Cézanne/Pissarro, Johns/Rauschenberg: Comparative Studies on Intersubjectivity in Modern Art by Joachim PissarroCézanne/Pissarro, Johns/Rauschenberg: Comparative Studies on Intersubjectivity in Modern Art by Joachim Pissarro

Cézanne/Pissarro, Johns/Rauschenberg: Comparative Studies on Intersubjectivity in Modern Art

byJoachim Pissarro

Hardcover | July 24, 2006

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This book presents a comparative study of two pairs of collaborative artists who worked closely with one another. The first pair, Cézanne and Pissarro, contributed to the emergence of modern art. The second pair, Johns and Rauschenberg, contributed to the demise of modern art. In each case, the two artists entered into a rich and challenging artistic exchange and reaped enormous benefits from this interaction. Joachim Pissarro's comparative study suggests that these interactive dialogues were of great significance for each artist as well.
Joachim Pissarro is Curator in the Department of Painting and Sculpture at the Museum of Modern Art, New York. He is the author of many articles and books on aspects of modern art, and has contributed to several exhibition catalogues, most recently Then and Now and Later: Art Since 1945 at Yale.
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Title:Cézanne/Pissarro, Johns/Rauschenberg: Comparative Studies on Intersubjectivity in Modern ArtFormat:HardcoverDimensions:330 pages, 9.96 × 6.97 × 0.94 inPublished:July 24, 2006Publisher:Cambridge University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0521836409

ISBN - 13:9780521836401

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Table of Contents

Introduction; 1. Beginnings: Pissarro and Cézanne, Johns and Rauschenberg; 2. Modernism as a chain of crests; 3. The self in relation to the other; 4. Dialogs: intersubjectivity at work between Pissarro and Cézanne, Johns and Rauschenberg; 5. What would happen if artists were to rewrite art history?; Conclusion.