Breaking Time's Arrow: Experiment And Expression In The Music Of Charles Ives by Matthew McdonaldBreaking Time's Arrow: Experiment And Expression In The Music Of Charles Ives by Matthew Mcdonald

Breaking Time's Arrow: Experiment And Expression In The Music Of Charles Ives

byMatthew Mcdonald

Hardcover | June 16, 2014

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Charles Ives (1874-1954) moved traditional compositional practice in new directions by incorporating modern and innovative techniques with nostalgic borrowings of 19th century American popular music and Protestant hymns. Matthew McDonald argues that the influence of Emerson and Thoreau on Ives's compositional style freed the composer from ordinary ideas of time and chronology, allowing him to recuperate the past as he reached for the musical unknown. McDonald links this concept of the multi-temporal in Ives's works to Transcendentalist understandings of eternity. His approach to Ives opens new avenues for inquiry into the composer's eclectic and complex style.

Matthew McDonald is Associate Professor of Music at Northeastern University.
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Title:Breaking Time's Arrow: Experiment And Expression In The Music Of Charles IvesFormat:HardcoverDimensions:216 pages, 9 × 6 × 0.98 inPublished:June 16, 2014Publisher:Indiana University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0253012732

ISBN - 13:9780253012739

Reviews

Table of Contents

Preface
Acknowledgements
Introduction: Ives and Time
Part I: Three Dualities
1. God/Man: I Come to Thee and Psalm 14
2. Community/individual: Sonata No. 1 for Piano and String Quartet No. 2
3. Intuition/expression: "Nov. 2, 1920" and "Grantchester"
Part II: Contexts and Methodologies
4. Elements of Narrative: The Unanswered Question
5. Ives and the Now: "The Things Our Fathers Loved"
6. Cumulative Composition: Ives's Emerson Music
Notes
Bibliography
Index

Editorial Reviews

McDonald brings together analytic and personal factors to sharpen the image of the composer in convincing ways. . . . This book . . . deserves a close reading. The bibliography provides a select list of scores and recordings as well as articles, books, catalogues, and unpublished commentaries. This book is recommended for college and university libraries and for readers with a music theory background.