African Culture and Melville's Art: The Creative Process in Benito Cereno and Moby-Dick by Sterling StuckeyAfrican Culture and Melville's Art: The Creative Process in Benito Cereno and Moby-Dick by Sterling Stuckey

African Culture and Melville's Art: The Creative Process in Benito Cereno and Moby-Dick

bySterling Stuckey

Paperback | March 11, 2011

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Although Herman Melville's masterworks Moby-Dick and Benito Cereno have long been the subject of vigorous scholarly examination, the impact of African culture on these works has received surprisingly little critical attention. Presenting a groundbreaking reappraisal of these two powerfulpieces of fiction, Sterling Stuckey reveals how African customs and rituals heavily influenced one of America's greatest novelists.The Melville that emerges in this innovative, intertextual study is one profoundly shaped by the vibrant African-influenced music and dance culture of nineteenth-century America. Drawing on extensive research, Stuckey reveals how celebrations of African culture by black Americans, such as thePinkster festival and the Ring Shout dance form, permeated Melville's environs during his formative years and found their way into his finest fiction. Also demonstrated is the extent to which the author of Moby-Dick is indebted to Frederick Douglass's depiction of music, especially the blues, in hisclassic slave narrative. Connections between Melville's work and African culture are also extended beyond America to the African continent itself. With readings of hitherto unexplored chapters in Delano's Voyages and Travels in the Northern and Southern Hemispheres and other nonfiction sources -such as Joseph Dupuis's Journal of a Residence in Ashantee - Stuckey links Benito Cereno and Moby-Dick, pinpointing the sources from which Melville drew to fashion major characters that appear aboard both the Pequod and the San Dominick .Combining inventive literary and historical analysis, Stuckey shows how myriad aspects of African culture coalesced to create the unique vision conveyed in Moby-Dick and Benito Cereno. Ultimately, African Culture and Melville's Art provides a wealth of insight into the novelist's expressive powerand the development of his distinct cross-cultural aesthetic.
Sterling Stuckey is Distinguished Professor Emeritus of History at University Of California, Riverside. He is the author of the groundbreaking studies Slave Culture: Nationalist Theory and the Foundations of Black America and Going through the Storm: The Influence of African American Art in History, both published by Oxford University...
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Title:African Culture and Melville's Art: The Creative Process in Benito Cereno and Moby-DickFormat:PaperbackDimensions:168 pages, 9.21 × 6.14 × 0.68 inPublished:March 11, 2011Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0199768560

ISBN - 13:9780199768561

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Table of Contents

Introduction1. The Tambourine in Glory2. Benito Cereno and Moby Dick3. The Hatchet-Polishers, Benito Cereno, and Amasa Delano4. Cheer and Gloom: Frederick Douglass and Herman Melville on Slave Music and DanceAppendix: Chapter XVI from Captain Amasa Delano's A Narrative of Voyages and Travels