Aristophanes And The Cloak Of Comedy: Affect, Aesthetics, And The Canon by Mario TelòAristophanes And The Cloak Of Comedy: Affect, Aesthetics, And The Canon by Mario Telò

Aristophanes And The Cloak Of Comedy: Affect, Aesthetics, And The Canon

byMario Telò

Hardcover | April 18, 2016

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The Greek playwright Aristophanes (active 427–386 BCE) is often portrayed as the poet who brought stability, discipline, and sophistication to the rowdy theatrical genre of Old Comedy. In this groundbreaking book, situated within the affective turn in the humanities, Mario Telò explores a vital yet understudied question: how did this view of Aristophanes arise, and why did his popularity eventually eclipse that of his rivals?

Telò boldly traces Aristophanes’s rise, ironically, to the defeat of his play Clouds at the Great Dionysia of 423 BCE. Close readings of his revised Clouds and other works, such as Wasps, uncover references to the earlier Clouds, presented by Aristophanes as his failed attempt to heal the audience, who are reflected in the plays as a kind of dysfunctional father. In this proto-canonical narrative of failure, grounded in the distinctive feelings of different comic modes, Aristophanic comedy becomes cast as a prestigious object, a soft, protective cloak meant to shield viewers from the debilitating effects of competitors’ comedies and restore a sense of paternal responsibility and authority. Associations between afflicted fathers and healing sons, between audience and poet, are shown to be at the center of the discourse that has shaped Aristophanes’s canonical dominance ever since.
Mario Telò is professor of classics at the University of California, Berkeley. He is the author of Eupolidis Demi and coeditor of Greek Comedy and the Discourse of Genres.
Title:Aristophanes And The Cloak Of Comedy: Affect, Aesthetics, And The CanonFormat:HardcoverDimensions:256 pages, 9 × 6 × 0.9 inPublished:April 18, 2016Publisher:University of Chicago PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:022630969X

ISBN - 13:9780226309699


Table of Contents

Note to the Reader
Chapter 1: Delayed Applause: Competitive Aesthetics and the Construction of the Comic Canon
1. Triumphant Failure: Peace, Clouds, and the Poetics of Hierarchy
2. Parabasis, Plot, and the Directionality of the Text
3. Affecting the Audience: Knights, Clouds, and the Feel of Comedy

Part 1: Wasps
Chapter 2: A Touch of Class: The Enduring Texture of Aristophanic Comedy
1. Converging Identities: Bdelycleon and Aristophanes between Parabasis and Plot
2. Contest of Cloaks: Restaging the First Clouds
3. The Daemons in the Details: Sensing the Cratinean Fashion
4. Aristophanic Fabric and Comic Canonicity
5. Conclusions
Chapter3: Emotional Rescue and Generic Demotion: Old Comedians and Tragedy’s Ragged Audience
1. Intersecting Affects: Tragic Love as Comic Disease
2. Anger and the Aesthetics of Alienation
3. Wrapping Walls: Affective Mimesis and Proto-Canonical Therapy
4. Ragged Feelings: The Comic Audience as a Tragic Parent
5. Conclusions
Chapter 4: The Broken Net: Comic Failure and Its Consequences
1. An Iambic Erinys: Cratinus, Affect, and Tragic Havoc
2. Aesopic Agonistics: Fables and Comic Redress
3. Undoing Failure: Dire Dancing and Ersatz Liberation
4. Conclusions

Part 2: Clouds
Chapter 5: Aristophanes’ Electra Complex and the Future of Comedy
1. Aristophanes’ Oresteia
2. The Comic Stage as Tragic Classroom: The Audience Meets Socrates (and Eupolis)
3. Stripping Strepsiades: Socrates, Eupolis, Clytemnestra
4. Revision as Revenge: Stolen Cloaks and Suffocating Sons
5. Conclusions
1. “Fail Better”
2. Canonicity: Reenactment, Literary Affections, Enduring Objects
3. Affect: Touch, Vibrant Objects, Intertextuality

Editorial Reviews

“Telò brilliantly weaves together affect theory, attentive intra- and intertextual readings of Old Comedy, and Aristophanes’ own discourses of proto-canonicity to craft an argument of dazzling subtlety and complexity. This book is genuinely paradigm-shifting, changing the way we think about Aristophanic comedy, its social and emotional affects, and the complex politics and aesthetics of its ancient canonization. The most original thing I’ve read on Attic drama in a long time!”