An Incomplete Revenge: A Maisie Dobbs Novel by Jacqueline WinspearAn Incomplete Revenge: A Maisie Dobbs Novel by Jacqueline Winspear

An Incomplete Revenge: A Maisie Dobbs Novel

byJacqueline Winspear

Paperback | November 25, 2008

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In her fifth outing, Maisie Dobbs, the extraordinary Psychologist and Investigator, delves into a strange series of crimes in a small rural community

With the country in the grip of economic malaise, and worried about her business, Maisie Dobbs is relieved to accept an apparently straightforward assignment from an old friend to investigate certain matters concerning a potential land purchase. Her inquiries take her to a picturesque village in Kent during the hop-picking season, but beneath its pastoral surface she finds evidence that something is amiss. Mysterious fires erupt in the village with alarming regularity, and a series of petty crimes suggests a darker criminal element at work. As Maisie discovers, the villagers are bitterly prejudiced against outsiders who flock to Kent at harvest time-even more troubling, they seem possessed by the legacy of a wartime Zeppelin raid. Maisie grows increasingly suspicious of a peculiar secrecy that shrouds the village, and ultimately she must draw on all her finely honed skills of detection to solve one of her most intriguing cases.

Rich with Jacqueline Winspear's trademark period detail, this installment of the bestselling series, An Incomplete Revenge, is gripping, atmospheric, and utterly enthralling.

Jacqueline Winspear is the author of the Maisie Dobbs novels, Maisie Dobbs, Birds of a Feather, Pardonable Lies, and Messenger of Truth. Maisie Dobbs won the Agatha, Alex and Macavity Awards; Birds of a Feather won the Agatha Award; and Pardonable Lies won the Sue-Feder/Macavity Award for Best Historical Mystery. Originally from the UK...
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Title:An Incomplete Revenge: A Maisie Dobbs NovelFormat:PaperbackDimensions:352 pages, 8.27 × 5.46 × 0.65 inPublished:November 25, 2008Publisher:PicadorLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0312428189

ISBN - 13:9780312428181

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Reviews

Rated 3 out of 5 by from Maisie... At It Again Another solid Maisie Dobbs book. Jacqueline Winspear's stories always flow nicely, at a good pace. Maise's character grows from one book to the next...but it sure would be nice to see her have a little fling or two...at least once! I like the Maisie Dobbs books...a new sleuth who uses her intuition. Every clue followed, not a crumb left on the table by the end of the book. The next Maisie book, "Among the Mad" came out in hardcover this past February...i'll wait for the softcover to come out later this year :)
Date published: 2009-05-09
Rated 5 out of 5 by from Her title of psychologist and investigator might well read psychic investigator I was very taken with this book I loved the many textures and the fullness of characters, the setting of the late 1930s interspersed with a background story from WWI. I had never read a Maisie Dobbs story before but am fast becoming a new fan! Quite aside from the many mysterious happenings, I enjoyed learning of hop-picking, and the rich fullness of gypsies and gypsy lore. Jacqueline Winspear has a very fluid voice in telling the story, understands the nuances in people, fear, hope, revenge, forgiveness, and the need to live a full life. The formation of who Maisie is unfolds throughout the book. She is a strong woman, conscientious, tolerant and compassionate. Her title of psychologist and investigator might well read psychic investigator, given her abilities and attunement to nature. There were many strands to be woven in this tapestry, with a lot of knots and tangles. The mysteries maintained a strong level and I was happy to see so much of the tapestry tied off in the Epilogue. The many characters in the book are victims of the very crimes they were involved in and you cannot help but feel the fear and incitement for what was done without even realizing why. The despicable but lazy “Lord of the Manor” of the village is one of the feeblest strongarms I’ve ever met in a book, I think. Does he deserve the outcome? Most probably, but maybe it was once again the easy way of doing things. Overall, a very honest and satisfying read, you can be sure I will be reading more of Maisie’s cases. Thanks to Jacqueline Winspear for one of my new favourite series! I recommend this book for the light mystery it is, a great antidote for between heavier tomes, enjoyable and fulfilling; I do like a book that I can learn something new from, too.
Date published: 2009-03-17

