A Conspiracy of Paper: A Novel

Paperback | January 30, 2001

byDavid Liss

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Benjamin Weaver, a Jew and an ex-boxer, is an outsider in eighteenth-century London, tracking down debtors and felons for aristocratic clients. The son of a wealthy stock trader, he lives estranged from his family—until he is asked to investigate his father’s sudden death. Thus Weaver descends into the deceptive world of the English stock jobbers, gliding between coffee houses and gaming houses, drawing rooms and bordellos. The more Weaver uncovers, the darker the truth becomes, until he realizes that he is following too closely in his father’s footsteps—and they just might lead him to his own grave. An enthralling historical thriller, A Conspiracy of Paper will leave readers wondering just how much has changed in the stock market in the last three hundred years. . . .

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From the Publisher

Benjamin Weaver, a Jew and an ex-boxer, is an outsider in eighteenth-century London, tracking down debtors and felons for aristocratic clients. The son of a wealthy stock trader, he lives estranged from his family—until he is asked to investigate his father’s sudden death. Thus Weaver descends into the deceptive world of the English st...

From the Jacket

Benjamin Weaver, a Jew and an ex-boxer, is an outsider in eighteenth-century London, tracking down debtors and felons for aristocratic clients. The son of a wealthy stock trader, he lives estranged from his family--until he is asked to investigate his father's sudden death. Thus Weaver descends into the deceptive world of the English s...

David Liss was born in 1966 and grew up in south Florida. He is currently a doctoral candidate in the English department at Columbia University, where he is completing his dissertation on how the mid-eighteenth-century novel reflects and shapes the emergence of the modern idea of personal finance. He has given numerous conference paper...

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Format:PaperbackDimensions:480 pages, 7.99 × 5.17 × 0.98 inPublished:January 30, 2001Publisher:Random House Publishing GroupLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0804119120

ISBN - 13:9780804119122

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Customer Reviews of A Conspiracy of Paper: A Novel

Reviews

Rated 5 out of 5 by from Delightful David Liss has created a memorable character in Benjamin Weaver. I look forward to reading Benjamin's other adventures.
Date published: 2015-03-20
Rated 4 out of 5 by from Starting point for me This book got me into this genre. Really well written and an engrossing story. Since reading this I've jumped full steam ahead into the historical fiction realm. With great detail and descriptive writing Liss puts the reader right into the story and you will find it hard to put down
Date published: 2015-02-16
Rated 4 out of 5 by from Very surprising! I'm not sure why I'm withholding a fifth star; this really was a fantastic read. I wasn't sure what I was expecting from Liss' novel, but how very entertaining indeed! I know almost nothing of the stock market and have even less interest in reading about it, but it's so secondary to the colourful characters, and the stories we're relayed through Benjamin Weavers' adventures that it hardly matters. The language, the description and the intrigue keeps this book going as you absolutely must know what's been going on by the end. I've not yet read the 'Spectacle of Corruption,' his sequel, but I'm sure it won't disappoint!
Date published: 2013-09-29
Rated 4 out of 5 by from A knock out! This is a historical novel/hard-boiled detective story set in 18th century London. Liss wrote this book while he was writing his doctoral dissertation on 18th century British literature and culture. It's fully detailed and well researched but not in a dull kinda way like most historical novels. Benjamin Weaver, a British Jew and a former pugilist (boxer), becomes a thief-taker and returner of lost properties after an injury forced him from the ring. The story begins when Weaver is hired to investigate the death of a stockjobber, and simultaneously his own father's death and the mystery behind false stock certificates. The book is loosely based on actual account - some characters are real historical figures like Jonathan Wild (an Al Capone of his time), and real events like the South Sea Bubble (the first stock market crash in the English-speaking world). If you're interested in stock trading and have a taste for mystery and historical novels, then you'll likely enjoy this one.
Date published: 2009-01-27
Rated 4 out of 5 by from A great read This book was recommended by a friend and I thoroughly enjoyed it. It was a nice change from alot of the formulaic stuff that's out now. Well worth it.
Date published: 2001-03-06

