Brian Eno: Oblique Music by Sean AlbiezBrian Eno: Oblique Music by Sean Albiez

Brian Eno: Oblique Music

EditorSean Albiez, David Pattie

Paperback | August 11, 2016

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On the back of his published diary Brian Eno describes himself variously as: a mammal, a father, an artist, a celebrity, a pragmatist, a computer-user, an interviewee, and a 'drifting clarifier'. To this list we might add rock star (on the first two Roxy Music albums); the creator of lastingly influential music (Another Green World; Music for Airports); a trusted producer (for Talking Heads, U2, Coldplay and a host of other artists); the maker of large-scale video and installation artworks; a maker of apps and interactive software; and so on. He is one of the most feted and influential musical figures of the past forty years, even though he has described himself on more than one occasion as a non-musician. This volume examines Eno's work as a musician, as a theoretician, as a collaborator, and as a producer. Brian Eno is one of the most influential figures in popular music; an updated examination of his work on this scale is long overdue.
Sean Albiez is Senior Lecturer in Popular Music at Southampton Solent University, UK David Pattie is Professor in Drama in the Department of Performing Arts at the University of Chester, UK.
Brian Eno: Oblique Music
Brian Eno: Oblique Music

by Sean Albiez

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Title:Brian Eno: Oblique MusicFormat:PaperbackDimensions:296 pages, 9 × 6 × 0.75 inPublished:August 11, 2016Publisher:BloomsburyLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:144112912X

ISBN - 13:9781441129123

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Table of Contents

Introduction: Brian Eno: A problem of organization - David Pattie and Sean Albiez PART ONE - Eno: Composer, musician and theorist 1 The Bogus Men: Eno, Ferry and Roxy Music - David Pattie 2 Brian Eno, non- musicianship and the experimental tradition - Cecilia Sun 3 Taking the studio by strategy- David Pattie 4 Between the avant- garde and the popular: The discursive economy of Brian Eno's musical practices - Chris Atton 5 Yes, but is it music? Brian Eno and the definition of ambient music - Mark Edward Achtermann 6 The Lovely Bones: Music from beyond - Hillegonda C. Rietveld 7 The voice and/of Brian Eno - Sean Albiez PART TWO - The University of Eno: Production and collaborations 8 Before and after Eno: Situating 'The Recording Studio as Compositional Tool' - Sean Albiez and Ruth Dockwray 9 Control and surrender: Eno remixed - collaboration and Oblique Strategies - Kingsley Marshall and Rupert Loydell 10 Avant-gardism, 'Africa' and appropriation in My Life in the Bush of Ghosts - Elizabeth Ann Lindau 11 Eno and Devo - Jonathan Stewart 12 Another Green World? Eno, Ireland and U2 - Noel McLaughlin 13 Documenting no wave: Brian Eno as urban ethnographer - Martin James Select Discography

Editorial Reviews

Specialists in English, media, film and television have also been invited to take part in this conversation, which feels authentic to the spirit of Eno ... [T]he book mulls over those necessary questions that anyone thinking about Eno must eventually face.