Death Be Not Proud: The Art Of Holy Attention by David MarnoDeath Be Not Proud: The Art Of Holy Attention by David Marno

Death Be Not Proud: The Art Of Holy Attention

byDavid Marno

Hardcover | December 21, 2016

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The seventeenth-century French philosopher Nicolas Malebranche thought that philosophy could learn a valuable lesson from prayer, which teaches us how to attend, wait, and be open for what might happen next. Death Be Not Proud explores the precedents of Malebranche’s advice by reading John Donne’s poetic prayers in the context of what David Marno calls the “art of holy attention.”

If, in Malebranche’s view, attention is a hidden bond between religion and philosophy, devotional poetry is the area where this bond becomes visible. Marno shows that in works like “Death be not proud,” Donne’s most triumphant poem about the resurrection, the goal is to allow the poem’s speaker to experience a given doctrine as his own thought, as an idea occurring to him. But while the thought must feel like an unexpected event for the speaker, the poem itself is a careful preparation for it. And the key to this preparation is attention, the only state in which the speaker can perceive the doctrine as a cognitive gift. Along the way, Marno illuminates why attention is required in Christian devotion in the first place and uncovers a tradition of battling distraction that spans from ascetic thinkers and Church Fathers to Catholic spiritual exercises and Protestant prayer manuals.
David Marno is assistant professor of English at the University of California, Berkeley.
Title:Death Be Not Proud: The Art Of Holy AttentionFormat:HardcoverDimensions:384 pages, 9 × 6 × 1 inPublished:December 21, 2016Publisher:University of Chicago PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:022641597X

ISBN - 13:9780226415970

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Table of Contents

1 The Pistis of the Poem
2 The Thanksgiving Machine
3 Distracted Prayers
4 Attention Exercises
5 Extentus
6 Sarcasmos
7 The Spiritual Body
Coda: The Extent of Attention

Editorial Reviews

“This will prove to be a signal book on Donne. Marno conducts a powerful critique of new historicist orthodoxy in favor of returning to a properly philosophical address to poetry, and to poetry that is itself philosophical in nature. His arguments and methods are original, his scholarship extensive and sound, and his aim—to delineate an emerging poetics of attention in Donne and the seventeenth century—is entirely successful.”