Creating Black Americans: African-American History and Its Meanings, 1619 to the Present

Paperback | August 15, 2006

byNell Irvin Painter

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Here is a magnificent account of a past rich in beauty and creativity, but also in tragedy and trauma. Eminent historian Nell Irvin Painter blends a vivid narrative based on the latest research with a wonderful array of artwork by African American artists, works which add a new depth to ourunderstanding of black history. Painter offers a history written for a new generation of African Americans, stretching from life in Africa before slavery to today's hip-hop culture. The book describes the staggering number of Africans--over ten million--forcibly transported to the New World, most doomed to brutal servitudein Brazil and the Caribbean. Painter looks at the free black population, numbering close to half a million by 1860 (compared to almost four million slaves), and provides a gripping account of the horrible conditions of slavery itself. The book examines the Civil War, revealing that it only slowlybecame a war to end slavery, and shows how Reconstruction, after a promising start, was shut down by terrorism by white supremacists. Painter traces how through the long Jim Crow decades, blacks succeeded against enormous odds, creating schools and businesses and laying the foundations of ourpopular culture. We read about the glorious outburst of artistic creativity of the Harlem Renaissance, the courageous struggles for Civil Rights in the 1960s, the rise and fall of Black Power, the modern hip-hop movement, and two black Secretaries of State. Painter concludes that African Americanstoday are wealthier and better educated, but the disadvantaged are as vulnerable as ever. Painter deeply enriches her narrative with a series of striking works of art--more than 150 in total, most in full color--works that profoundly engage with black history and that add a vital dimension to the story, a new form of witness that testifies to the passion and creativity of theAfrican-American experience. * Among the dozens of artists featured are Romare Bearden, Elizabeth Catlett, Beauford Delaney, Jacob Lawrence, and Kara Walker * Filled with sharp portraits of important African Americans, from Olaudah Equiano (one of the first African slaves to leave a record of his captivity) and Toussaint L'Ouverture (who led the Haitian revolution), to Harriet Tubman and Sojourner Truth, to Martin Luther King, Jr. and Malcolm X

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Here is a magnificent account of a past rich in beauty and creativity, but also in tragedy and trauma. Eminent historian Nell Irvin Painter blends a vivid narrative based on the latest research with a wonderful array of artwork by African American artists, works which add a new depth to ourunderstanding of black history. Painter...

Nell Irvin Painter is the Edward Professor of American History at Princeton. A former Director of Princeton's Program in African-American Studies, she is the author of Sojourner Truth: A Life, A Symbol and Standing at Armageddon: The United States 1877-1919.

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Format:PaperbackDimensions:496 pages, 7.28 × 9.29 × 0.91 inPublished:August 15, 2006Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0195137566

ISBN - 13:9780195137569

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Table of Contents

Preface1. Africa and Black Americans2. Captives Transported, 1619-ca. 18503. A Diasporic People, 1630-ca. 18504. Those Who Were Free, ca. 1770-18595. Those Who Were Enslaved, ca.6. Civil War and Emancipation, 1859-18657. The Larger Reconstruction, 1864-18968. Hard-Working People in the Depths of Segregation, 1896-ca. 19199. The New Negro, 1915-193210. Radicals and Democrats, 1930-194011. The Second World War and the Promise ofInternationalism, 1940-194812. Cold War Civil Rights: 1948-196013. Protest Makes a Civil Rights Revolution: 1960-196714. Black Power, 1966-198015. Authenticity and Diversity in the Era of Hip-Hop, 1980-2004Epilogue: A Snapshot of African Americans at the Turn of the Twenty-First Century

Editorial Reviews

"Nell Irvin Painter brings her considerable skills and insight to Creating Black Americans. Her excellent introduction to the black American experience will serve any interested reader well....History, the author notes, exists in both the past and present. And Painter's compelling use of blackart...emphasizes this point to great effect....Through word and image, [she] has produced a narrative of African-American history that will profit its readers."--Kenneth R. Janken, University of North Carolina, Chapel Hill, in the New York Post