Diego Velázquez's Early Paintings and the Culture of Seventeenth-Century Seville by Tanya J. TiffanyDiego Velázquez's Early Paintings and the Culture of Seventeenth-Century Seville by Tanya J. Tiffany

Diego Velázquez's Early Paintings and the Culture of Seventeenth-Century Seville

byTanya J. Tiffany

Hardcover | November 28, 2012

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Diego Velázquez spent his formative years at the center of artistic life in seventeenth-century Seville, a gateway to the New World characterized by intellectual debate, religious fervor, and mounting ethnic tensions. Yet critics have often divorced the painter’s novel style and subject matter from the city’s unique pictorial and cultural traditions. In Diego Velázquez’s Early Paintings and the Culture of Seventeenth-Century Seville, Tanya J. Tiffany demonstrates that Velázquez’s works not only engaged Seville’s social practices but also raised issues of vital importance to seventeenth-century Sevillians. As a young artist, Velázquez contended with such essential questions as women’s place in society, the nature of artistic creativity, the role of religion in everyday life, and the incorporation of racial minorities into Christianity. This study offers close readings of individual paintings with regard to their historical framework, critical context, and early reception. Through this approach, Tiffany illuminates well-known masterpieces and also highlights the fluid boundaries between high art and popular forms of visual expression.

Tanya J. Tiffany is Associate Professor of Art History at the University of Wisconsin–Milwaukee. Tanya J. Tiffany is Associate Professor of Art History at the University of Wisconsin–Milwaukee.
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Title:Diego Velázquez's Early Paintings and the Culture of Seventeenth-Century SevilleFormat:HardcoverDimensions:256 pages, 10.28 × 8.27 × 1 inPublished:November 28, 2012Publisher:Penn State University PressLanguage:English

The following ISBNs are associated with this title:

ISBN - 10:0271053798

ISBN - 13:9780271053790

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Table of Contents

Contents

List of Illustrations

Acknowledgments

Introduction: Velázquez in Pacheco’s “Gilded Cage”

1 Devotion and Desire: The Immaculate Conception and Saint John

2 Portraiture and the “Virile Woman”: Madre Jerónima de la Fuente

3 A Bodegón and a Collector: The Waterseller of Seville

4 African Slaves and Christian Salvation: The Supper at Emmaus

5 The Lure of the Court

Notes

Selected Bibliography

Index

Editorial Reviews

“The strength of Tiffany’s study is the wealth of contextual detail provided for the four genres of painting she examines. Her book offers a valuable survey of the social, intellectual and spiritual history of Seville, with a marked focus on the latter.”

—Jeremy Roe, Bulletin of Spanish Studies