Desire in Language: A Semiotic Approach to Literature and Art by Julia KristevaDesire in Language: A Semiotic Approach to Literature and Art by Julia Kristeva

Desire in Language: A Semiotic Approach to Literature and Art

byJulia KristevaEditorLeon RoudiezTranslated byThomas Gora

Paperback | April 22, 1982

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Desire in Language traces the path of an investigation, extending over a period of ten years, into the semiotics of literature and the arts. But the essays of Julia Kristeva in this volume, though they often deal with literature and art, do not amount to either "literary criticism" or "art criticism." Their concern, writes Kristeva, "remains intratheoretical: they are based on art and literature in order to subvert the very theoretical, philosophical, or semiological apparatus."

Probing beyond the discoveries of Sigmund Freud, Jacques Lacan, Roman Jakobson and others, Julia Kristeva proposes and tests theories centered on the nature and development of the novel, and on what she has defined as a signifying practice in poetic language and pictural works. Desire in Language fully shows what Roman Jakobson has called Kristeva's "genuine gift of questioning generally adopted 'axioms,' and her contrary gift of releasing various 'damned questions' from their traditional question marks."

Julia Kristeva, internationally known psychoanalyst and critic, is Professor of Linguistics at the University de Paris VII. She has hosted a French television series and is the author of many critically acclaimed books published by Columbia University Press in translation, including Time and Sense: Proust and the Experience of Literat...
Title:Desire in Language: A Semiotic Approach to Literature and ArtFormat:PaperbackDimensions:305 pagesPublished:April 22, 1982Publisher:Columbia University Press

The following ISBNs are associated with this title:

ISBN - 10:0231048076

ISBN - 13:9780231048071


Table of Contents

PrefaceAcknowledgmentsIntroduction by Leon S. Roudiez1. The Ethics of Linguistics2. The Bounded Text3. Word, Dialogue, and Novel4. How Does One Speak to Literature?5. From One Identity to an Other6. The Father, Love, and Banishment7. The Novel as Polylogue8. Giotto's Joy9. Motherhood According to Giovanni Bellini10. Place NamesIndex

Editorial Reviews

Kristeva changes the place of things: she always destroys the latest preconception, the one we thought we could be comforted by, the one of which we could be proud; what she displaces is the illusion that it has all been said already, that is, she removes the pressure of the signified--in a word, stupidity; what she subverts is authority--that of monological science, of filiation.