Onstage Offstage: The Official Illustrated Memoir by Michael BubleOnstage Offstage: The Official Illustrated Memoir by Michael Buble

Onstage Offstage: The Official Illustrated Memoir

byMichael Buble

Hardcover | October 25, 2011

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An intimate portait, in pictures and his own words, of the enormously successful Canadian singer Michael Bublé became an international phenomenon with the release of his first, self-titled album of 2003, which reached the top ten in Canada and in the UK. Since then he has sold more than 25 million albums, and filled concert halls and stadiums worldwide.

OnStage OffStage is an intimate portrait of this extraordinary singer, told in his own words and through the photographs of Dean Freeman. Bublé talks about his BC upbringing, his early nightclub days, the excitements and temptations of fame, and the sometimes gruelling demands of the road. Buble is a man who takes his music seriously, and himself less so, telling his story with refreshing candour and frequent flashes of self-deprecating humour. You might be tempted to use the expression "warts and all" -- except that the stunning photos in this book clearly show he doesn't have any. But they do capture Bublé in his every mood and in every setting, at home and at leisure, in rehearsal, in the heat of peformance. OnStage OffStage adds up to the second closest encounter any fan could wish for.
Michael Bublé, born in 1975, is a Canadian singer. He has won several awards, including two Grammies and multiple Junos. He has sold more than 25 million albums worldwide and his concerts have grossed $65 million.Dean Freeman has achieved critical acclaim photographing major cultural figures, including sporting icons and musicians. He ...
Title:Onstage Offstage: The Official Illustrated MemoirFormat:HardcoverDimensions:304 pages, 9.95 × 7.74 × 1.05 inPublished:October 25, 2011Publisher:Doubleday CanadaLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0385676263

ISBN - 13:9780385676267

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Rated 4 out of 5 by from A peak into his life and history The first half of the book is a short history on Michael and where he came from and his roots and gives us a glimpse into where he started from and how hard he had to work to get out there in the music industry. And where he is in his life now with his music, writing and with beautiful wife, Lu. The second half of the book are pictures take by reowned photographer - love the pic with Michael and his stuffed pig. He seems like a down-to-earth kind of guy with strong family values and a real passion and pazzaz for music. Enjoy reading and checking out his photos - great coffee table book
Date published: 2012-02-13

Read from the Book

In near darkness, I am standing backstage and a sound guy is shoving a microphone pack down the back of my pants. My assistant is straightening my tie, tucking in my shirt. The staircase to the stage is before me, my band is assembled and waiting on that stage, and beyond that are fifteen thousand or so people who’ve paid their hard-earned cash to see me perform. In that moment I am enveloped with a strange sense of focus and calm. It may seem counter-intuitive to feel peaceful just before going onstage in front of fifteen thousand people. But for me, it is sheer bliss. They tell me I have sold 27 million records worldwide, and I was among the top five biggest grossing North American touring acts of 2010, along with veterans Bon Jovi, Roger Waters, the Dave Matthews Band and the Eagles. Those numbers are nice because they tell me I’m doing something right. But it’s at that moment when I’m about to climb those stairs and go on to the stage, feeling the audience’s anticipation and my own anxiety that I’ll do a good job for them, that I feel the most gratitude. It’s when all is right in my world because all I ever wanted to be was a performer. I wanted it so badly that, to me, this chaotic, insanely busy and structured life I’m living – flying from country to country, playing one tour date after another, sometimes around 150 shows a year – makes wonderfully perfect sense. The journey from singing into a hairbrush in my suburban Canadian bedroom to singing onstage at New York’s Madison Square Garden was a much longer one than most people will realize. I’m young, still in my mid-thirties, but I started performing when I was too young to drink and shouldn’t even have been allowed in nightclubs. I was also young and naïve enough to think that making it was easily within my grasp. I was wrong. I had to work, beg, and charm my way on to that stage, with the help of a group of people who came to believe in me, even when I didn’t totally believe in myself. It all began when I was a little kid, when I learned my family’s address. My father taught me to sing it, because he knew that by singing it, I’d remember it. I’ll never forget the little tune I composed to sing those four numbers and the name of the quiet street where I grew up in Burnaby, British Columbia. That little song was my first foray into music, and it came to me as naturally as shooting a hockey puck. My maternal grandfather, Mitch Santaga, was responsible for introducing me to the old American standards, usually sung by Italian immigrants like my own family – crooners like Tony Bennett, Frank Sinatra and Dean Martin. I think you could definitely make the link between Italians and this kind of music. With Italian families, there is genuine warmth and a lot of love, tactile, hands-on love. We love our family, our food and our music. Grandpa Mitch loved those old singers, and he taught me to love them, too. I spent a lot of time hanging around my grandpa because we’re a family who love each other’s company. Let’s just say that, at Christmas time, nobody’s dreading the holidays. I love Christmas because it is precisely all about family. My family sustains me. I couldn’t have achieved any kind of success without their love and support. They shaped me into the man I am today, and if I should ever lose sight of that, they’d be the first people to kick my butt into shape. That’s important, because I’ve achieved enough success that people aren’t always upfront with me any more. They tend to agree with every idea that comes out of my mouth, and I don’t hear the word ‘no’ so much. Being famous has the double-pronged reality that everybody will listen to your stories and laugh whether or not they find you funny. That kind of thing can be a hindrance to your growth as an artist. I don’t have to mention the names of talented performers who’ve lost their path in life as they became more famous. We know who they are, and I have a strong suspicion that part of the problem was that people either stopped levelling with them, or they stopped listening. My family, on the other hand, is my trusted judge and jury, and I will listen to them as I have all my life. My mom, Amber, for example, has no problem telling me if I’m being crude and lewd, which isn’t entirely unnatural for me. Anyone who’s caught my show will know about my propensity for the risqué and dark side of comedy. If I take it too far, though, my mom will phone me up. ‘Michael, did you really need to say that?’ she’ll ask, in the disappointed tone that kept me in line as a kid. When I was growing up, she was the perfect blend: a mother I was afraid of, who was also a great guiding presence for my two sisters and me. It was a healthy fear. And she didn’t cross the line like some parents do and become our best buddy. Who needs another buddy? We needed a mom. She was a disciplinarian. You didn’t mess around. She was a good, fun young mom, but she could put me in my place with one look. And I wasn’t an easy kid to raise, believe me. One time a reporter asked me what terrible things I’d got up to as a kid. What didn’t I do? I was a jerk. I went through some bad times, especially in my teens. I was fighting a lot. I was really angry. I was insecure and I think I took it out on the people who loved me most, as many of us do. When we’re not feeling great, we hurt the ones we love. I don’t have kids yet, but I know that I’ll raise them like my parents raised me – by being strict, loving and hopelessly devoted. Kids need boundaries to make them feel safe. But I’m skipping ahead of myself here. Let me tell you more about my upbringing, because it explains everything that I am today, not just professionally but as a person. My dad worked as a commercial salmon fisherman and my mom stayed at home to raise my younger sisters, Crystal and Brandee, and me. Our house was boisterous and at times loud, compared to my friends’ homes, which might not be too surprising, considering our Italian heritage. I contributed to the chaos by fulfilling my cliché role as the big brother who tormented his little sisters. To this day, I still call Crystal ‘Joe’ because I caught her kissing a kid named Joey when she was five or six. Oh, that was a beautiful moment for me because I had new ammunition. ‘Joey, Joey, Joey,’ I’d taunt her. She’d go crazy.