It is the world of the near future, and Offred is a Handmaid in the home of the Commander and his wife. She is allowed out once a day to the food market, she is not permitted to read, and she is hoping the Commander makes her pregnant, because she is only valued if her ovaries are viable. Offred can remember the years before, when she was an independent woman, had a job of her own, a husband and child. But all of that is gone now...everything has changed.

On the tenth anniversary of the date that UN peacekeepers landed in Rwanda, Random House Canada is proud to publish the unforgettable first-hand account of the genocide by the man who led the UN mission. Digging deep into shattering memories, General Dallaire has written a powerful story of betrayal, naïveté, racism and international politics. His message is simple and undeniable: "Never again."

When Lt-Gen. Roméo Dallaire received the call to serve as force commander of the UN intervention in Rwanda in 1993, he thought he was heading off on a modest and straightforward peacekeeping mission. Thirteen months later he flew home from Africa, broken, disillusioned and suicidal, having witnessed the slaughter of 800,000 Rwandans in only a hundred days. In Shake Hands with the Devil, he takes the reader with him on a return voyage into the hell of Rwanda, vividly recreating the events the international community turned its back on. This book is an unsparing eyewitness account of the failure by humanity to stop the genocide, despite timely warnings.

Woven through the story of this disastrous mission is Dallaire's own journey from confident Cold Warrior, to devastated UN commander, to retired general engaged in a painful struggle to find a measure of peace, reconciliation and hope. This book is General Dallaire's personal account of his conversion from a man certain of his worth and secure in his assumptions to a man conscious of his own weaknesses and failures and critical of the institutions he'd relied on. It might not sit easily with standard ideas of military leadership, but understanding what happened to General Dallaire and his mission to Rwanda is crucial to understanding the moral minefields our peacekeepers are forced to negotiate when we ask them to step into the world's dirty wars.

Excerpt from Shake Hands with the Devil
My story is not a strictly military account nor a clinical, academic study of the breakdown of Rwanda. It is not a simplistic indictment of the many failures of the UN as a force for peace in the world. It is not a story of heroes and villains, although such a work could easily be written. This book is a cri de coeur for the slaughtered thousands, a tribute to the souls hacked apart by machetes because of their supposed difference from those who sought to hang on to power. . . . This book is the account of a few humans who were entrusted with the role of helping others taste the fruits of peace. Instead, we watched as the devil took control of paradise on earth and fed on the blood of the people we were supposed to protect.


From the Hardcover edition.

National Bestseller

New York Times Editors' Choice

Winner of the PEN Hessell Tiltman Prize

Winner of the Duff Cooper Prize

Silver Medalist for the Arthur Ross Book Award
of the Council on Foreign Relations

Finalist for the Robert F. Kennedy Book Award

For six months in 1919, after the end of "the war to end all wars," the Big Three-President Woodrow Wilson, British prime minister David Lloyd George, and French premier Georges Clemenceau-met in Paris to shape a lasting peace. In this landmark work of narrative history, Margaret MacMillan gives a dramatic and intimate view of those fateful days, which saw new political entities-Iraq, Yugoslavia, and Palestine, among them-born out of the ruins of bankrupt empires, and the borders of the modern world redrawn.

Following the phenomenal success of Michael Ondaatje's Booker Prize-winning third novel, The English Patient, expectations were almost insurmountable. The internationally acclaimed #1 bestseller had made Ondaatje the first Canadian novelist ever to win the Booker. Four years later, in 1996, a motion picture based on the book brought the story to a vast new audience. The film, starring Ralph Fiennes and Juliette Binoche, went on to win numerous prizes, among them nine Academy Awards, including Best Picture. Worldwide English-language sales of the book topped two million copies.

But in April 2000, Anil's Ghost was widely hailed as Ondaatje's most powerful and engrossing novel to date. Winning a Governor General's Literary Award for Fiction, the Kiriyama Pacific Rim Book Prize and the Giller Prize, Anil's Ghost became an international bestseller. "Nowhere has Ondaatje written more beautifully," said The New York Times Book Review.

The setting is Sri Lanka. Steeped in centuries of cultural achievement and tradition, the country has been ravaged in the late twentieth century by bloody civil war. As in The English Patient, Ondaatje's latest novel follows a woman's attempt to piece together the lost life of a victim of war. Anil Tissera, born in Sri Lanka but educated in England and the U.S., is sent by an international human rights group to participate in an investigation into suspected mass political murders in her homeland. Working with an archaeologist, she discovers a skeleton whose identity takes Anil on a fascinating journey that involves a riveting mystery. What follows, in a novel rich with character, emotion, and incident, is a story about love and loss, about family, identity and the unknown enemy. And it is a quest to unlock the hidden past - like a handful of soil analyzed by an archaeologist, the story becomes more diffuse the farther we reach into history.

