly captures its era. Prior to this LP, Fleetwood Mac were moderately successful, but here they turned into a full-fledged phenomenon, with Rumours becoming the biggest-selling pop album to date. While its chart success was historic, much of the legend surrounding the record is born from the group's internal turmoil. Unlike most bands, Fleetwood Mac in the mid-'70s were professionally and romantically intertwined, with no less than two couples in the band, but as their professional careers took off, the personal side unraveled. Bassist John McVie and his keyboardist/singer wife Christine McVie filed for divorce as guitarist/vocalist Lindsey Buckingham and vocalist Stevie Nicks split, with Stevie running to drummer Mick Fleetwood, unbeknown to the rest of the band. These personal tensions fueled nearly every song on Rumours, which makes listening to the album a nearly voyeuristic experience. You're eavesdropping on the bandmates singing painful truths about each other, spreading nasty lies and rumors, and wallowing in their grief, all in the presence of the person who caused the heartache. Everybody loves gawking at a good public breakup, but if that was all that it took to sell a record, Richard & Linda Thompson's Shoot Out the Lights would be multi-platinum. No, what made Rumours an unparalleled blockbuster is the quality of the music. Once again masterminded by producer/songwriter/guitarist Buckingham, Rumours is an exceptionally musical piece of work -- he toughens Christine McVie and softens Nicks, adding weird turns to accessibly melodic works, which gives the universal themes of the songs haunting resonance. It also cloaks the raw emotion of the lyrics in deceptively palatable arrangements that made a tune as wrecked and tortured as "Go Your Own Way" an anthemic hit. But that's what makes Rumours such an enduring achievement -- it turns private pain into something universal. Some of these songs may be too familiar, whether through their repeated exposure on FM radio or their use in presidential campaigns, but in the context of the album, each tune, each phrase regains its raw, immediate emotional power -- which is why Rumours touched a nerve upon its 1977 release, and has since transcended its era to be one of the greatest, most compelling pop albums of all time. [Roughly ten years after Fleetwood Mac's landmark 1977 album received a seemingly definitive double-disc deluxe edition, Rhino returns to the well for the album's 35th Anniversary (although it wound up being released closer to the album's 36th Anniversary, but who cares about nitpicking), presenting not one but two expanded editions. The first is a relatively streamlined triple-disc containing a remastered version of the album proper with the "Go Your Own Way" B-side "Silver Springs" finally added to the end of the album, not shoehorned into the middle, and then two discs of unreleased material: a selection of 11 live performances from the band's 1977 supporting tour for the album and then 15 outtakes, demos, instrumentals, and working versions from the sessions. As the 2004 deluxe edition presented 18 rough versions, demos, outtakes and jams, these aren't necessarily revelatory: not only are there early versions of beloved tunes, but there are working versions of working versions showcased on that 2004 disc. For those that want to dig deep, it's worthwhile stuff, but the less dedicated will likely favor the live set which crackles with energy and contains selections from 1975's Fleetwood Mac. For the truly dedicated, there is the Super Deluxe box set, which contains these three discs, the bonus disc from the 2004 Deluxe Edition, a heavy vinyl re-pressing of the original album, a DVD containing a making-of documentary called "The Rosebud Film," and a book, all housed in a 12x12 box. It's a handsome set, certainly a nice collectors item, but those who don't to invest upwards of a hundred dollars will likely be relieved to know they can purchase the considerably cheaper triple-disc as a supplement to their 2004 deluxe set and be more than satisfied.] ~ Stephen Thomas Erlewine

Format: Compact Disc

Released Date: January 29, 2013

Number of Discs: 3

Stereo/Mono: Stereo

Label Name: Warner Bros.

UPC: 081227970949

Found in: General

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Rumours

Rumours

Performers Fleetwood Mac

Format: Compact Disc

Released Date: January 29, 2013

Number of Discs: 3

Stereo/Mono: Stereo

Label Name: Warner Bros.