Extra Content

Read from the Book

One For some years now, the gentlemen of the book trade have pressed me in the most urgent fashion to commit my memoirs to paper; for, these men have argued, there are many who would gladly pay a few shillings to learn of the true and surprising adventures of my life. While it has been my practice to dismiss this idea with a casual wave of the hand, I cannot claim to have never seriously thought on it, for I have often been the first to congratulate myself on having seen and experienced so much, and many times have I gladly shared my stories with good company around a cleared dinner table. Nevertheless, there is a difference between tales told over a late-night bottle of claret and a book that any man anywhere can pick up and examine. Certainly I have taken pleasure from the idea of recounting my history, but I have also recognized that to publish would be a ticklish endeavor—the names and specifics of my adventures would touch nearly on so many people still living that any such book would be actionable to say the least. Yet the idea has intrigued—even plagued—me, no doubt due to the vanity that breeds within all men's breasts, and perhaps within mine more than most. I have therefore decided to write this book as I see fit. If the gentlemen of Grub Street wish to dash out names of obscure connections, then they may do so. For my part, I shall retain the manuscript so that there can be some true record of these events, if not for this age, then for posterity.I have been at some pains to decide how to begin, for I have seen many things of interest to the general public. Shall I begin like the novelists, with my birth, or like the poets, in the midst of the action? Perhaps neither. I think I shall begin my tale with the day—now more than thirty-five years ago—when I met William Balfour, for it is the matter regarding his father's death that brought me some small measure of success and recognition with the public. Until now, however, few men have known the whole truth behind that affair.Mr. Balfour first called on me late one morning in October of 1719, a year of much turmoil upon this island—the nation lived in constant fear of the French and their support for the heir to the deposed King James, whose Jacobitical followers threatened continually to retake the British monarchy. Our German King was but four years upon the throne, and the power struggles within his ministry created a feeling of chaos throughout the capital. All the newspapers decried the burden of the nation's debt, which they said could never be paid, but that debt showed no sign of decreasing. This era was one of exuberance as well as turmoil, doom, and possibility. It was a fine time for a man whose livelihood depended upon crime and confusion.Matters of national politics held little interest for me, however, and the only debt I cared for was my own. And the day I begin my tale I had even more pressing cares than my precarious finances. I had been long awake, but only recently out of bed and dressed, when my landlady, Mrs. Garrison, informed me that there was a Christian gentleman below who wished to see me. My good landlady always felt the need to specify that it was a Christian gentleman come to visit, though in the months I had resided with her, no Jew but myself had ever entered her premises.That morning I found myself disordered and in no condition to receive visitors, let alone strangers, so I asked Mrs. Garrison to send him away, but in her intrepid manner—for Mrs. Garrison was a stalwart creature—she returned, informing me that the gentleman's business was urgent. "He says it relates to a murder," she told me in the same dull tone she used to announce increases in my rent. Her pallid and beveined face hardened to show her displeasure. "That's what he said—murder—plain as anything. I cannot say it pleases me, Mr. Weaver, to have men come to my house talking of murder."I could not fully comprehend why, if the word was so distasteful to her ears, she should pronounce it quite so loudly within the halls, but I saw my task was to comfort her. "I quite understand, madam. The gentleman surely said 'mercer' and not 'murder,' " I lied, "for I am engaged in a concern of textiles at this moment. Please send him up."The word murder had caught my attention as well as Mrs. Garrison's. Having been involved in a murder of sorts not twelve hours earlier, I thought this matter might concern me indeed. This Balfour would certainly be a scavenger of some kind—the sort of desperate renegado with which London seethed, a creature who combed the dank and filthy streets near the river, hunting for anything he might pawn, including information. No doubt he had heard something of the unfortunate adventure with which I had met and had come to ask me to pay for his silence. I knew well how to dispose of a man of this stripe. Not with money, certainly, for to give a rascal any silver at all was to encourage him to return for more. No, I had found that in these cases violence usually did my business. I would think of something bloodless—something that would not attract Mrs. Garrison's attention when I escorted the blackguard out. A woman with no taste for the talk of murder under her roof should hardly countenance an act of mutilation paraded down her staircase.I took a moment to order my receiving room, as I called it. I took two rooms of Mrs. Garrison, one private, the other in which I conducted my business. Like many businessmen—for so I fancied myself, even then—I had been used to order my affairs in a local coffeehouse, but the delicate nature of my work had made such public venues unacceptable to the men I served. Instead, I had set up a room with several comfortable chairs, a table around which to sit, and a handsome set of shelves that I used to store wine and cheese rather than the books for which they were designed. Mrs. Garrison had done the decorating, and while she had given the room an inappropriately cheery tone with its pinkish-white paint and light blue curtains, I found that a few swords and martial prints about the walls helped to add a sufficiently manly corrective.I took pride in these rooms being so very proper, for the genteel tone put the gentlemen who came to seek my services at ease. My trade frequently involved the unsavory, and gentlemen, I had learned, preferred the illusion that they dealt in simple business—nothing more.I should like to add, though I risk accusations of vanity, I took pride in my own appearance as well. I had escaped my years as a pugilist with few of the badges that gave fellow-veterans of the ring the appearance of ruffians—missing