Art History: A Critical Introduction to Its Methods by Michael HattArt History: A Critical Introduction to Its Methods by Michael Hatt

Art History: A Critical Introduction to Its Methods

byMichael Hatt

Paperback | March 9, 2006

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Art History: A critical introduction to its methods provides a lively and stimulating introduction to methodological debates within art history. Offering a lucid account of approaches from Hegel to post-colonialism, the book provides a sense of art history's own history as a discipline fromits emergence in the late-eighteenth century to contemporary debates. By explaining the underlying philosophical and political assumptions behind each method, along with clear examples of how these are brought to bear on visual and historical analysis, the authors show that an adherence to a certainmethod is, in effect, a commitment to a set of beliefs and values. The book makes a strong case for the vitality of the discipline and its methodological centrality to new fields such as visual culture. This book will be of enormous value to undergraduate and graduate students, and also makes its own contributions to ongoing scholarly debates about theory and method.
Michael Hatt is Head of Research at the Yale Center for British Art and Visiting Professor in the School of History of Art, Film and Visual Media, Birkbeck College, University of London, UK. Charlotte Klonk is a Fellow at the Institute of Advanced Study in Berlin.
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Title:Art History: A Critical Introduction to Its MethodsFormat:PaperbackDimensions:264 pages, 9.09 × 6.1 × 0.59 inPublished:March 9, 2006Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0719069599

ISBN - 13:9780719069598

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Table of Contents

List of Illustrations * Acknowledgements * Introduction * A variety of interpretations: a preview * Hegel and the birth of art history * Connoisseurship * Formalism: Heinrich Wölfflin and Alois Riegl * Iconography - Iconology: Erwin Panofsky * Marxism and the social history of art * Feminism * Psychoanalysis * Semiotics * Postcolonialism * Conclusion