Appropriating Shakespeare: A Cultural History Of Pyramus And Thisbe by Louise GeddesAppropriating Shakespeare: A Cultural History Of Pyramus And Thisbe by Louise Geddes

Appropriating Shakespeare: A Cultural History Of Pyramus And Thisbe

byLouise Geddes

Hardcover | April 5, 2017

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Appropriating Shakespeare: A Cultural History of Pyramus and Thisbe argues that the vibrant, transformative history of Shakespeare's play-within-a-play from A Midsummer Night's Dream across four centuries allows us to see the way in which Shakespeare is used to both create and critique emergent cultural trends. Because of its careful distinction between "good" and "bad" art, Pyramus and Thisbe's playful meditation on the foolishness of over-reaching theatrical ambition is repeatedly appropriated by artists seeking to parody contemporary aesthetics, resulting in an ongoing assessment of Shakespeare's value to the time. Beginning with the play's own creation as an appropriation of Ovid, designed to keep the rowdy clown in check, Appropriating Shakespeare is a wide-ranging study that charts Pyramus and Thisbe's own metamorphosis through opera, novel, television, and, of course, theatre. This unique history illustrates Pyramus and Thisbe's ability to attract like-minded, experimental, genre-bending artists who use the text as a means of exploring the value of their own individual craft. Ultimately, what this history reveals is that, in excerpt, Pyramus and Thisbe affirms the place of artist as both consumer and producer of Shakespeare.
Louise Geddes is assistant professor of English at Adelphi University.
Title:Appropriating Shakespeare: A Cultural History Of Pyramus And ThisbeFormat:HardcoverDimensions:154 pages, 9.37 × 6.31 × 0.63 inPublished:April 5, 2017Publisher:Fairleigh Dickinson University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:1683930444

ISBN - 13:9781683930440


Table of Contents

List of IllustrationsAcknowledgmentsIntroduction: "You may do it extempore"1 Performance as Appropriation: Bottom, Celebrity, and the Early Modern Clown2 "The Taste of the Present Times": Challenging Parody in the Eighteenth Century3 "I have a passion for good prose": Transmedial Shakespeare in the Nineteenth Century4 "Know that I, one Ringo the Drummer Am": Mass Media and the Authenticity of Subculture5 As We Like It: Transcultural Shakespeares in the Twenty-first CenturyEpilogue: "It must be your imagination, then"BibliographyIndexAbout the Author