Artistic License: The Philosophical Problems Of Copyright And Appropriation by Darren Hudson Hick

Artistic License: The Philosophical Problems Of Copyright And Appropriation

byDarren Hudson Hick

Hardcover | April 26, 2017

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The art scene today is one of appropriation—of remixing, reusing, and recombining the works of other artists. From the musical mash-ups of Girl Talk to the pop-culture borrowings of Damien Hirst and Jeff Koons, it’s clear that the artistic landscape is shifting—which leads to some tricky legal and philosophical questions. In this up-to-date, thorough, and accessible analysis of the right to copyright, Darren Hudson Hick works to reconcile the growing practice of artistic appropriation with innovative views of artists’ rights, both legal and moral.

Engaging with long-standing debates about the nature of originality, authorship, and artists’ rights, Hick examines the philosophical challenges presented by the role of intellectual property in the artworld and vice versa. Using real-life examples of artists who have incorporated copyrighted works into their art, he explores issues of artistic creation and the nature of infringement as they are informed by analytical aesthetics and legal and critical theory. Ultimately, Artistic License provides a critical and systematic analysis of the key philosophical issues that underlie copyright policy, rethinking the relationship between artist, artwork, and the law.
 

About The Author

Darren Hudson Hick is visiting assistant professor of philosophy at Texas Tech University. He is the author of Introducing Aesthetics and the Philosophy of Art and the coeditor of The Aesthetics and Ethics of Copying.  
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Details & Specs

Title:Artistic License: The Philosophical Problems Of Copyright And AppropriationFormat:HardcoverDimensions:240 pages, 9 × 6 × 0.7 inPublished:April 26, 2017Publisher:University Of Chicago PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:022646010X

ISBN - 13:9780226460109

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Extra Content

Table of Contents

Acknowledgments

Introduction

One / Culture Clashes

Two / Ontology, Copyright, and Artistic Practice

Three / The Myth of Unoriginality
Four / Authorship, Power, and Responsibility
Five / Toward an Ontology of Authored Works
Six / The Rights of Authors
Seven / The Rights of Others
Eight / Appropriation and Transformation
Afterword

Notes

Bibliography

Index

Editorial Reviews

“Hick examines a range of key concepts central to intellectual property law, including authorship, works, originality, and infringement. The book is especially rich with detailed examples from the real art world, as well as numerous legal cases involving these works, well-informed with philosophical insights. It has enormous potential to address an area of growing interest among not only philosophers, but also legal theorists and the art world.”