Camera Works: Photography and the Twentieth-Century Word by Michael NorthCamera Works: Photography and the Twentieth-Century Word by Michael North

Camera Works: Photography and the Twentieth-Century Word

byMichael North

Paperback | October 15, 2007

Pricing and Purchase Info


Earn 285 plum® points

Prices and offers may vary in store


In stock online

Ships free on orders over $25

Not available in stores


"Camera Works is about the impact of photography and film on modern art and literature. For many artists and writers, these new media offered hope of new means of representation, neither linguistic nor pictorial, but hovering in a kind of utopian space between. At the same time, the newmedia introduced a dramatic element of novelty into the age-old evidence of the senses. For the avant-garde, the challenges of the new media were the modern in its most concentrated form, but even for aesthetically unadventurous writers they constituted an element of modern experience that couldhardly be ignored. Camera Works thus traces some of the more utopian projects of transatlantic avant-garde, including the Readie machine of Bob Brown, which was to turn stories and poems into strips of linguistic film. The influence of photography and film on the avant-garde is traced from the early days of CameraWork, through the enthusiasm of Eugene Jolas and the contributors to his magazine transition, to the crisis created by the introduction of sound in the late 1920's. Subseguent chapters describe the entirely new kind of sensory enjoyment brought into modern American fiction by the new media. What Fitzgerald calls "spectroscopic gayety," the enjoyable diorientation of the senses by machine perception, turns out to be a powerful force in much American fiction.The revolutionary possibilities of this new spectatorship and its limitations are pursued through a number of examples, including Dos Passos, James Weldon Johnson, and Hemingway. Together, these chapters offer a new and substantially different account of the relationship between modern Americanliterature and the mediatized society of the early twentieth century. With a comprehensive introduction and detailed particular readings, Camera Works substantiates a new understanding of the formal and historical bases of modernism. It argues that when modern literature and art respond to modernity, on a formal level, they are responding to the intervention oftechnology in the transmission of meaning, an intervention that unsettles all the terms in the essential relationship of human consciousness to the world of phenomena.
Michael North is Professor of English at the University of California, Los Angeles. His books include The Waste Land: A Norton Critical Edition (ed.), Reading 1922: A Return to the Scene of the Modern, and The Dialect of ModernismL Race, Language, and Twentieth-Century Literature.
Title:Camera Works: Photography and the Twentieth-Century WordFormat:PaperbackDimensions:272 pages, 8.75 × 6.35 × 0.68 inPublished:October 15, 2007Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0195332938

ISBN - 13:9780195332933


Editorial Reviews

"Camera Works offers vivid new takes on literary Modernism, showing how the evolving technologies of photography and film exerted a profound and often problematic influence on the writings of the period. North's readings of even the most familiar modernist texts offer a range of excitinglyunfamiliar perspectives."--Peter Nicholls, University of Sussex