A Rasa Reader: Classical Indian Aesthetics

Hardcover | April 26, 2016

bySheldon Pollock

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From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation.

This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought-a concept for the stage-to its flourishing in literary thought-a concept for the page. A Rasa Reader incorporates primary texts by every significant thinker on classical Indian aesthetics, many never translated before. The arrangement of the selections captures the intellectual dynamism that has powered this debate for centuries. Headnotes explain the meaning and significance of each text, a comprehensive introduction summarizes major threads in intellectual-historical terms, and critical endnotes and an extensive bibliography add further depth to the selections. The Sanskrit theory of emotion in art is one of the most sophisticated in the ancient world, a precursor of the work being done today by critics and philosophers of aesthetics. A Rasa Reader's conceptual detail, historical precision, and clarity will appeal to any scholar interested in a full portrait of global intellectual development.

A Rasa Reader is the inaugural book in the Historical Sourcebooks in Classical Indian Thought series, edited by Sheldon Pollock. These text-based books guide readers through the most important forms of classical Indian thought, from epistemology, rhetoric, and hermeneutics to astral science, yoga, and medicine. Each volume provides fresh translations of key works, headnotes to contextualize selections, a comprehensive analysis of major lines of development within the discipline, and exegetical and text-critical endnotes, as well as a bibliography. Designed for comparativists and interested general readers, Historical Sourcebooks is also a great resource for advanced scholars seeking authoritative commentary on challenging works.

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From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, a...

Sheldon Pollock is the Arvind Raghunathan Professor of Sanskrit and South Asian Studies at Columbia University. His publications include Literary Cultures in History: Reconstructions from South Asia (2003); The Language of the Gods in the World of Men: Sanskrit, Culture, and Power in Premodern India (2006); and World Philology (2015)....

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Format:HardcoverDimensions:472 pages, 10 × 7 × 0.98 inPublished:April 26, 2016Publisher:Columbia University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0231173903

ISBN - 13:9780231173902

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Table of Contents

PrefaceAcknowledgmentsEnglish Translations of Sanskrit TitlesList of AbbreviationsIntroduction: An Intellectual History of Rasa1. The Foundational Text, c. 300, and Early Theorists, 650-10252. The Great Synthesis of Bhoja, 1025-10553. An Aesthetic Revolution, 900-10004. Abhinavagupta and His School, 1000-12005. Continuing the Controversies Beyond Kashmir, 1200-14006. Rasa in the Early Modern World, 1200-1650English-Sanskrit GlossaryNotesBibliographyIndex

Editorial Reviews

In this bold, comprehensive, and bracing foray into classical India, Pollock confirms his reputation as a pioneering intellectual historian-the rare kind that creates a vast new field of inquiry and scholarship while provoking reappraisals of existing ideas, assumptions, and concepts.