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Global Television Formats: Understanding Television Across Borders
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|June 17, 2013

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Winner of the 2013 SCMS Best Edited Collection Award For decades, television scholars have viewed global television through the lens of cultural imperialism, focusing primarily on programs produced by US and UK markets and exported to foreign markets. Global…
International Radio Journalism
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|September 11, 2002

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Radio journalists have witnessed much of the history of the twentieth century. From early documentary recordings , to the ground-breaking war reporting of Ed Murrow and Richard Dimbleby, to the sophisticated commentaries of Alistair Cooke and reporters such as…
Media, Culture and Society: An Introduction
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|December 7, 2016

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'In his beautifully balanced, clear and broad-ranging account of a fast-changing field, Paul Hodkinson has successfully brought together myriad perspectives with which to critically analyse today's media culture and media society.' – Sonia Livingstone, Professor…
Identity and Play in Interactive Digital Media: Ergodic Ontogeny
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|March 16, 2017

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Recent shifts in new literacy studies have expanded definitions of text, reading/viewing, and literacy itself. The inclusion of non-traditional media forms is essential, as texts beyond written words, images, or movement across a screen are becoming ever more…
The Rise of Transtexts: Challenges and Opportunities
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|August 25, 2016

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This volume builds on previous notions of transmedia practices to develop the concept of transtexts, in order to account for both the industrial and user-generated contributions to the cross-media expansion of a story universe. On the one hand exists industrial…
Reading Art Spiegelman
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|December 7, 2015

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The horror of the Holocaust lies not only in its brutality but in its scale and logistics; it depended upon the machinery and logic of a rational, industrialised, and empirically organised modern society. The central thesis of this book is that Art Spiegelman’s…
Race and Contention in Twenty-First Century U.S. Media
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|April 20, 2016

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This volume explores and clarifies the complex intersection of race and media in the contemporary United States. Due to the changing dynamics of how racial politics are played out in the contemporary US (as seen with debates of the "post-racial" society), as well…
Horror Film and Affect: Towards a Corporeal Model of Viewership
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|February 12, 2016

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This book brings together various theoretical approaches to Horror that have received consistent academic attention since the 1990s – abjection, disgust, cognition, phenomenology, pain studies – to make a significant contribution to the study of fictional moving…
Contemporary British Television Crime Drama: Cops on the Box
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|October 14, 2016

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Contemporary British Television Crime Drama examines one of the medium’s most popular genres and places it within its historical and industrial context. The television crime drama has proved itself capable of numerous generic reinventions and continues to enjoy…
Eisenstein Rediscovered
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|June 28, 2005

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In Eisenstein Rediscovered Ian Christie and Richard Taylor present the first true East-West symposium on Eisenstein with an unparalleled diversity of views and methodologies. Two newly discovered texts by Eisenstein are here translated fro the first time, and all…
Indigenous People and Mobile Technologies
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|October 5, 2015

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In the rich tradition of mobile communication studies and new media, this volume examines how mobile technologies are being embraced by Indigenous people all over the world . As mobile phones have revolutionised society both in developed and developing countries,…
Emotion and the Structure of Narrative Film: Film As An Emotion Machine
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|October 16, 2013

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Introduced one hundred years ago, film has since become part of our lives. For the past century, however, the experience offered by fiction films has remained a mystery. Questions such as why adult viewers cry and shiver, and why they care at all about fictional…
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