eyes, mashed noses, or suchlike disfigurements—and had no more to show for my beatings than some small scars about my face and a nose that bore only the mild bumps and jagged edges that come with several breakings. Indeed, I fancied myself a well-enough-looking man, and I made a point of always dressing neatly, if modestly. I wore upon my body only clean shirts, and none of my coats and waistcoats were more than a year old. Nevertheless, I was none of your sprightly popinjays who wore the latest bright colors and frills; a man of my trade always prefers simple fashions that draw to himself no particular attention.I seated myself at my large oaken writing desk, which faced the door. I used this desk when I ordered my affairs, but I had discovered that it served to make clear my authority. I thus picked up a pen and contorted the muscles in my face to resemble something like a man both busy and irritated.When Mrs. Garrison showed this visitor in, however, I was at pains to conceal my surprise. William Balfour was no prig—as we called thieves in those days—but a gentleman of fine dress and appearance. He was perhaps five years younger than myself: I gauged him at two- or three-and-twenty. He was a tall, gaunt, stooped man with something of a sunken look on a wide, handsome face that was only slightly marred by the scars of smallpox. He wore a wig of the first quality, but it showed its age and wear in its stains and a dingy sallow color poorly hidden by powder. Similarly, his clothes bore the signs of fine tailoring, but they looked a bit over-used, covered with the dust of road and panic and cheap lodgings. His waistcoat in particular, once laced with fine silver stuff, was now tattered and threadbare. There was, too, something in his eyes. I could not tell if it was suspicion or fatigue or defeat, and he observed me with a skepticism to which I was all too accustomed. Most men who walk through that door, you understand, had a look prepared for me—scorn, doubt, superiority. A few even had admiration. Men of this last category had seen me in my prime as a pugilist, and their love of sport overcame their embarrassment at seeking the aid of a Jew who meddled in other men's unpleasantries. This Balfour looked at me as neither Jew nor pugilist, but as something else—something of no consequence whatsoever, almost as though I were the servant who should take him to the man he sought."Sir," I said, standing up as Mrs. Garrison closed the door behind her. I gave Balfour a short bow, which he returned with a wooden resignation. After offering him a seat before my desk, I returned to my chair and informed him I awaited his commands.He hesitated before stating his business, taking a moment to study my features—I should say gawk at my features, for he regarded me as more spectacle than man. His eye roamed with clear disapproval at my face and clothing (though both were cleaner and neater than his own), and squinted at my hair; for, unlike a proper gentleman, I wore no peruke, and instead pulled my locks back in the style of a tie-periwig."You, I presume, are Benjamin Weaver," he began at last in a voice that cracked with uncertainty. He hardly noticed my nod of acknowledgment. "I come on a serious matter. I am not pleased to be forced to seek your peculiar skills, but I require the assistance that only a man such as yourself can provide." He shifted uneasily in his chair, and I wondered if Mr. Balfour was not what he claimed—if he were perhaps a man of a much lower order than he affected, masquerading as a gentleman. There was, after all, the murder he had spoken of to Mrs. Garrison, but I now could not but wonder if the murder he mentioned was the one that so plagued my own thoughts."I hope I am able to be of some assistance to you," I said, with practiced civility. I laid down my pen and cocked my head slightly to show him that I put my full attention at his disposal.His hands shook distractingly while he studied his fingernails with unconvincing indifference. "Yes, it is an unpleasant business, so I am sure you are quite equal to the task."I offered him a brief bow from my chair and told him he was too kind or some other like platitude, but he hardly noticed what I said. Despite his attempts to perform a sort of fashionable lassitude, he appeared for all the world like a man on the brink of choking, as though his collar tightened about his throat. He bit his lip. He looked about the room, eyes darting here and there."Sir," I said, "you will forgive me if I note that you appear a little discomposed. Can I offer you a glass of port?"My words all but slapped him in the face, and he collected himself once again to the posture of an insouciant buck. "I must imagine that there are less presumptuous ways for you to inquire into a gentleman's distresses. Nevertheless, I shall take a drink of whatever quality you have upon you."It was not out of deference that I allowed Balfour to insult me freely. Once I had established myself in my trade, it took no great amount of time to learn that men of birth or standing had a profound need to demonstrate their superiority—not to the man they hired to meddle in their private business, but to the business itself. I could not take Balfour's freedoms personally, for they were not directed at me. I also knew that once I had effectively served such a man, the memory of his discourteous behavior often inspired him to pay promptly and to recommend my skills to his acquaintances. I therefore tossed off Mr. Balfour's insults as a bear tosses off the dogs sent to bait it in Hockley-in-the-Hole. I poured his wine and returned to my desk.He took a sip. "I am not discomposed," he assured me. If the quality of my drink pleasantly surprised my guest, as I expected it should, he thought this fact not worth mentioning. "I am certainly tired from a poor night's rest, and indeed"—he paused to look at me pointedly—"I am in mourning for my father, who died not two months ago."I offered my apologies and then startled myself by telling him that I too had recently lost a father.Balfour astonished me in return by telling me that he knew of my father's death. "Your father, sir, and my own were acquaintances. They did business together, you know, at times when my father had the need to call on a man of your father's . . . sort."I would like to believe that I showed no surprise, but I doubt it was so. My given name is not Weaver, but Lienzo. Few men were familiar with my true name, so I could not have anticipated that this man would know the identity of my father. I could not guess what else Balfour knew of me, but I asked no questions. I only nodded slowly.

