Sigh No More

Sigh No More

Performers Mumford & Sons

Gentlemen of the Road | February 16, 2010 | Compact Disc

5 out of 5 rating. 3 Reviews
Personnel: Duchess Nell Catchpole (violin, viola); Christopher Allan (cello); Nick Etwell (trumpet, flugelhorn); Pete Beachill (trombone).
Audio Mixer: Ruadhri Cushnan.
Recording information: Eastcote Studios, London.
Photographer: Max Knight .
Arranger: Mumford & Sons.
English folk outfit Mumford & Sons' full-length debut owes more than a cursory nod to bands like the Waterboys, the Pogues, and the Men They Couldn't Hang. The group's heady blend of biblical imagery, pastoral introspection, and raucous, pub-soaked heartache may be earnest to a fault, but when the wildly imperfect Sigh No More is firing on all cylinders, as is the case with stand-out cuts like "The Cave," "Winter Winds," and "Little Lion Man," it's hard not to get swept up in the rapture. Like their London underground folk scene contemporaries Noah & the Whale, Johnny Flynn, and Laura Marling, Mumford & Sons' take on British folk is far from traditional. There's a deep vein of 21st century Americana that runs through the album, suggesting a healthy diet of Fleet Foxes, Arcade Fire, Sufjan Stevens, Blitzen Trapper, and Marah. That melding of styles, along with some solid knob-twiddling from Arcade Fire/Coldplay producer Markus Dravs, helps to keep the record from completely sinking into the quicksand of its myriad slow numbers -- tracks like "I Gave You All," "Thistle & Weeds," and "After the Storm" are pretty and plain enough, but they neuter a band this spirited. Sigh No More is an impressive debut, but one that impresses more for its promise of the future than it does its wildly inconsistent place in the present. ~ James Christopher Monger

Format: Compact Disc

Released Date: February 16, 2010

Genre: Alternative

Style: Pop/Rock

Number of Discs: 1

Stereo/Mono: Stereo

Studio/Mixed/Live: Studio

Label Name: Gentlemen of the Road

UPC: 892038002237

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– More About This Product –

Sigh No More

Sigh No More

Performers Mumford & Sons

Format: Compact Disc

Released Date: February 16, 2010

Genre: Alternative

Style: Pop/Rock

Number of Discs: 1

Stereo/Mono: Stereo

Studio/Mixed/Live: Studio

Label Name: Gentlemen of the Road

UPC: 892038002237


Title Track Time
1.Sigh No More --
2.Cave --
3.Winter Winds --
4.Roll Away Your Stone --
5.White Blank Page --
6.I Gave You All --
7.Little Lion Man --
8.Timshel --
9.Thistle & Weeds --
10.Awake My Soul --
11.Dust Bowl Dance --
12.After the Storm --

Editorial Notes

Personnel: Duchess Nell Catchpole (violin, viola); Christopher Allan (cello); Nick Etwell (trumpet, flugelhorn); Pete Beachill (trombone).
Audio Mixer: Ruadhri Cushnan.
Recording information: Eastcote Studios, London.
Photographer: Max Knight .
Arranger: Mumford & Sons.
English folk outfit Mumford & Sons' full-length debut owes more than a cursory nod to bands like the Waterboys, the Pogues, and the Men They Couldn't Hang. The group's heady blend of biblical imagery, pastoral introspection, and raucous, pub-soaked heartache may be earnest to a fault, but when the wildly imperfect Sigh No More is firing on all cylinders, as is the case with stand-out cuts like "The Cave," "Winter Winds," and "Little Lion Man," it's hard not to get swept up in the rapture. Like their London underground folk scene contemporaries Noah & the Whale, Johnny Flynn, and Laura Marling, Mumford & Sons' take on British folk is far from traditional. There's a deep vein of 21st century Americana that runs through the album, suggesting a healthy diet of Fleet Foxes, Arcade Fire, Sufjan Stevens, Blitzen Trapper, and Marah. That melding of styles, along with some solid knob-twiddling from Arcade Fire/Coldplay producer Markus Dravs, helps to keep the record from completely sinking into the quicksand of its myriad slow numbers -- tracks like "I Gave You All," "Thistle & Weeds," and "After the Storm" are pretty and plain enough, but they neuter a band this spirited. Sigh No More is an impressive debut, but one that impresses more for its promise of the future than it does its wildly inconsistent place in the present. ~ James Christopher Monger
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