A universal tale of the casualties of war, unfolding as a detective story, the book gradually gives way to a more intricate exploration of its characters, a symphony of loss and loneliness haunted by a cast of solitary strangers and ghosts. The atrocities of a seemingly futile, muddled war are juxtaposed against the ancient, complex and ultimately redemptive culture and landscape of Sri Lanka.

Anil's Ghost is Michael Ondaatje''s first novel to be set in the country of his birth. "There's a tendency with us in England and North America to say it's a book 'about Sri Lanka.' But it's just my take on a few characters, a personal tunnelling into that … The book's not just about Sri Lanka; it's a story that's very familiar in other parts of the world" - in Africa, in Yugoslavia, in South America, in Ireland. "I didn't want it to be a political tract. I wanted it to be a human study of people in the midst of fear."

With ravishing beauty and unsettling intelligence, Michael Ondaatje''s Booker Prize-winning novel traces the intersection of four damaged lives in an Italian villa at the end of World War II. Hana, the exhausted nurse; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burned man who lies in an upstairs room and whose memories of passion, betrayal,and rescue illuminates this book like flashes of heat lightening.

From the celebrated author of The English Patient and In the Skin of a Lion comes a remarkable new novel of intersecting lives that ranges across continents and time.

In the 1970s in northern California, near Gold Rush country, a father and his teenage daughters, Anna and Claire, work their farm with the help of Coop, an enigmatic young man who makes his home with them. Theirs is a makeshift family, until it is riven by an incident of violence - of both hand and heart - that sets fire to the rest of their lives.

Divisadero takes us from the city of San Francisco to the raucous backrooms of Nevada's casinos, and eventually to the landscape of south central France. It is here, outside a small rural village, that Anna becomes immersed in the life and the world of a writer from an earlier time - Lucien Segura. His compelling story, which has its beginnings at the turn of the century, circles around "the raw truth" of Anna's own life, the one she's left behind but can never truly leave. And as the narrative moves back and forth in time and place, we discover each of the characters managing to find some foothold in a present rough-hewn from the past.

Breathtakingly evoked and with unforgettable characters, Divisadero is a multi-layered novel about passion, loss, and the unshakable past, about the often discordant demands of family, love, and memory. It is Michael Ondaatje's most intimate and beautiful novel to date.


From the Hardcover edition.

"Succeeds more than any previous book in bringing Ali into focus . . . as a starburst of energy, ego and ability whose like will never be seen again." -The Wall Street Journal

"Best Nonfiction Book of the Year" -Time

"Penetrating . . . reveal[s] details that even close followers of [Ali] might not have known. . . . An amazing story." -The New York Times

On the night in 1964 that Muhammad Ali (then known as Cassius Clay) stepped into the ring with Sonny Liston, he was widely regarded as an irritating freak who danced and talked way too much. Six rounds later Ali was not only the new world heavyweight boxing champion: He was "a new kind of black man" who would shortly transform America''s racial politics, its popular culture, and its notions of heroism.
        
No one has captured Ali--and the era that he exhilarated and sometimes infuriated--with greater vibrancy, drama, and astuteness than David Remnick, the Pulitzer Prize-winning author of Lenin''s Tomb (and editor of The New Yorker). In charting Ali''s rise from the gyms of Louisville, Kentucky, to his epochal fights against Liston and Floyd Patterson, Remnick creates a canvas of unparalleled richness. He gives us empathetic portraits of wisecracking sportswriters and bone-breaking mobsters; of the baleful Liston and the haunted Patterson; of an audacious Norman Mailer and an enigmatic Malcolm X. Most of all, King of the World does justice to the speed, grace, courage, humor, and ebullience of one of the greatest athletes and irresistibly dynamic personalities of our time.

"Nearly pulse-pounding narrative power . . . an important account of a period in American social history." -Chicago Tribune

"A pleasure . . . haunting . . . so vivid that one can imagine Ali saying, ''How''d you get inside my head, boy?''" -Wilfrid Sheed, Time

Long before she made her first trip to Afghanistan as an embedded reporter for The Globe and Mail, Christie Blatchford was already one of Canada's most respected and eagerly read journalists. Her vivid prose, her unmistakable voice, her ability to connect emotionally with her subjects and readers, her hard-won and hard-nosed skills as a reporter-these had already established her as a household name. But with her many reports from Afghanistan, and in dozens of interviews with the returned members of the 1st Battalion, Princess Patricia's Canadian Light Infantry and others back at home, she found the subject she was born to tackle. Her reporting of the conflict and her deeply empathetic observations of the men and women who wear the maple leaf are words for the ages, fit to stand alongside the nation's best writing on war.

