Becoming: The Photographs of Clementina, Viscountess Hawarden by Carol MavorBecoming: The Photographs of Clementina, Viscountess Hawarden by Carol Mavor

Becoming: The Photographs of Clementina, Viscountess Hawarden

byCarol Mavor

Paperback | August 1, 1999

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Clementina, Viscountess Hawarden (1822-1865) produced over eight hundred photographs during her all-too-brief life. Most of these were portraits of her adolescent daughters. By whisking away the furniture and bric-a-brac common in scenes of upper-class homes of the Victorian period, Lady Hawarden transformed the sitting room of her London residence into a photographic studio--a private space for taking surprising photos of her daughters in fancy dress. In Carol Mavor's hands, these pictures become windows into Victorian culture, eroticism, mother-daughter relationships, and intimacy.
With drama, wit, and verve, Lady Hawarden's girls, becoming women, entwine each other, their mirrored reflections and select feminine objects (an Indian traveling cabinet, a Gothic-style desk, a shell-covered box) as homoerotic partners. The resulting mise-en-scene is secretive, private, delicious, and arguably queer--a girltopia ripe with maternality and adolescent flirtation, as touching as it is erotic. Luxuriating in the photographs' interpretive possibilities, Mavor makes illuminating connections between Hawarden and other artists and writers, including Vermeer, Christina Rossetti, George Eliot, Lewis Carroll, and twentieth-century photographers Sally Mann and Francesca Woodman. Weaving psychoanalytic theory and other photographic analyses into her work, Mavor contemplates the "experience" of the photograph and considers the relationship of Hawarden's works to the concept of the female fetish, to voyeurism, mirrors and lenses, and twins and doubling. Under the spell of Roland Barthes, Mavor's voice unveils the peculiarities of the erotic in Lady Hawarden's images through a writerly approach thatremembers and rewrites adolescence as sustained desire.
In turn autobiographical, theoretical, historical, and analytical, Mavor's study caresses these mysteriously ripped and scissored images into fables of sapphic love and the real magic of photography.

Title:Becoming: The Photographs of Clementina, Viscountess HawardenFormat:PaperbackDimensions:213 pages, 9.14 × 6.18 × 0.76 inPublished:August 1, 1999Publisher:Duke University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0822323893

ISBN - 13:9780822323891

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Editorial Reviews

"Certain photographs, by virtue of composition, light, or subject, have the ability to draw a viewer into another world, to make one yearn for intimate knowledge of the photographer and the subject, to cause a kind of minor obsession of seeing, where simple viewing is never enough. The elegant and enigmatic photographs of Clementina, Vicountess Hawarden (1822-1865) possess this power, especially for Carol Mavor, whose passionate writing about the Victorian socialite's private work illuminates more than just a single important woman photographer whom history has overlooked. It also addresses a myriad of intermingled issues that the photographs invoke: gender, motherhood, sexuality, loss, illusion, and fetish. . . . Combining autobiography with scholarly study, Mavor is unflinchingly honest in describing how these images affect her . . . . Even when delving into how Hawarden can be compared to Vermeer or Lewis Carroll, Mavor maintains a gripping and breathless tone, inviting the reader into her beautiful compulsion and unveiling the gorgeous nuances behind Hawarden's portraits." --"Foreword"