The Cone sisters, Claribel and Etta, acquired their first Matisse
in 1906 and, during the next four decades, went on to form one of
the world''s great collections of his art. The Cone Collection not
only contains major works from every phase of Matisse''s long
career but also reflects the sisters'' special interest in his Nice
period, when a new complexity of form and psychology entered the
ever-intense surface allure of his paintings.
Matisse in the Cone Collection breaks new ground by offering the
first scholarly exploration of this exceptional group of works, all
donated to the Baltimore Museum of Art in 1950. Doreen Bolger''s
Foreword traces the Cone sisters'' early association with Leo and
Gertrude Stein, their growing friendship with Matisse, and the
building of their collection. An essay by Jack Flam guides readers
through the sisters'' collection of Matisse''s art and,
simultaneously, charts the artist''s development from his
Neo-Impressionist work of the 1890s to his late style of the 1940s,
which is marked by the use of cut-paper and an increasingly linear
language of form.
The publication of this book will coincide with the reopening of
the Cone Wing of the Baltimore Museum of Art after a renovation
designed to make the galleries reflect the period in which the art
was first made and collected.