Art And Devotion At A Buddhist Temple In The Indian Himalaya by Melissa R. KerinArt And Devotion At A Buddhist Temple In The Indian Himalaya by Melissa R. Kerin

Art And Devotion At A Buddhist Temple In The Indian Himalaya

byMelissa R. Kerin

Hardcover | July 6, 2015

Pricing and Purchase Info

$75.20 online 
$84.50 list price save 11%
Earn 376 plum® points

Prices and offers may vary in store


In stock online

Ships free on orders over $25

Not available in stores


Sixteenth-century wall paintings in a Buddhist temple in the Tibetan cultural zone of northwest India are the focus of this innovative and richly illustrated study. Initially shaped by one set of religious beliefs, the paintings have since been reinterpreted and retraced by a later Buddhist community, subsumed within its religious framework and communal memory. Melissa Kerin traces the devotional, political, and artistic histories that have influenced the paintings' production and reception over the centuries of their use. Her interdisciplinary approach combines art historical methods with inscriptional translation, ethnographic documentation, and theoretical inquiry to understand religious images in context.

Melissa R. Kerin is Assistant Professor of Art History at Washington and Lee University.
Title:Art And Devotion At A Buddhist Temple In The Indian HimalayaFormat:HardcoverDimensions:264 pages, 10 × 7 × 0.98 inPublished:July 6, 2015Publisher:Indiana University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0253013062

ISBN - 13:9780253013064

Look for similar items by category:


Table of Contents

List of Illustrations
Technical Notes

1. Nako's Socio-Political History and Artistic Heritage
2. Forgetting to Remember: Gyapagpa Temple's Shifting Identity
3. Mapping Drigung Activity in Nako and the Western Himalaya
4. Gyapagpa's Painting Style and its Antecendents
5. Origin and Meaning of a Renascent Painting Tradition


Editorial Reviews

Emphasizing the visual as primary evidence in the study of history, especially religious history, Kerin moves Buddhist art from the arena of museum displays, art markets, and aesthetics to the arena of dynamic interdisciplinary discourse, thus reaffirming the significance of in situ study. . . . Recommended.