A Poetry Handbook by Mary OliverA Poetry Handbook by Mary Oliver

A Poetry Handbook

byMary Oliver

Paperback | February 1, 2001

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With passion, wit, and good common sense, the celebrated poet Mary Oliver tells of the basic ways a poem is built-meter and rhyme, form and diction, sound and sense. Drawing on poems from Robert Frost, Elizabeth Bishop, and others, Oliver imparts an extraordinary amount of information in a remarkably short space. 'Stunning' (Los Angeles Times). Index.
Best-selling poet Mary Oliver's works include Red Bird, Our World, Thirst, and Blue Iris. She has also published several books of prose, including Rules for the Dance and Long Life .
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Title:A Poetry HandbookFormat:PaperbackDimensions:144 pages, 8 × 5.31 × 0.44 inPublished:February 1, 2001Publisher:Houghton Mifflin Harcourt

The following ISBNs are associated with this title:

ISBN - 10:0156724006

ISBN - 13:9780156724005

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Reviews

From Our Editors

With passion, wit, and good common sense, the celebrated poet Mary Oliver tells of the basic ways a poem is built--meter and rhyme, form and diction, sound and sense. Drawing on poems from Robert Frost, Elizabeth Bishop, and others, the Pulitzer Prize and National Book Award winner imparts an extraordinary amount of information in a short space

Editorial Reviews

National Book Award winner Oliver ( New and Selected Poems ) delivers with uncommon concision and good sense that paradoxical thing: a prose guide to writing poetry. Her discussion may be of equal interest to poetry readers and beginning or experienced writers. She's neither a romantic nor a mechanic, but someone who has observed poems and their writing closely and who writes with unassuming authority about the work she and others do, interspersing history and analysis with exemplary poems (the poets include James Wright, William Carlos Williams, Elizabeth Bishop, Marianne Moore and Walt Whitman). Divided into short chapters on sound, the line, imagery, tone, received forms and free verse, the book also considers the need for revision (an Oliver poem typically passes through 40 or 50 drafts before it is done) and the pros and cons of writing workshops. And though her prose is wisely spare, a reader also falls gladly on signs of a poet: ``Who knows anyway what it is, that wild, silky part of ourselves without which no poem can live?'' or ``Poems begin in experience, but poems are not in fact experience . . . they exist in order to be poems.'' (July)