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1
Number Ones [11/9] *

Number Ones [11/9] *


The Bee Gees | Polydor | November 9, 2004

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The Bee Gees: Barry Gibb (vocals, guitar); Robin Gibb (vocals); Maurice Gibb (piano, organ, Mellotron, bass guitar, background vocals).
2
Memoirs Of An Imperfect Angel [9/15] *

Memoirs Of An Imperfect Angel [9/15] *


Mariah Carey | Island Records (USA) | September 29, 2009

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A play on the title of Minnie Riperton's album PERFECT ANGEL, Mariah Carey's 12th career outing, MEMOIRS OF AN IMPERFECT ANGEL, sees the singer flexing her prodigious vocal gifts on 13 tracks structured like intimate conversations or entries in a private diary. Written and produced by Carey along with a host of longtime collaborators including Bryan-Michael Cox, Jermaine Dupri, The Dream, and Tricky Stewart, the album features the hit single "Obsessed" along with a cover of Foreigner's classic `80s ballad "I Want to Know What Love Is."
3
This Is Us [10/6] *

This Is Us [10/6] *


Backstreet Boys | Jive Records (USA) | October 6, 2009

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On This Is Us, Nick Carter, Howie Dorough, Brian Littrell and AJ McLean collaborated with a powerhouse suite of producers and songwriters, including T-Pain, Max Martin, RedOne (Lady GaGa's 'Just Dance' and 'Poker Face'), Soulshock and Karlin, Jim Jonsin ((Lil Wayne's 'Lollipop', T.I.'s 'Whatever You Like'), Brian Kennedy (Rihanna's 'Disturbia', Chris Brown's 'Forever', Jennifer Hudson), and Claude Kelly (co-writer Britney 'Circus' and Kelly Clarkson's 'My Life Would Suck Without You').
4
Before Nightfall *

Before Nightfall *


Robert Francis | Atlantic (USA) | April 6, 2010

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Recording information: Red Star Studios, Silverlake, CA; Sunset Sound; Hillside Manor, Hollywood, CA.
BEFORE NIGHTFALL is a different animal than Robert Francis' debut, whose rich production and pastoral songwriting took the songwriter an entire year to complete. Nowhere is that difference more pronounced than on "One By One," a nostalgic track that makes an appearance on both albums in radically different versions. As presented here, it's a straight-and-sober ode to lost love, stripped of the piano arpeggios and violin that lent a folksy elegance to the original arrangement. Returning listeners may find themselves wondering what happened to Francis' luxuriant take on Americana, which once included everything from ambient animal noises to mariachi horns. Recorded in a matter of days, the album does away with those accoutrements, devoting more focus to the core of the songs rather than the different ways those songs can be ornamented. Robert Francis keeps the studio sparsely populated this time around, occasionally enlisting help from family members (sisters Carla and Juliette Commagere, both of whom sing backup) and family friends (Ry Cooder, who plays slide guitar on "Climb a Mountain") but largely sticking with a simple four-piece band. The result is a grounded, no-frills album, sometimes sweeping in scope--the falsetto-filled choruses of "Junebug" and "Keep on Running" are wonderful--but always reminiscent of a live recording.
5
Clockwork Gray *

Clockwork Gray *


Blaze (Hip Hop) | Psychopathic Records | March 4, 2010

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On his 2007 outing, CLOCKWORK GRAY, Psychopathic Records mainstay Blaze Ya Dead Homie presents another round of gallows hip-hop. On tracks such as "Blaze Up" and "Dead Neck," the Michigan rapper (born Chris Rouleau) reinforces his "deceased gangsta" image, letting lewd and macabre rhymes flow like he's a demon on leave from the underworld.
6
Our Music [DualDisc] [Limited] *

Our Music [DualDisc] [Limited] *


Burning Spear | MRI Associated Labels | March 4, 2010

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This is a DualDisc, which contains a CD on one side of the disc and a DVD on the other.
7
Independent's Day [7/3] *

Independent's Day [7/3] *


Twiztid | Psychopathic Records | March 4, 2010

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Personnel: Fritz Vankosky, Blaze Ya Dead Homie, RAZOR RAY.
Additional personnel: DJ Clay, The R.O.C., Bizzar, Big Krizz Kalico, Hed Pe, DJ Quik, Dogg Pound, ICP, Potluck, Proof, Tech N9ne, The Dayton Family.
One of the most popular acts on the Insane Clown Posse's Psychopathic Records, Twiztid mine a similar vein by combining horrorcore with rap. They present a fierce image offset slightly by dark humor. The title of their hit 2007 release, INDEPENDENT'S DAY, refers to the plethora of guest rappers who take a turn on almost every one of the album's 14 tracks.
8
Hospice [5/8] *

Hospice [5/8] *


Achilles | Hex Records | March 4, 2010

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Achilles: Josh Dillon, Rob Antonucci, Chris Browne, Rory Vangrol.
Recording information: 2007.
9
Barenaked For The Holidays [10/5] *

Barenaked For The Holidays [10/5] *


Barenaked Ladies | Warner Bros. Records | February 25, 2010

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Barenaked Ladies: Ed Robertson, Jim Creeggan, Kevin Hearn, Steven Page, Tyler Stewart.
10
The Weekend: Friday [11/17] *

The Weekend: Friday [11/17] *


Forever the Sickest Kids | Motown Records | January 26, 2010

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Recording information: Maximum Volume, New York; Red Bull Studios, Santa Monica, CA; SKYlab, Forth Worth, TX; The Lair Studio, Los Angeles, CA.
If you are the type to judge a book by its cover, Forever the Sickest Kids' 2009 release The Weekend: Friday (which is the first in a series of three weekend-themed EPs) would have you believe that the band were a rooster-haired, wackily dressed bunch of fun-loving teenage knuckleheads. You'd be half right. Their hair is indeed pretty OTT, and the sartorial style they seem to be aiming for is an explosion at Hot Topic, but the songs on the record reveal some serious heartbreak and melancholy. Sure, they are wrapped in blindingly bright arrangements with highly processed guitars, Auto-Tuned vocals, and big singalong harmonies, and there are big hooks and cheerful melodies to spare, but lyrically, it sounds like it may end up being a pretty lonely weekend. Singer Jonathan Cook has been dumped, treated like dirt, and dragged around by the heart, and he's not afraid to explain it all in detail. It's totally teenage and about as deep as a mud puddle, but it works somehow. The enthusiasm of the band and Cook, the hermetically sealed production techniques, and the overall catchiness of the tunes give the band and the EP a boost that helps them stay afloat in the still-rising tide of emo-pop bands in the late 2000s. It also helps that any one of the five tracks on the record would sound almost perfect on the radio. The rest of the weekend will be a good one for fans of Day-Glo emo-pop. ~ Tim Sendra
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