UPC: 081227970949


Title Track Time
1.Second Hand News --
2.Dreams --
3.Never Going Back Again --
4.Don't Stop --
5.Go Your Own Way --
6.Songbird --
7.Chain --
8.You Make Loving Fun --
9.I Don't Want to Know --
10.Oh Daddy --
11.Gold Dust Woman --
12.Silver Springs --
1.Intro --
2.Monday Morning --
3.Dreams --
4.Don't Stop --
5.Chain --
6.Oh Daddy --
7.Rhiannon --
8.Never Going Back Again --
9.Gold Dust Woman --
10.World Turning --
11.Go Your Own Way --
12.Songbird --
1.Second Hand News [Early Take] --
2.Dreams [Take 2] --
3.Never Going Back Again [Acoustic Duet] --
4.Go Your Own Way [Early Take] --
5.Songbird [Demo] --
6.Songbird [Instrumental, Take 10] --
7.I Don't Want to Know [Early Take] --
8.Keep Me There [Instrumental] --
9.Chain [Demo] --
10.Keep Me There [With Vocal] --
11.Gold Dust Woman [Early Take] --
12.Oh Daddy [Early Take] --
13.Silver Springs [Early Take] --
14.Planets of the Universe [Demo] --
15.Doesn't Anything Last [Acoustic Duet] --
16.Never Going Back Again [Instrumental] --

Editorial Notes

Rumours is the kind of album that transcends its origins and reputation, entering the realm of legend -- it's an album that simply exists outside of criticism and outside of its time, even if it thoroughly captures its era. Prior to this LP, Fleetwood Mac were moderately successful, but here they turned into a full-fledged phenomenon, with Rumours becoming the biggest-selling pop album to date. While its chart success was historic, much of the legend surrounding the record is born from the group's internal turmoil. Unlike most bands, Fleetwood Mac in the mid-'70s were professionally and romantically intertwined, with no less than two couples in the band, but as their professional careers took off, the personal side unraveled. Bassist John McVie and his keyboardist/singer wife Christine McVie filed for divorce as guitarist/vocalist Lindsey Buckingham and vocalist Stevie Nicks split, with Stevie running to drummer Mick Fleetwood, unbeknown to the rest of the band. These personal tensions fueled nearly every song on Rumours, which makes listening to the album a nearly voyeuristic experience. You're eavesdropping on the bandmates singing painful truths about each other, spreading nasty lies and rumors, and wallowing in their grief, all in the presence of the person who caused the heartache. Everybody loves gawking at a good public breakup, but if that was all that it took to sell a record, Richard & Linda Thompson's Shoot Out the Lights would be multi-platinum. No, what made Rumours an unparalleled blockbuster is the quality of the music. Once again masterminded by producer/songwriter/guitarist Buckingham, Rumours is an exceptionally musical piece of work -- he toughens Christine McVie and softens Nicks, adding weird turns to accessibly melodic works, which gives the universal themes of the songs haunting resonance. It also cloaks the raw emotion of the lyrics in deceptively palatable arrangements that made a tune as wrecked and tortured as "Go Your Own Way" an anthemic hit. But that's what makes Rumours such an enduring achievement -- it turns private pain into something universal. Some of these songs may be too familiar, whether through their repeated exposure on FM radio or their use in presidential campaigns, but in the context of the album, each tune, each phrase regains its raw, immediate emotional power -- which is why Rumours touched a nerve upon its 1977 release, and has since transcended its era to be one of the greatest, most compelling pop albums of all time. [Roughly ten years after Fleetwood Mac's landmark 1977 album received a seemingly definitive double-disc deluxe edition, Rhino returns to the well for the album's 35th Anniversary (although it wound up being released closer to the album's 36th Anniversary, but who cares about nitpicking), presenting not one but two expanded editions. The first is a relatively streamlined triple-disc containing a remastered version of the album proper with the "Go Your Own Way" B-side "Silver Springs" finally added to the end of the album, not shoehorned into the middle, and then two discs of unreleased material: a selection of 11 live performances from the band's 1977 supporting tour for the album and then 15 outtakes, demos, instrumentals, and working versions from the sessions. As the 2004 deluxe edition presented 18 rough versions, demos, outtakes and jams, these aren't necessarily revelatory: not only are there early versions of beloved tunes, but there are working versions of working versions showcased on that 2004 disc. For those that want to dig deep, it's worthwhile stuff, but the less dedicated will likely favor the live set which crackles with energy and contains selections from 1975's Fleetwood Mac. For the truly dedicated, there is the Super Deluxe box set, which contains these three discs, the bonus disc from the 2004 Deluxe Edition, a heavy vinyl re-pressing of the original album, a DVD containing a making-of documentary called "The Rosebud Film," and a book, all housed in a 12x12 box. It's a handsome set, certainly a nice collectors item, but those who don't to invest upwards of a hundred dollars will likely be relieved to know they can purchase the considerably cheaper triple-disc as a supplement to their 2004 deluxe set and be more than satisfied.] ~ Stephen Thomas Erlewine
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