It is a testament to Christie Blatchford's skills and integrity that along with the admiration of her readers, she won the respect and trust of the soldiers. They share breathtakingly honest accounts of their desire to serve, their willingness to confront fear and danger in the battlefield, their loyalty towards each other and the heartbreak occasioned by the loss of one of their own. Grounded in insights gained over the course of three trips to Afghanistan in 2006, and drawing on hundreds of hours of interviews not only with the servicemen and -women with whom she shared so much, but with their commanders and family members as well, Christie Blatchford creates a detailed, complex and deeply affecting picture of military life in the twenty-first century.


From the Hardcover edition.

Selected as the 2010 CBC Canada Reads Winner!

Awards for the French-language edition:
Prix des libraires 2006
Prix littéraire des collégiens 2006
Prix Anne-Hébert 2006 (Best first book)
Prix Printemps des Lecteurs-Lavinal

Intricately plotted and shimmering with originality, Nikolski charts the curious and unexpected courses of personal migration, and shows how they just might eventually lead us to home.

In the spring of 1989, three young people, born thousands of miles apart, each cut themselves adrift from their birthplaces and set out to discover what - or who - might anchor them in their lives. They each leave almost everything behind, carrying with them only a few artefacts of their lives so far - possessions that have proven so formative that they can't imagine surviving without them - but also the accumulated memories of their own lives and family histories.

Noah, who was taught to read using road maps during a life of nomadic travels with his mother - their home being a 1966 Bonneville station wagon with a silver trailer - decides to leave the prairies for university in Montreal. But putting down roots there turns out to be a more transitory experience than he expected. Joyce, stifled by life in a remote village on Quebec's Lower North Shore, and her overbearing relatives, hitches a ride into Montreal, spurred on by a news story about a modern-day cyber-pirate and the spirit of her own buccaneer ancestors. While her daily existence remains surprisingly routine -working at a fish shop in Jean-Talon market, dumpster-diving at night for necessities - it's her Internet piracy career that takes off. And then there's the unnamed narrator, who we first meet clearing out his deceased mother' s house on Montreal's South Shore, and who decides to move into the city to start a new life. There he finds his true home among books, content to spend his days working in a used bookstore and journeying though the many worlds books open up for him.

Over the course of the next ten years, Noah, Joyce and the unnamed bookseller will sometimes cross paths, and sometimes narrowly miss each other, as they all pass through one vibrant neighbourhood on Montreal's Plateau. Their journeys seem remarkably unformed, more often guided by the prevailing winds than personal will, yet their stories weave in and out of other wondrous tales - stories about such things as fearsome female pirates, urban archaeologists, unexpected floods, fish of all kinds, a mysterious book without a cover and a dysfunctional compass whose needle obstinately points to the remote Aleutian village of Nikolski. And it is in the magical accumulation of those details around the edges of their lives that we begin to know these individuals as part of a greater whole, and ultimately realize that anchors aren't at all permanent, really; rather, they're made to be hoisted up and held in reserve until their strength is needed again.

It is Bombay in 1971, the year India went to war over what was to become Bangladesh. A hard-working bank clerk, Gustad Noble is a devoted family man who gradually sees his modest life unravelling. His young daughter falls ill; his promising son defies his father's ambitions for him. He is the one reasonable voice amidst the ongoing dramas of his neighbours. One day, he receives a letter from an old friend, asking him to help in what at first seems like an heroic mission. But he soon finds himself unwittingly drawn into a dangerous network of deception. Compassionate, and rich in details of character and place, this unforgettable novel charts the journey of a moral heart in a turbulent world of change.

The Englishman's Boy brilliantly links together Hollywood in the 1920s with one of the bloodiest, most brutal events of the nineteenth-century Canadian West - the Cypress Hills Massacre. Vanderhaeghe's rendering of the stark, dramatic beauty of the western landscape and of Hollywood in its most extravagant era - with its visionaries, celebrities, and dreamers - provides vivid background for scenes of action, adventure, and intrigue. Richly textured, evocative of time and place, this is an unforgettable novel about power, greed, and the pull of dreams that has at its centre the haunting story of a young drifter - "the Englishman's boy" - whose fate, ultimately, is a tragic one.


From the Hardcover edition.