D. H. Lawrence and Difference: Postcoloniality and the Poetry of the Present

Hardcover | October 28, 2003

byAmit Chaudhuri, Tom Paulin

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This important study from the prizewinning novelist and critic Amit Chaudhuri explores D. H. Lawrence's position as a 'foreigner' in the English canon. Focusing on the poetry, Chaudhuri examines how Lawrence's works, and Lawrence himself, have been read, and misread, in terms of their'difference.' In contrast to the Leavisite project of placing Lawrence in the English 'great tradition,' this study demonstrates how Lawrence's writing brings into question the notion of 'Englishness' itself. It also shows how Lawrence's aesthetic sets him apart radically from both his Modernistcontemporaries and his Romantic forbears. The starting-point of this enquiry into Lawrentian 'difference' is, for the purposes of this study, the poetry, its stylistic features, the ways in which it has been read, and, importantly, involves a search for a critical language by which it, and its 'difference', might be addressed. In doing so,it takes recourse to Jacques Derrida's notions of 'grammatalogy' and 'ecriture', and Michel Foucault's notion of 'discourse'. Referring to Lawrence's travel writings about Mexico and Italy, his essays on European and Etruscan art, on Mexican marketplaces and rituals, and American literature, andespecially to his poetic manifesto, 'The Poetry of the Present,' this book shows how Lawrence was working towards both a theory and a practice that critique the post-Enlightenment unitary European self. Chaudhuri also, radically, allows his own post-colonial identity to inform his reading of the poetry, and to let the poems enter into a conversation with that identity. This is the first time that Lawrence's poetry has been discussed in this way, in the light of post-colonial and post-structuralisttheory; it is also the first time a leading post-colonial writer of his generation has taken as his subject a major canonical English writer, and, through him, remapped the English canon as a site of 'difference.'

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This important study from the prizewinning novelist and critic Amit Chaudhuri explores D. H. Lawrence's position as a 'foreigner' in the English canon. Focusing on the poetry, Chaudhuri examines how Lawrence's works, and Lawrence himself, have been read, and misread, in terms of their'difference.' In contrast to the Leavisite project o...

Amit Chaudhuri is a well-known novelist and critic. He writes regularly for the London Review of Books, the Times Literary Supplement, and Granta; and his works have appeared in most major publications in the world, including the New Yorker, the New Republic, the Observer, and the Guardian. In 2000, Chaudhuri was named as one of the ...

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Format:HardcoverDimensions:238 pages, 8.5 × 5.43 × 0.67 inPublished:October 28, 2003Publisher:Oxford University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0199260524

ISBN - 13:9780199260522

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Table of Contents

Introduction1. Lawrence's 'Author-God'2. Intertextuality in Birds, Beasts and Flowers3. Lawrence's Pictography4. An Alternative Aesthetic5. Conclusion: Lawrence's 'Difference' and the Working ClassBibliography