But Enough About Me: Why We Read Other People's Lives by Nancy Miller

But Enough About Me: Why We Read Other People's Lives

byNancy Miller

Paperback | August 21, 2002

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In her latest work of personal criticism, Nancy K. Miller tells the story of how a girl who grew up in the 1950s and got lost in the 1960s became a feminist critic in the 1970s. As in her previous books, Miller interweaves pieces of her autobiography with the memoirs of contemporaries in order to explore the unexpected ways that the stories of other people's lives give meaning to our own. The evolution she chronicles was lived by a generation of literary girls who came of age in the midst of profound social change and, buoyed by the energy of second-wave feminism, became writers, academics, and activists. Miller's recollections form one woman's installment in a collective memoir that is still unfolding, an intimate page of a group portrait in process.

About The Author

Nancy K. Miller is distinguished professor of English and comparative literature at the Graduate Center of the City University of New York. She is the author of Bequest and Betrayal, Getting Personal, and other books.
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Details & Specs

Title:But Enough About Me: Why We Read Other People's LivesFormat:PaperbackDimensions:160 pages, 8.75 × 1 × 0.68 inPublished:August 21, 2002Publisher:Columbia University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0231125232

ISBN - 13:9780231125239

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Table of Contents

1. But Enough About Me, What Do You Think of My Memoir?2. Decades3. Circa 19594. The Marks of Time5. "Why Am I Not that Woman?''Epilogue: My Grandfather's Cigarette Case, or What I Learned in Memphis

Editorial Reviews

Miller's book seems more than its sum, larger than its slim weight in the hand... fascinating... poignant... looms large. But Enough About Me is doubly graced: being both a brilliant comic memoir about coming of age in the 1950s and 1960s and a passionate defense of the autobiographer's art. Nancy K. Miller has been writing extraordinary books for some time now, but for eloquence, daring, and sheer moral sentience her new book comes as close to perfection as anything she has done. She is profound on the subject of what 'life-writing' means for women-she thinks it, paradoxically, our best rebuke to narcissism and self-absorption-then proves it by way of a personal narrative in which wit, truthfulness, and a deep respect for the lives of others combine in an equal and inspiriting measure.