Albrecht Dürer And The Epistolary Mode Of Address by Shira Brisman

Albrecht Dürer And The Epistolary Mode Of Address

byShira Brisman

Hardcover | January 20, 2017

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Art historians have long looked to letters to secure biographical details; clarify relationships between artists and patrons; and present artists as modern, self-aware individuals. This book takes a novel approach: focusing on Albrecht Dürer, Shira Brisman is the first to argue that the experience of writing, sending, and receiving letters shaped how he treated the work of art as an agent for communication.

In the early modern period, before the establishment of a reliable postal system, letters faced risks of interception and delay. During the Reformation, the printing press threatened to expose intimate exchanges and blur the line between public and private life. Exploring the complex travel patterns of sixteenth-century missives, Brisman explains how these issues of sending and receiving informed Dürer’s artistic practices. His success, she contends, was due in large part to his development of pictorial strategies—an epistolary mode of address—marked by a direct, intimate appeal to the viewer, an appeal that also acknowledged the distance and delay that defers the message before it can reach its recipient. As images, often in the form of prints, coursed through an open market, and artists lost direct control over the sale and reception of their work, Germany’s chief printmaker navigated the new terrain by creating in his images a balance between legibility and concealment, intimacy and public address.

About The Author

Shira Brisman is assistant professor of art history at the University of Wisconsin–Madison.

Details & Specs

Title:Albrecht Dürer And The Epistolary Mode Of AddressFormat:HardcoverDimensions:320 pages, 10 × 7 × 0.9 inPublished:January 20, 2017Publisher:University of Chicago PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:022635475X

ISBN - 13:9780226354750

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“Brisman’s epistolary approach opens up stimulating new ways of thinking about Dürer and his creations. She provides a framework for understanding how the artist adopts and then adapts contemporary modes of communication used by his literate peers. This is a highly original and extremely well-researched study.”