Cinema: A Visual Anthropology by Gordon GrayCinema: A Visual Anthropology by Gordon Gray

Cinema: A Visual Anthropology

byGordon Gray

Paperback | February 1, 2010

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Cinema: A Visual Anthropology provides a clear and concise summary of the key ideas, debates, and texts of the most important approaches to the study of fiction film from around the world.

The book examines ways to address film and film experience beyond the study of the audience. Cross-disciplinary in scope, Cinema uses ideas and approaches both from within and outside of anthropology to further students' knowledge of and interest in fiction film.

Including selected, global case studies to highlight and exemplify important issues, the book also contains suggested Further Reading for each chapter, for students to expand their learning independently. Exploring fundamental methods and approaches to engage this most interesting and vibrant of media, Cinema will be essential reading for students of anthropology and film.

Edited by Marcus Banks, Key Texts in the Anthropology of Visual and Material Culture is an innovative series of accessible texts designed for students. Each volume concisely introduces and analyses core topics in the study of visual anthropology and material culture from a distinctively anthropological perspective.

Gordon Gray is a Visiting Lecturer in the Department of Anthropology, Temple University. The author has conducted research on Malaysian cinema and teaches classes on fiction film as part of Temple University's Visual Anthropology program.
Title:Cinema: A Visual AnthropologyFormat:PaperbackDimensions:192 pages, 9 × 6 × 0.6 inPublished:February 1, 2010Publisher:BloomsburyLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:1845207947

ISBN - 13:9781845207946

Customer Reviews of Cinema: A Visual Anthropology

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Table of Contents

1. Series Editor's Preface (Marcus Banks)

2. Introduction

3. History of Fiction Film
i. Introduction
ii. Precursors
iii. Early cinema
iv. The 'Golden' Era of Fiction Film
v. Auteurs, Independents, and Global Blockbusters

4. Film Theory
i. Introduction
ii. Early film theory
Formalism and Ciné-Art
Expressionism
Kracauer and the Frankfurt School
Montage and Editing
iii. Critical film theories
Neo-Realism and the French New Wave
Marxism
Structuralism
Semiotics
Psychoanalsysis
iv. Literary theories
v. Film Theory

5. Context of Production
i. Introduction
ii. National cinema
iii. Third Cinema
iv. An Anthropology of Fiction Film

6. Context of Viewing
i. Introduction
ii. Reception studies
iii. Audience studies

7. Conclusion

Editorial Reviews

?Gordon Gray's Cinema: A Visual Anthropology strikes a perfect note for the contemporary exploration of visual culture. Clearly written, comprehensive, and laced with stunning images, this is a text for which professors of visual anthropology, film studies and visual culture have been waiting.? ?Paul Stoller, Professor of Anthropology at West Chester University of Pennsylvania and author of The Power of the Between: An Anthropological Odyssey?Gordon Gray amply does justice to both the disciplines of anthropology and of film studies in seeing that the value of film in the understanding of our world is not constrained by the narrow borders of disciplinary comfort zones. This book is a bold and valuable breath of fresh air? ?Benjamin McKay, Film Critic and Lecturer in Film Studies, Monash University Malaysia