Beyond Reformation?: An Essay On William Langland's Piers Plowman And The End Of Constantinian Christianty by David AersBeyond Reformation?: An Essay On William Langland's Piers Plowman And The End Of Constantinian Christianty by David Aers

Beyond Reformation?: An Essay On William Langland's Piers Plowman And The End Of Constantinian…

byDavid Aers

Paperback | November 15, 2015

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In Beyond Reformation? An Essay on William Langland’s Piers Plowman and the End of Constantinian Christianity, David Aers presents a sustained and profound close reading of the final version of William Langland’s Piers Plowman, the most searching Christian poem of the Middle Ages in English. His reading, most unusually, seeks to explore the relations of Langland's poem to both medieval and early modern reformations together with the ending of Constantinian Christianity.

Aers concentrates on Langland’s extraordinarily rich ecclesiastic politics and on his account of Christian virtues and the struggles of Conscience to discern how to go on in his often baffling culture. The poem’s complex allegory engages with most institutions and forms of life. In doing so, it explores moral languages and their relations to current practices and social tendencies. Langland’s vision conveys a strange sense that in his historical moment some moral concepts were being transformed and some traditions the author cherished were becoming unintelligible. Beyond Reformation? seeks to show how Langland grasped subtle shifts that were difficult to discern in the fourteenth century but were to become forces with a powerful future in shaping Western Christianity.

The essay form that Aers has chosen for his book contributes to the effectiveness of the argument he develops in tandem with the structure of Langland’s poem: he sustains and tests his argument in a series of steps or “passus,” a Langlandian mode of proceeding. His essay unfolds an argument about medieval and early modern forms of Constantinian Christianity and reformation, and the way in which Langland's own vision of a secularizing, de-Christianizing late medieval church draws him toward the idea of a church of “fools,” beyond papacy, priesthood, hierarchy, and institutions. For Aers, Langland opens up serious diachronic issues concerning Christianity and culture. His essay includes a brief summary of the poem and modern translations alongside the original medieval English. It will challenge specialists on Langland's poem and supply valuable resources of thought for anyone who continues to struggle with the church of today.

“David Aers, as a master interpreter, shows us how he reads Langland and, while doing so, instructs us in how to read. His brilliant essay models for us how it is possible, and indeed desirable, to open the usually well-policed border between theological reflection and literary analysis and thereby aim at a fuller reading of what a life of faith encompasses. Along the way, we gain an appreciation of William Langland’s formidable Middle English epic masterpiece, Piers Plowman, and the riches it repays our careful attention.”  
James Wetzel, Augustinian Endowed Chair in the thought of St. Augustine and Professor of Philosophy, Villanova University
David Aers is James B. Duke Professor of English and Historical Theology with appointments in both the English Department and in the Divinity School at Duke University. His many publications include Sanctifying Signs: Making Christian Tradition in Late Medieval England (2004) and Salvation and Sin: Augustine, Langland, and Fourteenth-C...
Title:Beyond Reformation?: An Essay On William Langland's Piers Plowman And The End Of Constantinian…Format:PaperbackDimensions:280 pages, 9 × 6 × 0.8 inPublished:November 15, 2015Publisher:University of Notre Dame PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0268020469

ISBN - 13:9780268020460

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Editorial Reviews

“For those of us who have committed ourselves to the life-long study of the poem, Aers’ book offers a refreshingly clean and straightforward take on it—one that focuses on . . . a strong and consistent through-line that has consequences not only for us as readers of the poem, but also for us as sometimes unwilling participants in massive and coercive hierarchies of power.” —The Medieval Review