Authorship and Appropriation: Writing for the Stage in England, 1660-1710 by Paulina KewesAuthorship and Appropriation: Writing for the Stage in England, 1660-1710 by Paulina Kewes

Authorship and Appropriation: Writing for the Stage in England, 1660-1710

byPaulina Kewes

Hardcover | September 1, 1998

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Authorship and Appropriation is the first full-length study of the cultural and economic status of playwriting in the later seventeenth and early eighteenth centuries, and argues that the period was a decisive one in the transition from Renaissance conceptions of authorship towards modernones. In Shakespeare's time, the creative originality and independence of voice had been little prized. Playwrights had appropriated materials from earlier writings with little censure, while the practice of collaboration among dramatists had been taken for granted. Paulina Kewes demonstrates that,in the decades following the Restoration, those attitudes were challenged by new conceptions of dramatic art which required authors to be the sole begetters of their works. This book explores a series of developments in the theatrical marketplace which increased both the rewards and the prestige of the dramatist, and shows the Restoration period to have been one of serious and animated debate about the methods of playwriting. Against that background, Kewes offers afresh account of the formation of the canon of English drama, revealing how the moderns - Dryden, Otway, Lee, Behn, and then their successors Congreve, Vanbrugh, and Farquhar - acquired an esteem equal, even superior, to their illustrious predecessors Shakespeare, Jonson, and Fletcher.
Paulina Kewes is a Lecturer in English, Department of English at University of Wales, Aberystwyth.
Title:Authorship and Appropriation: Writing for the Stage in England, 1660-1710Format:HardcoverPublished:September 1, 1998Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0198184689

ISBN - 13:9780198184683


Table of Contents

A Note on Dates and TextsPrologue1. The Playwright and the Marketplace2. The Proprieties of Appropriation3. Plagiarism and Property4. Collaboration5. The CanonEpilogueAppendix A: Dramatic Collaboration, 1590-1720Appendix B: Collected Editions of Plays, 1604-1720BibliographyIndex of PlaysGeneral Index

Editorial Reviews

`the enormous strength of this monograph is the close attention given to the detail of the market as it developed.'Malcolm Kelsall, The Yearbook of English Studies (31)