B Is for Bad Cinema: Aesthetics, Politics, and Cultural Value

March 1, 2014|
B Is for Bad Cinema: Aesthetics, Politics, and Cultural Value by Claire Perkins
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B Is for Bad Cinema continues and extends, but does not limit itself to, the trends in film scholarship that have made cult and exploitation films and other "low" genres increasingly acceptable objects for critical analysis. Springing from discussions of taste and value in film, these original essays mark out the broad contours of "bad"-that is, aesthetically, morally, or commercially disreputable-cinema. While some of the essays share a kinship with recent discussions of B movies and cult films, they do not describe a single aesthetic category or represent a single methodology or critical agenda, but variously approach bad cinema in terms of aesthetics, politics, and cultural value. The volume covers a range of issues, from the aesthetic and industrial mechanics of low-budget production through the terrain of audience responses and cinematic affect, and on to the broader moral and ethical implications of the material. As a result, B Is for Bad Cinema takes an interest in a variety of film examples-overblown Hollywood blockbusters, faux pornographic works, and European art house films-to consider those that lurk on the boundaries of acceptability.
Claire Perkins is Lecturer in Film and Television Studies at Monash University in Melbourne, Australia. She is the author of American Smart Cinema and the coeditor (with Verevis) of Film Trilogies: New Critical Approaches. Constantine Verevis is Associate Professor in Film and Television Studies at Monash University. His previous books...
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Title:B Is for Bad Cinema: Aesthetics, Politics, and Cultural Value
Format:Hardcover
Product dimensions:274 pages, 9 X 6 X 1 in
Shipping dimensions:274 pages, 9 X 6 X 1 in
Published:March 1, 2014
Publisher:State University of New York Press
Language:English
Appropriate for ages:All ages
ISBN - 13:9781438449951

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