Format: Trade Paperback
Dimensions: 120 pages, 9 × 7 × 0.36 in
Published: August 7, 2002
Publisher: Second Story Press
The following ISBNs are associated with this title:
ISBN - 10: 189676455X
ISBN - 13: 9781896764559
From the Publisher
In the spring of 2000, Fumiko Ishioka, the curator of a small Holocaust education centre for children in Tokyo, received a very special shipment for an exhibit she was planning. She had asked the curators at the Auschwitz museum if she could borrow some artifacts connected to the experience of children at the camp. Among the items she received was an empty suitcase. From the moment she saw it, Fumiko was captivated by the writing on the outside that identified its owner – Hana Brady, May 16, 1931, Waisenkind (the German word for orphan). Children visiting the centre were full of questions. Who was Hana Brady? Where did she come from? What was she like? How did Hana become an orphan? What happened to her? Fueled by the children’s curiosity and her own need to know, Fumiko began a year of detective work, scouring the world for clues to the story of Hana Brady. Writer Karen Levine follows Fumiko in her search through history, from present-day Japan, Europe and North America back to 1938 Czechoslovakia and the young Hana Brady, a fun-loving child with a passion for ice skating. Together with Fumiko, we learn of Hana’s loving parents and older brother, George, and discover how the family’s happy life in a small town was turned upside down by the invasion of the Nazis.
About the Author
Karen Levine is a prizewinning producer with the Canadian Broadcasting Corporation (CBC) Radio. Karen has won awards for her radio work, including two Peabody Awards - the Oscars of radio. She originally produced Hana’s Suitcase as a radio documentary before making it into a book. Though she travels widely to talk about the book, she makes her home in Toronto with her partner and her son.
Although it is suitable for a wide range of ages, it is particularly valuable for children who want to learn more about the Holocaust. Levine’s simple style of writing and then beautiful photos and reproductions of Hana’s drawings encourage readers to connect with Hana as a real human being rather than just another Holocaust statistic. In a way that would otherwise never have been possible, Hana has become the teacher she always dreamt of being.