A Guide to Pictures for Beginners and Students

Paperback | February 8, 2012

byCharles Henry Caffin

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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated.1910 Excerpt: ... CHAPTER XVIII SUBJECT, MOTIVE, AND POINT OP VIEW T the beginning of our talks, you may remem-ber, I told you I should not have much to say about the subjects of pictures. For I wished at the start to make you realise, that what a picture is about is of much less importance than the way in which the subject is treated. A fine subject may be treated in such a way as to make a very bad picture, while a good picture may be composed of a subject in which one is not particularly interested. In fact, I wished to help you to look at a picture first and foremost as a work of art; a thing beautiful in itself because of its composition of form and color; beautiful in an abstract way, that is to say, apart from the ideas suggested by the subject. My aim has been to try to teach you to admire a picture in an abstract way, as you admire a Japanese or Chinese vase, simply and solely for its beauty of form and color. This is not the usual way. Most people begin by taking interest in the subject of a picture, and very many never get any further in their appreciation. On the other hand I felt that, if I could once get you interested in the abstract qualities of a picture, you would be started right, and that your interest in the subject would be sure to follow after. So our talk about subject has been put off until now. Pictures are sometimes sorted into groups according to their subject. There are religious pictures; pictures of myths and legends or imaginary subjects; portraits; landscapes; historical pictures, like Washington crossing the Delaware; genre pictures or scenes of every day life; still-life subjects, representing flowers and fruits, dead birds, beasts and fishes, and objects of man's handiwork; decorative subjects and mural paintings. But this grouping does no...

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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated.1910 Excerpt: ... CHAPTER XVIII SUBJECT, MOTIVE, AND POINT OP VIEW T the beginning of our talks, you may remem-ber, I told you I should not have m...

Format:PaperbackDimensions:58 pages, 9.69 × 7.44 × 0.12 inPublished:February 8, 2012Publisher:General Books LLCLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0217666884

ISBN - 13:9780217666886

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