Read from the Book

PROLOGUEEarly September 1931The old woman rested on the steps of her home, a caravan set apart from those of the rest of her family, her tribe. She pulled a clay pipe from her pocket, inspected the dregs of tobacco in the small barrel, shrugged, and struck a match against the rim of a water butt tied to the side of her traveling home. She lit the pipe with ease, clamping her ridged lips around the end of the long stem to draw vigor from the almost-spent contents. A lurcher lay at the foot of the steps, seeming at first to be asleep, though the old woman knew that one ear was cocked to the wind, one eye open and watching her every move.Aunt Beulah Webb—that was the name she was known by, for an older gypsy woman was always known as aunt to those younger—sucked on her pipe and squinted as she surveyed the nearby fields, then cast her eyes to the hop-gardens beyond. The hops would be hanging heavy on the bine by now, rows upon rows of dark-green, spice-aroma’d swags, waiting to be harvested, picked by the nimble hands of men, women and children alike, most of whom came from London for a working late-summer holiday. Others were gypsies like herself, and the rest were gorja from the surrounding villages. Gorja. More house dwellers, more who were not gypsies.Her people kept themselves to themselves, went about their business without inviting trouble. Aunt Beulah hoped the diddakoi families kept away from the farm this year. A Roma would trust anyone before a diddakoi—before the half-bred people who were born of gypsy and gorja. As far as she was concerned, they looked for trouble, expected it. They were forgetting the old ways, and there were those among them who left the dregs of their life behind them when they moved on, their caravans towed by boneshaker lorries, not horses. The woman looked across at the caravan of the one she herself simply called Webb. Her son. Of course, her son’s baby daughter, Boosul, was a diddakoi, by rights, though with her shock of ebony hair and pebble-black eyes, she favored Roma through and through.About her business in the morning, Beulah brought four tin bowls from underneath the caravan—underneath the vardo in the gypsy tongue. One bowl was used to wash tools used in the business of eating, one for the laundering of clothes, one for water that touched her body, and another for the cleaning of her vardo. It was only when she had completed those tasks, fetching dead wood from the forest for the fire to heat the water, that she finally placed an enamel kettle among the glowing embers and waited for it to boil for tea. Uneasy unless working, Beulah bound bunches of Michaelmas daisies to sell door to door, then set them in a basket and climbed back into her vardo.She knew the village gorja, those out about their errands, would turn their backs when they saw her on the street, would glance away from her black eyes and dark skin now rippled with age. They would look aside so as not to stare at her gold hoop earrings, the scarf around her head, and the wide gathered skirt of threadbare deep-purple wool that marked her as a gypsy. Sometimes children would taunt.“Where are you going, pikey? Can’t you hear, you old gyppo woman?’But she would only have to stare, perhaps point a charcoal blackened finger, and utter words in dialect that came from deep in the throat, a low grumble of language that could strike fear into the bravest bully—and they would be gone.Women were the first to turn away, though there were always a few—enough to make it worth her while—who would come to the door at her knock, press a penny into her outstretched hand, and take a bunch of the daisies with speed lest their fingers touch her skin. Beulah smiled. She would see them again soon enough. When dusk fell, a twig would snap underfoot as a visitor approached her vardo with care. The lurcher would look up, a bottomless growl rumbling in her gullet. Beulah would reach down and place her hand on the dog’s head, whispering, “Shhhh, jook.” She would wait until the steps were closer, until she could hold the lurcher no longer, and then would call out, “Who’s there?” And, after a second or two, a voice, perhaps timid, would reply, “I’ve come for my fortune.”Beulah would smile as she uncovered the glass sphere she’d brought out and set on the table at eventide, waiting.Not that a ball made of a bit of glass had anything to do with it, yet that was what was expected. The gypsy might not have been an educated woman, but she knew what sold. She didn’t need glass, or crystal, a bit of amethyst, a cup of still-wet tea leaves, or a rabbit’s foot to see, either. No, those knickknacks were for the customers, for those who needed to witness her using something solid, because the thought of her seeing pictures of what was to come in thin air would be enough to send them running. And you never scared away money.Beulah heard a squeal from the tent that leaned against her son’s vardo, little Boosul waking from sleep. Her people were stirring, coming out to light fires, to make ready for the day. True gypsies never slept in their spotless vardos, with shining brass and wafer-thin china hanging from the walls. Like Beulah, they lived in tents, hardy canvas tied across a frame of birch or ash. The vardos were kept for best. Beulah looked up to the rising sun, then again at the fields as the steamy mist of warming dew rose to greet the day. She didn’t care for the people of this village, Heronsdene. She saw the dark shadow that enveloped each man and woman and trailed along, weighing them down as they went about their daily round. There were ghosts in this village—ghosts who would allow the neighbors no rest.As she reached down to pour scalding water into the teapot, the old woman’s face concertina’d as a throbbing pain and bright light bore down upon her with no warning, a sensation with which she was well familiar. She dropped the kettle back into the embers and pressed her bony knuckles hard against her skull, squeezing her eyes shut against flames that licked up behind her closed eyelids. Fire. Again. She fought for breath, the heat rising up aroundher feet to her waist, making her old legs sweat, her hands clammy. And once more she came to Beulah, walking out from the very heart of the inferno, the younger woman she had not yet met but knew would soon come. It would not be long now; the time approached—of that she was sure. The woman was tall and well dressed, with black hair—not long hair, but not as short as she’d seen on some of the gorja womenfolk in recent years. Beulah leaned against the vardo, the lurcher coming to stand at her mistress’s side as if to offer her lean body as buttress. This woman, who walked amid the flames of Beulah’s imagination, had known sadness, had lived with death. And though she now stepped forward alone, the grief was lifting—Beulah could see it ascending like the morning cloud, rising up to leave her in peace. She was strong, this woman of her dreams, and . . . Beulah shook her head. The vision was fading; the woman had turned away from her, back into the flames, and was gone.The gypsy matriarch held one hand against her forehead, still leaning against her vardo. She opened her eyes with care and looked about her. Only seconds had passed, yet she had seen enough to know that a time of great trouble was almost upon her. She believed the woman—the woman for whom she waited—would be her ally, though she could not be sure. She was sure of three things, though—that the end of her days drew ever closer, that before she breathed her last, a woman she had never seen in her life would come to her, and that this woman, even though she might think of herself as ordinary, of little account in the wider world, still followed Death as he made his rounds. That was her calling, her work, what she was descended of gorja and gypsy to do. And Beulah Webb knew that here, in this place called Heronsdene, Death would walk among them soon enough, and there was nothing she could do to prevent such fate. She could only do her best to protect her people.The sun was higher in the sky now. The gypsy folk would bide their time for three more days, then move to a clearing at the edge of the farm, setting their vardos and pitching their tents away from Londoners, who came for the picking to live in whitewashed hopper huts and sing their bawdy songs around the fire at night. And though she would go about her business, Beulah would be waiting—waiting for the woman with her modern clothes and her tidy hair. Waiting for the woman whose sight, she knew, was as powerful as her own.