Bookclub Guide

1. Do you think Weaver should have constantly bailed Miriam out of trouble? What do you think about him not getting the girl in the end? Did you want to see them together or was the books' ending more believable? 2. Did this novel make you change your sentiments about the current stock market? Did it make you want to become more cautious in your own investments? Did you read it as a cautionary tale?3. For many centuries orthodox Jewish communities have lived inside European societies but also outside of them. In what ways did Lienzo's fear harm his son? In what ways did it protect him? Do you think the Jews of the eighteenth-century London did themselves a service or disservice by closing themselves off? 4. The "gentlemen" at Sir Owen's club put Weaver in the uncomfortable position of having to speak for his entire culture. Have you ever been in a situation where you were the only minority (religious, racial, economic, etc.)? How did it feel to have a group looking at you as the spokesperson for your community? Can you think of any modern parallels? 5. Instead of praising his son, Benjamin, for defending the elderly Mrs. Cantas from anti-Semites, Lienzo strikes him? What did you think of Lienzo's behavior? What would it be like to live in constant fear of drawing attention to your community? Can you think of any modern parallels? 6. Who do you think was more honorable in his ways of doing business: the criminal Jonathan Wild, or Nathan Adelman? Why? 7. Near the end of the book, Adelman says to Weaver about the murder of Sir Owen, "You need only to believe, Mr. Weaver." And Benjamin answers, "Like the new finance . . .it is true only so long as we believe it is true." What do you think the author is trying to say about the future of the stock market by letting Weaver believe someone he knows is unreliable? 8. Have you ever been caught up in a mania like the South Sea Bubble? What did it teach you about fads? Would you allow it to happen again? 9. As a child, Benjamin idolized boxers for their ability to fight. Compare his physicality to his relatives' intellectual and financial pursuits. Do you think Weaver's attraction to boxing was a response to the precariousness of his community? 10. At the end of the book the powerful Adelman comes out on top. Yet he is a member of a disempowered group. Do the many conspiracies in this book ultimately benefit the disenfranchised, or the powerful? 11. Discuss the title A Conspiracy of Paper. Do you think the author used the word "paper" to evoke written histories and novels as well as money? Do you believe that history is written by those who come out on top? How do you think "paper" will fare in our increasingly electronic age?

Editorial Reviews

“Tremendously smart, assured, and entertaining . . . An intricate mystery, a colorful rogues’ gallery and, improbably, a history lesson on the birth of the stock market.”—Newsweek“THE PLOT DRAWS YOU IN FROM PAGE TO PAGE. . . . An evocation of English history that you can happily get lost in for days.”—CHRISTOPHER LEHMANN-HAUPT The New York Times“REMARKABLE . . . ENGAGING . . . The first stock market crash in the English-speaking world is about to burst, and a whole way of life is about to burst with it.”—The New York Times Book Review“A VORTEX OF STOCK FRAUD AND MURDER . . . [A] GENRE-STRETCHING FIRST NOVEL.”—Time“HIGHLY ENTERTAINING . . . FIENDISHLY INTRICATE . . . Compares favorably with An Instance of the Fingerpost.”—Kirkus Reviews (starred review)“A tale of eighteenth-century finance, murder, and religion that is a remarkable debut and a thoroughly satisfying novel.”—ARTHUR GOLDEN Author of Memoirs of a Geisha “An old-fashioned detective story, with London’s teeming streets and taverns as its backdrop. . . . An artfully constructed potboiler: the sort of thing that would make a good ‘Mystery!’ series on PBS.”—The New Yorker“A Conspiracy of Paper is exciting, intelligent, and witty—a rare combination in historical novels. It is rich in intriguing detail and peopled with fascinating characters. Recommended enthusiastically.”—JOHN JAKES Author of American Dreams“A well-researched and highly entertaining historical mystery . . . [A] tale of financial skullduggery and multiple murder . . . Conveyed in vivid extended scenes characterized by crisp dialogue and a keen sense of the ways in which character reveals itself . . . The very model of a modern historical mystery.”—Kirkus Reviews (starred review)“Terrific . . . Set in a vividly realized eighteenth-century London . . . Although a financial boom fueled by a new economy or a personal struggle with ethnic identity may seem awfully contemporary, Liss keeps us firmly in another time. . . . The book crackles with period detail, yet the immense research never shows. . . . One can only hope that Liss isn’t finished with Benjamin Weaver.”—Booklist