Sewn binding. Cloth over boards. 448 p.
From the Publisher
The president''s daughter...
The women determined to save her...
The man with the power to betray a nation...
Iris Johansen, the New York Times bestselling
author of The Killing Game and The
Search, returns with an explosive new novel that sweeps us
from the frightening nightmares of a young girl, to the deadly
world of international intrigue, and to the shadowy bond between
two sisters willing to put their lives on the line....
No sooner does Melissa Riley arrive at her sister''s isolated
Virginia country home than she finds herself drawn into a drama she
never expected. Years earlier, her sister, the renowned Dr. Jessica
Riley, had pulled Melissa out of the darkness of severe catatonic
trauma. Now she''s attempting to do the same for the daughter of
the president of the United States.
The last thing young Cassie Andreas saw was an organized team
ruthlessly murder her nanny and the Secret Service agents on duty
to protect her. And to free Cassie from the terrors in her own
mind, Melissa and Jessica must risk their own safety and sanity and
place their trust in a mysterious, charismatic man.
Michael Travis made his fortune in the international underworld. He
risked everything to save Cassie during that terrible night of
bloodshed. And he has entered into a secret bargain with the
president to get revenge. But does he really want to help? Why? Or
is his show of concern all a treacherous charade?
Melissa and Jessica have no choice but to accept Michael Travis as
their ally - even when he proposes a dangerous plan that will put
all their lives on the line. Because far away from the safety of
Virginia, an international game of deadly intrigue is under way. It
is a game of powerful and dangerous underworld figures whose
specialty is getting what they want - and whose means to do it is
murder. And of one killer in particular who is obsessed with the
very thing at the heart of Cassie''s nightmares.
"Johansen''s fans will enjoy the swirling plot lines, staccato
dialogue and abrupt scene shifts that mark her style."
- Publishers Weekly