Bookclub Guide

About this Guide

The following author biography and list of questions about An Incomplete Revenge are intended as resources to aid individual readers and book groups who would like to learn more about the author and this book. We hope that this guide will provide you a starting place for discussion, and suggest a variety of perspectives from which you might approach An Incomplete Revenge.

Editorial Reviews

"Maisie Dobbs is a revelation." -Alexander McCall Smith, Author of The No. 1 Ladies Detective Agency"Those unfamiliar with the Maisie Dobbs series are best advised to start here and work their way backward. . . . An Incomplete Revenge shows Maisie at the top of her detecting form." -Newsday"A smart, pragmatic private investigator and psychologist with extraordinary empathic sensitivity . . . Every page of this novel is dense with affectionately rendered period detail. Winspear deftly intertwines multiple story lines. The tale becomes increasingly gripping as the novel progresses toward a truly moving ending." -The Boston Globe"Winspear's lively and graceful prose, strong sense of time and place, and her ability to create believable and sympathetic characters make the book a joy to read." -The Denver Post"A pleasure . . . This nuanced series explores England in the aftermath of World War I, when millions of women who lost their husbands, lovers, and sons were left to make their own ways. Maisie is one of that group, and her way is an appealing one." -The Times-Picayune (New Orleans)"A compelling and intriguing puzzle . . . Winspear infuses this moving novel with wisdom, restrained emotion and, as is her custom, issues of morality." -Richmond Times-Dispatch"Intriguing . . . Fascinating . . . Skillfully drawn." -The Washington Times"One of the more robust entries in the historical mystery category." -The Seattle Times"Often eloquent and deeply human." -The Providence Journal